Monday, November 30, 2015

Rasha'im/An Invocation/Nauseating Whiff Records/2015 Demo Review


  Rasha'im  are  a  band  from  Denver,  Colorado  that  plays  a  very  raw  and  satanic  form  of  black  metal  and  this  is  a  review  of  their  2015  demo  "An  Invocation"  which  was  released  by  Nauseating  Whiff  Records.

 A  very  distorted  sound  starts  off  the  demo  along  with  some  ritualistic  spoken  word  parts  and  melodic  occult  chanting  a  few  seconds  later  before  adding  in  grim  black  metal  screams  and  after  the  intro  the  music  goes  into a  very  fast,  raw  and  old  school  direction t hat  also  utilizes  a  great  amount  of  blast  beats.

  All  of  the  musical  instruments  on  the  recording  have  a  very  powerful  sound  to   them  and  the  songs  also  bring  in  a  great  mixture  of  slow, mid  paced  and  fast  parts  and  a  couple  of  the  tracks  are  very  long  and  epic  in  length  and  when  guitar  leads a re  utilized  they  bring  a  small  amount  of  evil sounding  melodies onto  the  recording  while  still  being  in  a  raw  direction  and  clean  playing  can  also  be  heard  at  times.

  Rasha'im  plays  a  style  of  black  metal  that  is  very  dark,  raw  and  also  brings  in  more  of an  evil  or  occult  sound  than  a  lot  of  the  modern  American  bands  and  also  brings  in  a  bit  of  the  90's  style  of  the  genre,  the  production  sounds  very  dark  and  raw  while  the  lyrics  cover  Satanism  and  Occultism  themes.

  In  my  opinion  Rasha'im  are  a  very  great  sounding  raw  and  satanic  black  metal  band  and  if  you  are a  fan  of  this  musical  genre,  you  should  check  out  this  demo.  RECOMMENDED  TRACKS  INCLUDE  "The Second  Deceiver"  and  "Tongues  Of  Black".  8  out  of  10.

 

Dor Fearfaroth Interview

1.Can you give us an update on what is going on with the band these days?
1. In this moment we are trying to prepare our material for recording, but we don’t have a rehersal place now and it stucks all the process

2.Your current album was released almost a year ago, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?
2. Our sound became more clean and heavy, it sounds a little closer to death metal, we used keyboards for the first time and clean vocals. We are trying to make the arrangement more hard and interesting.

3.What are some of the lyrical topics and subjects the band explores with the current music?
3. As the author of lyrics, I’m trying to not follow specific thematic.
I’m much closer to some abstract things, which are projected to our life.
The main ideas of the lyrics are purification and liberation. Even in a daily life of usual man you can be free of what society and religion impose to us.
It’s easy, you just can see the whole picture in general. It’s funny, but I’m propagandize denial of any dogmas.
Not even church, but occult, scientific and others. People who are worship to Jewish demons for me are not far from Christians.
Many tracks from the album, such as “Oath”, “Creator”,”Dissection” have double meaning, but you should know Russian language to understand it.
For example “Oath” is about weak , embittered man, who wants to judge the whole world.
Reciting this oath, he understand that he don’t have enough power to make it possible.
“Creator”  narrates that every power, all your doings and power what you have, will become nothing very soon.

4.I know that the band name means "The Land Of Hunting Spirits" and comes from the writings of Nick Perurnov an author that sets his stories in Tolkien's Middle Earth, can you tell us a little bit more about your interest in this writer and also are there any other fantasy authors that you have an interest in?
4. Our ex-vocalist was a fan of Nick Perumov, he was one of the founders of the band and he offered this name, we   didn’t read this writer.
We are respect Tolkien, what about other writers of this genre, we can pick out Steven Erikson.


5.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?
5. We are not  playing gigs  very often, may be 3-4 times a year. Live performances are not our main purpose, but some gigs are interesting.
For example, in march we shared the stage with notorious Forgot, Godcider, Evilwinged in neighbor city Khabarovsk. It’s nearest city to Vladivostok, 466 miles from us.
We where very pleased of the atmosphere on this gig. But usually we are hate to play for dirty punks, whores and for all people in general. Fuck them all (With rare exceptions)
What about image, we don’t have it, usual black clothes with no symbols. Symbolism is making the understanding easy and stigmatized person.

6.Do you have any touring or show plans for the future?
6. No plans. We are living in ass of the world.

7.Can you tell us a little bit more about 'Yar Productions'?
7. Yar Production are our old partners, we have known them for 10 years and we always had their support, they’re helped us with release of our second album.

8.On a worldwide level how has the feedback been to your music by fans of black and pagan metal?

8. We have contact only with our comrades from Komsomolsk, that’s all. We are alone

9.What is going on with the other band 'Gaktungar' these days that shares most of the same band members?
9. In this moment Gaktungar project is frozen, but we have new material for the next album.
We are planning to release some songs as a split with Veligore and full length after it.
In the beginning this project was as alternative to Dor Feafaroth, more creative freedom in those moment when we didn’t have a live drummer. Now we have  a drummer and we are working hard in Dor Feafaroth, now we refuse keyboards and add the second guitar. Now our material is more hard and melodic.
We are working hard, sharpening every note.

10.Where do you see the band heading into musically during the future?
10. Music is alive, it exists independently of us. What would happen next is unknown he, he, he.

11.What are some of the bands or musical styles that have had an influence on your music on also what are you listening to nowadays?
11.  We have not so many influences, everything’s in in classic and main stream:
Emperor (especially late), Belphegor, Dissection, Limbonic Art, ,may be Marduk, Satyricon, to some extent even Ihsahn.

12.How would you describe your Anti Christian and Pagan views?
12. We have nothing to do with paganism. Shortly speaking, we’re think that religion is the worse shit, made by humanity.

13.Before we wrap up this interview, do you have any final words or thoughts?
13.  Don’t listen to oldfags, use your head and listen to good music.

Blliigghhtted/Kosmoskampf/Merdumgiriz/2015 CD Review


  Turkey's  Blliigghhtted  have  returned  with  a  new  album t hat  shows  the  band  going  into  an  epic  occult  black  metal  direction  and  this  is  a  review  of  their  2015  album  "Kosmokampf"  which  was  released  by  Merdumgiriz.

  A  very  dark  and  heavy  distorted  guitar  sound  starts  off  the  album  along  with  some  drum  beats  and  after  a  minute  deep  yet  grim  black  metal  screams  make  their  presence  known  on  the  recording  along  with  some  operatic  clean  singing  also  being  utilized  at  times  and  the  solos  and  leads  also  bring  a  very  raw  yet  melodic  sound  to  the  music.

  All  of  the  tracks  are  very  long  and  epic  in  length  and  when  the  music  speeds  up  it  has  more  of an  old  school  black  metal  vibe  along  with  a  great  amount  of  blast  beats  and  some  of  the  slower  riffs  also  bring  in  a  touch  of  doom  metal and  the  guitar  riffs  also  bring  in  a  great  amount  of  dark  sounding  melodies  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid paced  and  fast  parts  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.   

  On  this  recording  Blliigghhtted  goes  into  a  different  direction  than  their  previous  recordings  going  for  more  of  a  pure  occult  black  metal  sound  that  is  very  heavily  rooted  in  the  early  90's  the  production  sounds  very  dark,  raw  and  old  school  while  the  lyrics  cover  Sumerian  Mythology  and  Occultism  themes.

  In  my  opinion  this  is  another  great  sounding  album  from  Blliigghhtted  and  if  you  are  a  fan  of  occult  black  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "In  Absu's  Absent  Presence"  and  "Nepheshous".  8  out  of  10.

Sunday, November 29, 2015

The Body/Krieg/Self Titled/At A Loss Recordings/2015 Split CD Review


  This  is  a  review  of  an  album  where  Oregon's  sludge  metal  legends  team  up  with  the  legendary  United  States  black  metal  act  and  mix  their  2  different  style  together  to  create  something  very  original  and  this  is  a  review  of  their  self  titled  collaboration  which  was  released  in  2015  by  At  A  Loss  Recordings.

  A  very  distorted  harsh  noise  reverb  starts  off  the  album  along  with  some  elements  of  sludge  a  few  seconds  alter  and  when  the  music  speeds  up  and  adds  in  high  pitched  screams  the  black  metal  elements  really  start  to  kick  in  and  the  vocals  also  get  very  depressive  and  suicidal  at  times  and  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording.

  At  times  the  music  can  be  very  experimental  along  with  one  of  the  tracks  being  very  long  and  epic  in  length and  they  also  mix  in  a  lot  of  percussion's  and  elements  of  80's  industrial  and noise  rock  and  the  slower  riffs  are  very  heavily influenced  by  doom  metal  and  clean  playing  can  be  heard  in  certain  sections  of  the  recording  and  some  songs  also  bring  in  angry  sludge  style  shouts and  screams  and  there  is  also  a  brief use  of  synths  and  a  touch  of  funeral  doom  metal  as  the  album  progresses.

  The  Body  and  Krieg  take  the  black  and  sludge  metal  sounds  of  their  own  styles  and  mix  in  elements  of  noise,  industrial  and  experimental  to  create  something  that  is  very  different  from  both  of  the  groups  while  the  lo-fi  black  metal  elements  that  where  present  on t he  earlier  Krieg  material  is  actually  brought  into t he  music  at  times,  the  production  sounds  very  dark  and  raw  while  the  lyrics  cover  dark,  depressive  and  angry  themes.

  In  my opinion  this  is  a  very  great  sounding  collaboration  from  Krieg  and  the  Body  and  if  you  are  a  fan  of  both  bands  and  experimental  music,  you  should  enjoy  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Carved  In  And Caved  Out"  "Gallows"  and  "The  Final Nail".  8  out  of  10.      

Saturday, November 28, 2015

Eye Of Nix/Moros/Belief Mower/2015 CD Review


  Eye  Of  Nix  are  a  band  from  Washington  that  plays  a  mixture  of  raw  and  atmospheric black  metal,  crust  and  sludge  and  this  is  a  review  of  their  2015  album  "Moros"  which  was  released  by  Belief  Mower.

  Clean  playing  starts  off  the  album  along  with  some  melodic,  operatic  female  vocals  a  few  seconds  later  and  after  awhile  drums  make  their  presence  known which  also  leads  up  to  a  heavier musical  direction  and  when  the  music  speeds  up  it  goes  for  a  very  fast  raw  black  metal  sound  and  also  utilizes a  great  amount  of  blast  beats.

  When  screams  are  utilized  they  mix  black  metal  and  crust/grind  together  and  the  songs  also  bring  in  a  great  mixture  of  slow, mid  paced  and  fast  parts  while  the  slower  sections  are  very  heavily  influenced  by  sludge  and  doom  metal  and  they  also  alternate  between  both  clean  and  heavy  parts  quite  a  bit  throughout  the  recording.

  Some  songs  also  bring  in  elements  of  harsh  noise  and  some  of the  tracks  are  very  long  and  epic  in  length  and  as  the  album  progresses  death  metal  growls  and  early  90's  indie  rock  influences  can  be  heard  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them and  when  spoken  word  parts  are  utilized  they  give  the  music  more  of  a  ritualistic  feeling.

  Eye  Of  Nix  plays  a  musical  style  that  takes  raw  black  metal  and  mixes  it  with  sludge,  crust,  operatic  vocals,  experimental  and  art  rock  to  create  a  style  of  their  own,  the  production  sounds  very  dark  yet  heavy,  while  the  lyrics  cover  dark  themes.

  In  my  opinion  Eye  Of  Nix  are  a  very  great  sounding  mixture  of  black  metal,  crust  and  sludge  and  if  you  are  a  fan  of  those musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "We  Perish'  "Shroud"  and  "Rome  Burned".  8  out  of  10.

Friday, November 27, 2015

Aevangelist/Enthrall To The Void Of Bliss/20 Buck Spin/2015 CD Review


  Aevangalist  are  a  band  with  members  from  both  Oregon  and  Illinois  that  plays  an  occult  and  experimental  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2015  album  "Enthrall  To  the  Void  Of  Bliss"  which  was  released  by  20  Buck  Spin.

  A  very  dark,  distorted  and  melodic  guitar  lead  starts  off  the  album  along  with  some  avant  garde  sound  effects  and  after  a  couple  of  minutes  the  music  starts  getting  heavier  along  with  a  mixture  of  black  metal  screams  and  death  metal  growls  and  the  faster  sections  bring  in  a great  amount  of  blast  beats  and  most  of  the  tracks  are  very  long  and  epic  in  length.

  At  times  the  music  can  be  very  experimental  and  when  solos  and  leads  are  utilized  they  are  very  dark  and  melodic  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  there  are  also some  melodic  chants  also  being  utilized  at  times and  the  music  also  mixes  in  a  great  amount  of  atmospheric  elements  and  when  spoken  word  parts  are  utilized  they give  the  music  more  of  a  ritualistic  feeling  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  as  the  album  progresses  elements  of  ambient  can  be  heard  and  saxophones  can  be  heard  on  the  last  track.. 

  Aevangalist  plays  a  style  of  black/death  metal  that  is  very  dark  and  experimental  sounding  building upon  the  evil  style  of  the  genre  and  taking  it  to  new  levels,  the  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  Occultism,  Left  Hand  Path,  and  Mysticism  themes.

  In  my  opinion  Aevangalist  are  a  very  great  sounding  experimental  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Arcanae  Manifesta"  "Levitating  Stones"  and  "Manifestation  of  Transcendental  Evil".  8  out  of  10.   

Cloak Of Alternating/Manifestation/Crucial Blast/2015 CD Review


  Netherlands's  Cloak  Of  Altering  are  a  solo  project  that  has  been  featured  in  this  zine  and  plays  an  avant  garde  mixture  of   atmospheric  occult  black  metal,  noise,  ambient,  and  industrial  and  this  is  a  review  of  his  2015 album  "Manifestation"  which  will  be  released  in  December  by  Crucial  Blast.

  Dark  ambient  drones  start   off  the  album  along  with  some  atmospheric  synths  and  after  the  intro  the  music  starts  bringing  in  the  feeling  of  a  horror  movie  soundtrack  along  with  the  guitar  riffs  bringing  in  a  great  amount  of  melody  before  adding  in  high  pitched  black  metal  screams  and  elements  of  noise.

  All  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  some  of  the  tracks  are  very  long  and  epic  in  length  and  a  lot  of  avant  garde  and  experimental  influences  are  present  throughout  the  recording  and  there  are  also  some  death  metal  growls  being  brought  in  times  and  some  songs  also  bring  in  spoken  word  samples.

  At  times  the  high  pitched screams  get  very  depressive  and  suicidal and  the  fast  parts  also  bring  in  blast  beats  and  the  songs  also  bring  in  a  great mixture  of slow, mid  paced  and fast  playing  along  with  a  great  amount  of  diversity  and  some  songs  also  add  in  elements  of  doom  and  symphonic  black  metal. 

  Cloak  Of  Altering  creates  another  album  that  is  very  diverse  being  mostly  rooted  in  black  metal  but  also  mixing  in  doom,  symphonic,  ambient,  industrial,  noise,  experimental  and  avant   garde  elements  to  create  a  very  diverse  and  original  recording,  the  production  sounds  very  powerful  while  the  lyrics  cover  Occultism,  Darkness  and  Nightmare  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Cloak  Of  Altering  and  if  you  are  a  fan  of  experimental  and  avant  garde  black  metal,  you  should  enjoy  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Manifestations"  "Cave  Systems  Of  The  Outer  Moons"  and  "Parasitic  Altering  Sickness".  8  out  of  10.

Teloch Vovin/Further Down The Tunnel/2015 EP Review


  New  York's  Teloch  Vovin  have  returned  with  a  new  recording  that  continues  the  old  school  black  metal  style  of  previous  recordings  and  this  is  a  review  of  their  self  released  2015  ep  "Further  Down  the  Tunnel".

  Clean  playing and  evil  keyboards  start  off  the  ep  and  after  the  intro  distorted  reverb's  black  metal  screams  and  heavy  guitars  make  their  presence  known  along  with  some  melody  being  used  at  times  and  when  the  music  speeds  up  it  brings  in  more  of  a  raw  side  of  the  genre  along  with  some  blast  beats.

  Deep  death  metal  growls  can  be  heard  at  times  and  the songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  tracks  being  very long  and  epic  in  length  and  the  music goes  for  more  of  a  90's  style  of  black  metal  and  some  of  the  slower  riffs  add  in  a  touch  of  doom  metal  and  there  are  also  some  ritualistic  sound  effects  being  utilized  at  times  that  give  the  music  a the  atmosphere  of  a  70's  horror  movie  soundtrack  along  with  a  brief  use  of  spoken  word  parts  and  the  last  track  brings  in  a  brief  use  of  melodic  chants.   

  Teloch  Vovin  creates  another  occult  black  metal  recording  that  is  mostly  rooted  in  the  90's  but  also  mixes  in  ritualistic  music  to  update  the  style  for  modern  days,  the  production  sounds  very  raw,  old  school  and  heavy  while  the  lyrics  cover  Thesitic  occultism,  Left  hand  Path  philosophies,  derpession  and  hatred.

  In  my  opinion  this  is  another  great  sounding  recording  from Teloch  Vovin  and  if  you  are  a  fan  of  occult  black  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Thaumiel"  and  "Adoration/Vexation".  8  out  of  10.   

Thursday, November 26, 2015

Deuil/Shock/Deny/ConSouling Sounds/2015 CD Review


  Deuil  are  a  band  from  Belgium  that  has  been  featured  before  in  this  zine  and  plays  a  mixture  of  post  black  metal,  sludge  and  ambient  and  this  is  a  review  of  their  2015  album  "Shock/Deny"  which  was  released  by  ConSouling  Sounds.

  A  very  distorted  drone  and  chants  start  off  the  album  before  adding  in  a  heavy  bass  guitar  sound  and  whispers  and  once  the  guitars  kick  in  the  music  goes  for  more  of  a  sludge  style  along  with  some  high  pitched  black  metal  screams  and  post  metal  style  melodies  and  both  of  the  tracks  are  very  long  and  epic  in  length.

  Elements  of  modern  atmospheric  black  metal  can  be  heard  throughout t he  recording  while  the  fast  parts  bring  in  a  more  raw  take  of  the  genre  along  with  a  great  amount  of  blast  beats  that  also  add  in  a  Cascadian  feeling  at  times   while  the  solos  and  leads  are  very  distorted  and  melodic  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  the  music  also  brings  in  elements  of  ambient  into  some  parts  of  the  songs  and  a  brief  use  of  spoken word  parts  are  brought  onto  the  last  track.

  Deuil  creates  another  recording  that  takes  a  very  modern  and  atmospheric  style  of  post  black  metal  and  mixes  in  some  of  the  darkness  and  heaviness  of  sludge  and  doom  as  well  as  mixing  in  traces  of  ambient  and  drone  to  create  a  very  heavy  and  dark  recording,  the  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  angry  themes.

  In  my  opinion  this  is  another  great  sounding  album  from  Deuil  and  if  you  are  a  fan  of  atmospheric  black  metal  and  sludge,  you  should  enjoy  this  recording.  RECOMMENDED TRACK  "Deny".  8  out  of  10.

Amiensus/Ascension/2015 CD Review


  Amiensus  are  a  band  with  members  from  both  Washington  and  Minnesota  that  plays  an  atmospheric  and  progressive  form  of  post  black  metal  and  this  is  a  review  of  their  self  released  2015  album  "Ascension".

  A  very  distorted  and  melodic  sound  starts  off  the  album  before  adding  in  more  of  a  fast  and raw  black  metal  sound  that  also  utilizes  a  great  amount  of  blast  beats  as  well  as  having  synths  in the  background  that  also  gives  the  music  more  of  an  atmospheric edge  and  the  vocals  are  mostly  grim  screams.

  Most  of  the  tracks  are  very  long  and  epic in  length  and  they also add  in  melodic  female  vocals  at  times  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  death  metal  growls  being  added  into certain  sections  of  the  recording  and  the  acoustic  guitars  give  the  music  more  of  a  progressive  edge.

  Elements  of  gothic  and  doom  metal  can  be  heard  in  the  bands  musical  style  while  the  guitar  solos  and  leads  remain  true  to  a  very  melodic  musical  direction  and  clean singing  male  vocals  can  also  be  heard  at  times  as  well  as  a  brief  use  of  whispers  and  some  songs  also  add  in  a  touch  of  symphonic  black  metal  which  they mix  with  the  more  modern  atmospheric  style  of  the  genre  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  some  of  the  growls  are  what  you  would  expect  from  either  a  modern  melodic  death  metal  or  metalcore  recording  and  they  also  bring  in  a  brief  instrumental  before  the  last  track.

  Amiensus  plays  a  musical  style  that  takes  the  more  progressive,  and  atmospheric sides  of  post  black  metal  and  mixes it  with  a  touch  of  goth,  doom  and  melodic  death  metal  to  create  a  musical  style  of t heir  own,  the  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  cover  philosophy,  theology,  psychology  and  mythology  themes.

  In  my  opinion  Amiensus  are  a  very  great  sounding  atmospheric  and  progressive  post  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "On  These  Deserted  Plains"  "One  In  Spirit"  and  "What  Evil  Lay  Dormant".  8  out  of  10.

 

Cryostasium Interview

1.Can you give us an update on what is going on with the musical project these days?

These days I'm still recording, still writing songs like a motherfucker, all different styles, although lately I have been sticking to the good old early 90's Euro Black sound....these songs are to be on an album called "Radiate" which will be released soon.  A preview version of the album is up on the Cryostasium bandcamp page if anyone's interested in what I got up my sleeve.

2.So far this year you have released 2 ep's and a collaboration with 'Thor mallet', how would you describe your current musical sound?

This is kind of a hard one to answer but I'll do my best.  It's basically what I would call "dark ambient metal" -- sometimes it's closer to black metal, sometimes closer to D-Beat Punk, sometimes closer to dark ambient or neoclassical.  It's always under the banner of Cryostasium though, since it's not a misrepresentation.  No matter what the form of music. CURRENTLY - I would say it sounds like a very warped version of early Emperor mixed with Darkthrone and Dodheimsgard, and maybe some Bethlehem in there, love those guys.

The "Thor Maillet" project haha....that is not a project, that's a real band I do with my twin brother, Thor.  We call ourselves simply either "Cryostasium & Thor Maillet" or "CTM" for abbreviation.  OUR style is like a clash of his and mine, where he has a strong electronic/ambient background, and i use the heavy guitars. Like maybe dark ambient ritualistic neoclassical....  Sometimes we switch off instruments, you really can't tell who's playing what, it's kind of amazing.  We're very very similarly musically minded.


3.What are some of the concepts and images that you bring into your musical sound?

Throughout my career I have used abstract images, they all have a common thread which is solace.  Yes, I admit I do play the darker form of music, always have loved it and always will continue...and the music is about my life, and the darker aspects of it....struggle, depression, anger, sadness.  But in the end what I'm trying to do is create a sonic cocoon for the listener.  It's ironic I guess how my weird life can maybe turn into something ok.

4.What is the meaning and inspiration behind the name 'Cryostasium'?

This is an old one!  Ok, so of course band names are difficult to be original with and overused occult terms, which I did not want.  I had a dream one night where I was walking around this ice museum...like this frozen museum, and inside of course on display were frozen people, statues....but not a display of a person, more a display of a different state of suffering.  And then suddenly the name "Cryostasium" popped into my head.  That is it.

5.Since 2012 you have released a great amount of music, do you put a lot of time and effort into writing and creating music?

Of course!  Music is my blood basically, I write it out of necessity, and I take the utmost care into creating the right type of atmosphere and sound.  Sometimes I'll do 20 mixes before getting it right though.   Time.....time well...hahaha....as you can see maybe from my catalog, time is not an issue.  I can usually get what I have in my head onto recording pretty quickly.

6.On the albums you record every by yourself, do you feel this adds more to the creativity of your musical style?

Again, yes!  It's great to work with people but I find that my mind gets in the way and my creativity and ideas just start flying out at rapid fire speed.  Rather than have ill blood because of this, I choose ultimately to work alone. It allows me to use whatever the fuck I want to use for my music, and the end result only being judged by myself.  I'm a very creative person and also kind of a dictator....which is not good but it's true....so it's better for me to work alone.

 7.While the albums are solo, you do have a line up for live shows, what are some of the best shows that band has played so far and also how would you describe your stage performance?

Wow!  Thanks!  The best shows we ever played weren't in big venues at all, a place called Champions, O' Brien's Pub, Waltham SPORTS PUB haha!  Seriously, THAT was one of the most amazing Cryostasium gigs, it was a fest and we were the loudest, most oppresive band there.  No one could talk over it.  Success. It's a shame because that lineup is dismantled.  Things just weren't working out between the members.  I had to stop it before it got worse.  Anyhow, our stage performance is basically a band performance.  Loud, heavy, ambient, dark, a cocoon.  but what you will SEE is a hard playing rocking band.  No theatrics or extras.  Lately though I could do it just with my brother, a dual guitar set/or bass-and -guitars over drum tracks.  Time will tell. 

8.Do you have any touring or show plans for the future?

Yes I do.  Always will be open to playing shows, no matter what the incarnation.  I would like to visit and play Russia, Japan, more of the USA, Great Britain, the Netherlands, Germany, hell, all over.  Would be really great to play for everyone. 

9.Can you tell us a little bit more about the collaboration's that you have done with any artists and also the split's with other bands that you have been a part of so far?

Well, one collaboration and the most prominent I believe is the band I have with my brother, CTM.  Another band I'm involved with, CME, is myself teaming up with Mirg from Macabre Enslaver, from Italy, respectively.  That is a very odd and interesting black metal band.  I would describe that as more like extremely dark prog rock from the 70's but very heavy and black metal influenced.  I have also done splits with of course Xasthur a while back, 2006.  Also Tenebrious and Earthenwomb, both from the USA.  Those splits came out recently.  My most recent is going to be a collaboration with the mighty Abigorum from Russia.  Really technical, but really dark and simplistic at the same time.  Should be very interesting, Satanath is a great musician, sometimes it is hard to keep up!

10.On a worldwide level how has the feedback been to your music by fans of black metal?

On a worldwide level, the interest and feedback hasn't been horrible.  I usually get bad reviews of my first record and the split with Xasthur, nowadays my records get good reviews.  Something I'm really not used to, people liking your stuff!!  on a worldwide level even.  I find I have some types of followings in Russia, Japan, the Netherlands and Brazil.  In the USA people kind of could care a bit less..

11.What is going on with some of the other bands or musical projects these days that you are a part of?

Right now as I said I am working on a collaboration with Abigorum and the new CTM album is due out very very soon. Though lately, The other bands and collaborations have kind of taken a back seat to Cryostasium.  It's just the most important thing in my life.  I always try to to start work on another person's track and then something happens to me that's fucked up and I write a Cryostasium album.


12.When can we expect another full length and also where do you see yourself heading into musically during the future?

You can expect my next full length "Radiate" to be released within the next six months or so.  Musically in the future really it is up in the air but staying heavy and dark.  I will always stay heavy and dark.  Right NOW it's still in the early Darkthrone/Dodheimsgard thing...could change next week!  Could never change, only time will tell.

13.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?

The influences on my newer music, are the same as my older influences: Strid, Manes, Thorns, Darkthrone, Dodheimsgard, Zyklon-B, Abigor, Niden DIv. 187.  Also, Cocteau Twins, Dead Can Dance, lovesliescrushing, My Bloody Valentine, Discharge, Plasmatics, Disclose, Black Flag, Christ on Parade....lots of music.  These days I'm listening to a lot of Discharge, Disclose, Durutti Column, Jane Weaver, OFF!, Slayer, Mysticum, and Abigor.

14.Before we wrap up this interview, do you have any final words or thoughts?

Please check out my work at cryostasium.bandcamp.com.  Hope you like what you hear. 

Satanic Assault Division Interview

Can you give us an update on what has been going on with the band since the recording and release of the new album?

First and foremost we have been playing a lot of concerts and we have been writing new songs for our third album. We actually finished the song writing a while ago and we are already hard at work recording the album. We have also made a music video for the track “Bar Kokhba” and we have been working on making new stage props, t-shirts etc. So things are going well and there is much to do.

In April you had released a new album, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?

The sound is big, organic and brutal and the drums sounds very real compared to our previous album. You can say that Kill the Cross has a more thrashy feel at times, than March to Victory did. There’s also some rock ’n’ roll in there and some deeper growls. March to victory was more traditional black metal. I still think Kill the Cross is black metal, though. Just with some fresh influences. That’s the cool thing about black metal. You can do so many different things with it.  

What are some of the lyrical topics and subjects the band explores with the newer music?

We have thrown some different stuff in there. We have plenty of the good old antireligious stuff. There’s a lot of social criticism and tales about demonic possession, war and nuclear hazard. We try not to limit ourselves. It’s way too hard to write tons of new, interesting lyrics, if we have to stick to the same old subjects. 

how would you describe your views on Satanism?

I don’t consider myself a Satanist. I’m not a big fan of isms, ideologies and religions. I haven’t got the need to put myself into some kind of box, in order to define myself. A very religious person would probably define us as Satanists, though. But they usually don’t know better. We mainly use the satanic imagery because it’s in opposition to the Abrahamic religions.

What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

We played a gig with Mayhem last year. That was definitely a memorable show. We also played some of our first concerts with our new line-up recently, and it has been great. Everybody is giving it 100 %. We are a very energetic live band and we don’t save on corpse paint and leather!     

Do you have any touring or show plans for the future?

Yes. We have a long line of concerts here in November and December. Mostly in Denmark, but also a couple in Germany. Furthermore we are going to support Horned Almighty on a handful of shows in March. We are also planning on going to Ireland and Bulgaria next year.  

The band has more of a traditional approach to black metal than a lot of the other bands I have heard from Denmark, do you feel that makes you stand out a bit more?

Maybe. We haven’t got many black metal bands like us here in Denmark. I haven’t given this much thought, but I haven’t heard any Danish black metal bands that sound like we do.

On the new album you did a G.G Allin cover, what was the decision behind doing your own version of one of his songs?

It’s actually not GG Allin. It’s from the album Road Killer by The Murder Junkies. They used to play with GG, but this album is from 2011. I think. We just did it because it’s a damn cool song! We are big fans of punk music and we will definitely be doing more covers like this in the future.

On a worldwide level how has the feedback been to your music by fans of black metal?

Generally it has been great. We have received lots of positive reviews from many different countries. We were in Germany recently and the crowd was really pleased with us. Things are going great and we are very happy that people like our music.

What is going on with some of the other bands or musical projects these days that some of the band members are a part of?

Most members of Satanic Assault Division play in the Melodic Death/Folk metal band Sylvatica. We have just finished a tour with Heidra and Vanir. It was great! I also play bass in the black metal band Horned Almighty. As I mentioned earlier in the interview, we are going to play a line of shows together in March. It’s going to be tough to play two gigs, with two different bands every night. But I can take it!

Where do you see the band heading into musically during the future?

I haven’t got a clue. It all depends on how we feel in the future and which inspirations we are exposed to. Some of the songs for the third album are longer and a bit more nuanced than stuff we have done in the past, but I have no idea how we’ll evolve in the future. The only thing I can say for sure is that we’ll always be playing black metal. 

What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?

Musical styles that’s an inspiration apart from black metal is definitely death metal, thrash metal, rock ‘n’ roll and punk. I listen mostly to black metal at the moment. Behemoth, Immortal, Inquisition, Mayhem, Marduk, Carpathian Forest etc. I enjoy many different musical styles, but this is my thing right now. Can’t speak for the other guys.

Before we wrap up this interview, do you have any final words or thoughts?

Thank you for the interest in Satanic Assault Division! Check out March to Victory and Kill the Cross and look forward to our third album. It’ll probably be released sometime in 2016.

Answered by Haxen.

Wednesday, November 25, 2015

Khmer/Livstid/Discilin Media/Halo Of Flies/LonglegsLongarms/2015 Split 10 Inch Review


  This  is  a  review  of  a  split  10  inch  between  Spain's  Khmer  and  Norway's  Livstid  which  was  released  as  a  joint  effort  between  Disciplin  Media,  Halo  Of  Flies  and  LonglegsLongarms  and  we  will  start  off  the  review  with  Khmer  a  band  that  has  been  featured  before  in  this  zine  and  plays  a  mixture  of  black  metal  and  crust.

  Their  side of  the  split  starts  out with  an  avant  garde  and  experimental  sound  along  with some  acoustic  guitars  a  few  seconds  later  which  also  leads  up  to  a  heavier  musical direction  along  with  all  of  the  musical  instruments  having  a  very  powerful  sound  to them  and  they  also  mix  in  high  pitched  black  metal  screams.

   Melodic  crust punk  guitar  leads  can  be  heard  in  the  music  at  times  while  the  faster  sections  have  more  of  a  raw  style  which  also  utilizes  a  small  amount  of  blast  beats  and  you  can  also  hear  a  decent  amount  of  melody  in  the  riffs  and  the  song  which  is  also  10  minutes  in  length  also  brings  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  while  also  adding  in  some  clean  playing  at  times,  the  production  sounds  very  dark,  raw  and  heavy  while  the  lyrics  are writeen  in  Spanisg  and  cover  angst,  rape,  corruption  and  introspection  themes.

  In  my  opinion  this  is  another  great  sounding  track  from  Khmer  and  if  you  are  a  fan  of  crust  influenced  black  metal,  you  should  enjoy  their  side  of  the  split.

  Next  up  is  Livstid  a  band  that  plays  a  mixture  of  d  beat  and  crust.

  Their  side  of  the  split  starts  out  with  aggressive  screams  and  melodic  riffs that  also leads  up  to a  grind  influenced  crustcore  sound  that  also  mixes  in  blast  and  d  beats  as  well  as  a  small  amount  of  growls  and  there  is  also  a  brief  use  of  clean  singing  present  on  their  side  of  the  split  and  the  solos  and  leads  also  use  a  great  amount  of  melody  while  some songs  also  bring  in  angry  shouts,and  the  tracks  also  bring  in  a  great  mixture  of  both  mid  paced  and  fast  parts,  the  production  sounds  very  dark,  raw  and  heavy  while  the  lyrics  cover  angry  and  political  themes.

  In  my  opinion  Livstid  are  a  very  great  sounding  mixture  of  d  beat  and  crust  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Kapitalist"  "Daukjot"  and  "Stein  For  Stein".

  In  conclusion  i  feel  this  is  a  very  great  sounding  split and  I  would  recommend  it  to  all  fans  of  black  metal  and  crust.  8  out  of  10.

A Diadem Of Dead Stars Interview



1. Can you give us an update on what is going on with the musical project these days?



After my latest release back in September The Mist Bearer pt.II EP I am finishing my next full length which will be ready in early in 2016. The biggest part of the music is recorded, only few additions left to be done and now I am working on the vocal parts. At the same time I am working the layout of the release.



2. In September you had released a new ep, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?



I composed these two songs during the breaks of the recording sessions of my upcoming album. Actually the homonym track is a mixture of old riffs that I have rejected in the past and new ideas. I released this ep exactly one year after the digital release of my first album “The Mist Bearer” which actually marked my existence as a "celebration". This one I believe that combines melody, aggressiveness, uplifting moments which are heralding the darkest and more depressive ones, epic feeling and isolation. In general I believe that with every effort I walk a step further from where I was standing. I find a personal and a musical maturation through every release. There are differences among my works even if all are under the banner of atmospheric sound.



3. So far most of the music has been instrumental are you interested in adding lyrics into your music during the future?



Yes, as I mentioned above I am about to record vocals for my new album so I wrote lyrics dealing as always with Mother Earth and Nature, Enviromental Destruction...  



4. What is the meaning and inspiration behind the name 'A Diadem of Dead Stars'?



The name was taken from the first full length of Wolves in the Throne Room. I paraphrased it. Beyond that there is a verse in John’s Apocalypse mentioning a pregnant woman clothed with the sun and moon and wearing a crown of 12 stars. The divine woman for me is earth, not any god not any demon, who gave birth to us, but the stars are dead cause we dethroned her, we raped her divine grace. We carved the umbilicus violently and through the years in the name of the rising progress we have forgotten where we come from. We are drying the wells of flora, we are muting the voice of fauna, and we are turning the womb of life to a sterile burning furnace.



5. Since 2014 you have released 4 releases, do you put a great amount of time and effort into writing music?



I like to dedicate time and effort on my music, after all is an urge that comes from inside. I like the procession of composing. New ideas taking shape in the real world. The journey and the passage from subconscious to conscious. Also every time that I am recording I discover new paths, completely unknown to me and that is something really fascinating.    



6. With this project you record everything by yourself, are you open to working with other musicians in the future?



I had few bands in the past and I was working with other people. After a while I could see that we were not sharing the same vision or there where different paths us to follow. I couldn’t handle the lack of time, lack of interest, possible interferences on my music. So after a small break I decided to start something by myself with only purpose to compose music that satisfies me as I want and whenever I want. There is a risk you have to take and a cost to pay. It’s always easier to have other people taking care their parts of music, but that’s fine. There are several difficulties, but I am doing things in my way and I am glad about it. So there is no chance to add other members on this project.



7. I know that you have worked with Pest Productions before in the past, but which label will be releasing your newer music?



Pest Productions again! I was very satisfied with our cooperation and since they are interested for my new material I have no reason to search for something else. To be exact and honest they were embraced my music from day one! They believed my material and after all I was a fan of their releases. Their roster has powerful releases like Sadhaka, Alda, Vallendusk. So it’s very honoring to continue with them. I also cooperate with a small independent label from Germany named No Sleep Till Megiddo. They handled the releases of my EP’s. “The Mist Bearer” part II EP is about to be released sometime soon and also they’re going to release the tape version of ‘The Mist Bearer” in a limited number.



8.On a worldwide level how has the feedback been to your music by fans of atmospheric black metal?



I must say that the support is very big and the words of people who come in contact is very encouraging! The copies I received from Pest Productions of my full length are almost sold! A great amount of supporters comes from USA. Europe is there too, from Scandinavian countries (Sweden, Norway mainly), Germany, Russia, Spain, Italy. I think that almost zero feedback comes from Greece, hahaha! Very few people know my project here and even fewer like it!



9. When can we expect another full length album and also where do you see the band heading into musically during the future?



The next album is about to be released in early 2016 in digital format at first through my bandcamp and during the year Pest Productions will release it as CD. I believe that this one has a more obvious Cascadian style, a more primitive aspect but of course all these combined with misty lowland’s atmosphere.



10. What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?



US black metal of early 00’s has a very strong impact on me. I find their perspective on black metal sound very refreshing, but of course Norwegian bands like Burzum, (early) Ulver are present…I guess I am inspired from anything I can absorb atmosphere. Allow me to give you my latest top 5 list: Alda-Passage, Spectral Lore-Gnosis, With The End In Mind-Thresholder EP, Grimoire-L’Aorasie des specters reveurs, Vallendusk-Homeward Path.



11.What are some of your non musical interests?



I like reading. Poetry and horror / epic literature of the previous century, movies and small isolating trips in nature.



12.Before we wrap up this interview, do you have any final words or thoughts?



Thank you for the interview and the interest you saw on my project.

We have to be silent for a while and feel the pounding heart of our Mother in order to remember where do we come from…

Misty Regards!

Tuesday, November 24, 2015

Nyx/Hairesis/Satanath Records/Vacula Productions/2014 CD Review


  Nyx  not  to  be  confused  with  the  other  band  with  the  same  name  from  Germany  are  a  band  from  Italy  that  plays  a  very  raw  and  aggressive  form  of  occult  black  metal  and  this  is  a  review  of t heir  2014  album  "Hairesis"  which  was  released  as  a  joint  effort  between  Satanath  Records  and  Vacula  Productions.

  Melodic Gregorian  chants  and  choirs  start  off  the  album  and  after  the  intro  the  music  goes  into  a  very  fast  and   raw  black  metal  direction  that  also  uses  a  good  mixture  of  blast  beats  and  grim  yet  high  pitched  screams  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  a  small  amount  of  growls.

  A  great  amount of  melody  can  be  heard  in  the  guitar  riffing  along  with  all  of  the  musical  instruments  having  a  very  powerful  sound  to  them  and  the  music  brings  in  a  great  amount  of  Swedish  influences  at  times  and  the  solos  and  leads  the  band  uses  are  very  dark  and  melodic  and  Gregorian  chants  also  return  in  certain  sections  of  the  recording  while  the  main  focus  remains  on  an  aggressive  black  metal  style  while  the  influence  of  death  metal  can  also  be  heard  at  times  and  there  is  also  a  brief  use  of  spoken  word  parts.

  Nyx  plays a  style of  black  metal  that  is  very  heavy,  brutal,  raw  and  aggressive  sounding  mixing  in  some  of  the  Swedish  style  of  the  genre,  the  production  sounds  very  powerful  while  the  lyrics  cover  Occultism,  left  Hand  Path  and  Luciferian themes.

  In  my  opinion Nyx  are  a  very great  sounding  fast  and  aggressive  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Hairesis"  "Nema"  and  "Obnubilato  Incesto  Semen".  8  out  of  10.

Lauxnos/My Dead Ocean/Satanath Records/Metallic Media/Deleting Soul Records/2014 CD Review


 Lauxnos  are  a  solo  project  from  Russia  that  plays  an  atmospheric  and  depressive  form  of  post  black  metal  and  this  is  a  review  of  his  2014  album  "My  Dead  ocean"  which  was  released  as  a  joint  effort  between  Satanath  Records,  Metallic Media,  and  Deleting  Soul  Productions.

  Clean  playing  starts  off  the  album  giving  the  music  a  progressive  feeling  and  after  a  few  seconds  post  rock  style  melodies  make  their  presence  known  on  the  recording  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  along  with  the  solos  and  leads  also  going  into  the  same  musical  direction.

  Most  of  the  tracks  are  very  long  and  epic  in  length  and  clean  singing  can  also  be  heard  in  certain  sections  of  the  recording  and  on  the  second  track  the  music  starts  adding  in  more  of  a  heavy  and  atmospheric  black  metal  style  along  with  some  depressive  screams  which  they  also  mix  in  with  the  post  rock  elements  and  some  songs  also  bring  in  a  great  mixture  of  both  clean  and  heavy  parts  and  all  of  the  music  sticks  to  a  very  slow  musical  direction.

  Lauxnos  plays  a  style  that  mixes  atmospheric  and  depressive  black  metal  with  post  rock  to  create  a  style  of  his  own,  the  production  sounds  very  professional  while  the  lyrics  cover  ocean,  lonely,  philosophy  and  mysticism.

  In  my  opinion  Lauxnos  are  a  very  great  sounding   atmospheric  and  depressive  black  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "My  Dead  Ocean  Part  1"  'My  Dead  Ocean  Part  5"  and  "Waves  Of  My  Soul".  8  out  of  10.

   

GodHater/Blasphemia/Satanath Records/Dark East Productions/Grotesque Sounds Productions/2014 CD Review


  GodHater  are a  band  from  Russia  that  plays  a  very  raw,  old  school  and  satanic  form  of  "Blasphemia"  which  was  released  as  a  joint  effort  between  Satanath  Records, Dark  East Productions  and  Grotesque  Sounds  Productions.

  A  very  heavy  sound  starts  off  the  album  along  with  some  demonic  vocals  which  leads  up  to  more  of  a  black  metal  direction  and  once  the  grim  high  pitched  screams  kick  in  the  music  goes  into  more  of  a  fast  and  raw  direction  along  with  a  great  amount  of  blast  beats  and  clean  playing  can  be  heard  in  certain  sections  of  the  recording.

  Throughout  the  recording  there  is  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  some  of  the  riffs  bring  in  elements  of  thrash  and  some  of  the  tracks  are  very  long  and  epic  in  length  and  the  solos  and  leads  also  add  in  a  melodic  sound  and  some  of  the  riffs  also  utilize  melody  and  some  tracks  also  bring  in  a  small  amount  of  growls  and  as  the  album  spoken  word  parts  can  be  heard  briefly  and  they  bring  in  a  war  like  feeling  to  the  recording  and  there  is  a  brief  use  of  clean  playing  and  they  also  bring  in  a  cover  of  Unlord's  "Angel  Of  Fire".

  GodHater  plays  a  style  of  black  metal  that  goes  back  to  the  mid  90's  aggressive  and  raw  sound,  the  production  sounds  very  heavy  while  the  lyrics  are written  in  Russian  and  cover  Satanism  and  Hate  themes.

  In  my  opinion  GodHater  are  a  very  great  sounding  old  school  satanic  black  metal  and if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  their  recording.  RECOMMENDED  TRACKS  INCLUDE  "The  Spirit  Of  The  Crucifixion"  "The  Departed"  "I  Choose  Darkness"  and  "GodHater".  8  out  of  10.

    

ChaosWolf Interview

1.Can you give us an update on what is going on with the band these days?
1.    Sure. We are filming the first videoclip of Chaoswolf, but it’s a slow process that will lasts -at least- six month. I’m starting the composition of new songs too.


2.In August you had released a new album, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?
1.    The sound is a little bit more violent and heavier than the old stuff. But it also has those –few- remainders from old Chaoswolf, for example, the intro, “La escisión de Ouróboros” (Ouroboros’s Cleavage). As some people know, Chaoswolf started as an ambient BM project, keyboards playing a protagonic role, long length songs, but now the style is oriented to the guitars and to create some kind of dynamic BM experience. In fact, the album was recorded by two different drummers, spilling their own style. You’ll find a versatile sound in this album.


3.Your lyrics go into depth with Lycanthropy and Philosophy, can you tell us a little bit more about your interest in these topics?
1.    Lycanthropy was the first topic on Chaoswolf, the first lyrics used to talk about the transformation into a demonic beast, known as werewolf, as a some kind of satanic thinking extension. The werewolf was a metaphore of the inner demons, the inner dark force provided –of course- by Satan. Now the concept is pretty much different. I’m not considering Satan as a real entity anymore. Here enters philosophy. Part of my philosophical position is to overcome the religious thinking, at any of its forms. I apologize if i sound a little heretic, but i propose the death of Satan as a strategy to create new ways of reflection. But here comes the other hand, after killing Satan as an idol, he becomes a signifier of a pure and radical void. I will develope a little more this idea on question 12.
About lycanthropy I can tell that is the Chaoswolf’s mark. I allude to it all the time. I consider my music, lyrics and voice as howls that only another wolves –of the same pack- can interpret, understand and enjoy. I don’t think lycanthropy as being violent, evil, destroying everything, etc. I think my position is much more modest: the myth of the werewolf express the human fantasy to overcome our condition, i. e. to be pulsional energy at it’s pure form and so on. But that is imposible, the fact is that we are divided, like Harry Haller in the famous Herman Hesse’s novel (inspired –by the way- by his relationship with C. G. Jung). So, i use the lycanthropy as an artistic expression of the subjective division. What people call “the inner beast” is not our animal part (represented by the wolf) but the human divided between his drives and the culture. In this dialectic movement, the inner beast is exactly the outside one, the human itself.



4.What is the meaning and inspiration behind the name 'ChaosWolf'?
1.    Well, i was 17 when i named this project as Chaoswolf. If i’m still using this name, even knowing that i’m very different nowadays, is because there are things that never change. I think this name could symbolize this never-changing element that i call my “own name”. And it will be more sick BM through this name.



5.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

1.    We haven’t play any live show, but we will. I guess.


6.Do you have any touring or show plans for the future?
1.    Nothing solid yet, but i’m considerating some cities around my region.


7.Can you tell us a little bit more about 'Caligo Arcanum Productions'?
1.    It’s a very serious and professional label mostly oriented to real underground BM. There are very few labels truly compromised with the spirit of mexican BM, i think CA is one of them.


8.On a worldwide level how has the feedback been to your newer music by fans of black metal?
1.    Many people, especially from another countries, consider Chaoswolf as a raw, rudimentary and old-school BM. They like that. Personally, i don’t think in any style in particular when i’m creating my songs, but the influences talk by themselves. I have to add the fact that I use the recording tools accessibles to my hands. And i like to work my music without the stress of renting hours in a studio or something like that.
Also there were people who told me that they prefer the first Chaoswolf (the ambient BM one). It’s aceptable, but I sometimes think those opinions like the metaller stereotype: “the best stuff of that band is the first two demos”. I do not deny that sometimes is true, in the case of many bands. But in my case, in think my music has grown up not only without moving away from BM but solidifying it.


9.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?
1.    Well, Senectus plays in Cineris (Black Metal) and Atroxia (Death metal). They’re having some live shows and recording. Both bands have a facebook page, by the way. I invite you all to check them out.


10.Where do you see the band heading into musically during the future?
1.    We want to give some live shows and record a new album.


11.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?
1.    Well I guess this album is not brutal BM, but an energic one. My favorite BM style is the combination of energy, feeling, darkness spiced with some pieces of melancholy: i think in Noenum, Luror and Lutomysl. Even Nargaroth. I think my album is in that direction. I could agree the energy of bands like Stormnatt or Goatmoon.
I have a great variety of styles and genres in my “playlist”. Rock, pop, metal, hip-hop, nu-metal, even salsa. I have been listening some japanese rock bands lately. I can agree that all the music i listen is connected with some signifiers in “my” simbolic universe. The music is a linguistic phenomenon. It’s about significance. For example, Black metal is special for me because is the music that i choose to be part of. Even if i’m an excluiding part. But i don’t define me through the music  I hear, moreover, i don’t define me in anyway, i’m a fucking unknown entity –submerged in contingency- even to myself.



12.How would you describe your views on Satanism and Occultism?
1.    I was a follower of satanism (from the Left Hand Path), but i set apart from it because I was influenced by another thoughts, for example, Chaos Magick. CM says that our believes are fictional, but funtional, so we need to make them work (for our magical purposes) by training some kind of “mental plasticity”. Besides, the controversial ideas of psychoanalysis made me question everything that I had believed. However, i have my construction about Satan and his role in BM, because is important. I think Satan as a name, not a symbol (like LaVeyans), just a name, wich means “the adversary”. But, adversity to what? To all monotheistic religions? That’s a little simplistic. Satan –for me- is the adversity to the religious field of meaning. Religion comes from the ethimological latin root re-ligare, re-unite. What’s the element wich reunite people? Meaning. People look for meaning, and the gods give it. So, the radical satanism for me would be the one who can escape from the meaning temptation. Some people object me saying that LHP isn’t religious, because the emphasis is to develope the own self. In some cases, to become a god. The individual versus the other. That’s right. But i think that as a form of introjection. Incorporing god(s) in a similar way as the sons eat the corpse of their father in the freudian myth of the primal horde. But the religious essence stills, just take a look to many satanist orders. Also, many people presuppose knowing wich is the border between myself and the Other. They presuppose the answer to the question: Where I end and where the other begin? And that’s a big philosophical problem.
About occultism, i like it, as a field of research. I’m interested in the relationship between mathematics and occultism, because numbers could point to the real, for example, 333 = the abyss. Also, i have affinity with Chaos-magick, because concibe chaos as something more creative than many occult orders.

 13.Before we wrap up this interview, do you have any final words or thoughts?
1.    Well, thanks for having interest on Chaoswolf, howls to you and all those who support Chaoswolf, i really appreciate it!!!

Seventh Genocide Interview

Can you give us an update on what has been going on with the band since the recording and release of the new album?

 “Breeze of Memories” was actually recorded during 2013 and 2014, but it was only released this spring, so a lot of things have changed. Firstly, we modified half of our line-up with two new guitarists, Stefano and Jacopo, then we immediately started working on a different approach on the songwriting and evolved our sound with more influences and experimentation. You’ll hear everything on our next album.


2.Recently you have released a new album, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?

Compared to the previous, this album is a completely different thing. The first one is just a report of our early years. With “Breeze of Memories” we have found our own sound, we mixed different influences and tried to create a more emotional approach to the music itself.

3.In the beginning the band played more of a traditional and melodic style of black metal but have evolved more into a post black metal band on the new recording, what was the decision behind going into this musical direction?

Actually, nothing was decided, it was just a natural evolution. “Seventh Genocide” was raw, immature and naïve, it’s probably a regular release for a novice black metal band with some good ideas, but without the right maturity for realizing them. The biggest error was probably releasing it as a full-length and not as a compilation of demos. ” Breeze of Memories” represents the moment when we started to make music seriously, it’s the first step of an evolution that will continue with the new material.

4.What are some of the lyrical topics and subjects the band explores with the newer music?

Lyrics are about the immensity and purity of nature as the only guard of men’s spiritual roots. Death is another important topic; it represents the liberation from physical existence. This concept in particular will be examined in a more transcendental and spiritual way on the next album, including out-of-body experiences and astral projections. In the first album, lyrics were mostly inspired by 800’s French and Italian dark poetry, that’s one of the things we still like about that record...

5.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

In the past we played some great shows here in Rome including a gig with Irish legends Primordial. Unfortunately, with the old line-up live performances weren’t always perfect and it was a big limitation. Now that Stefano and Jacopo joined the band everything is completely different, they are excellent musicians and we have a common goal as a band. Our shows are like a ritual experience: we usually play with lights off, scented candles and various scenic tools.


6.Do you have any touring or show plans for the new album?

Our plans now are all focused on the making of our next album, which is actually complete for an half. After its release we’ll surely try to promote it with live gigs and tours.

7.Currently you are unsigned, are you looking for a label or have received any interest?

“Breeze of Memories” was already released on CD by Naked Lunch Records, an experimental music label from northern Italy. On days also a tape version will be available through US based label Red River Family Records., which is perfectly suitable to our attitude. For the release of the next record we don’t have any information, we’ll see when it will be complete.


8.On a worldwide level how has the feedback been t your music by fans of post black metal?

For an underground band like us we think it’s fine.


9.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?

¾ of the band is also involved in a post-rock project called Angew, which is currently on hold. Rodolfo and Valerio are also part of Dreariness’s live line-up; the band is preparing some shows and releasing a new album soon. Valerio is also a member of progressive/post-rock band Odd.

10.Where do you see the band heading into musically during the future?
We don’t know, but we don’t preclude anything.

11.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?

“Breeze of Memories” was clearly influenced by post-rock, post-black metal and American “Cascadian” black metal scene. On the next record we’ll explore also progressive rock, ambient and atmospheric music in general. We are very open minded listeners and avid record collectors. We listen to a lot of various musical genres such as atmospheric, experimental music, extreme metal, post-rock, 70’s rock, folk, pop and even classical music or jazz.

12.What are some of your non musical interests?

For this question, different answers by each singular member are probably better:

Rodolfo:  Beside music I use to watch tons of movies which also influence me during composition of music and lyrics. Some of my favourite directors are Kim Ki-Duk (his Spring, Summer, Fall, Winter… and Spring is probably my absolute favourite movie), Takeshi Kitano, Lars Von Trier, David Lynch, Sion Sono (Love Exposure is just crazy), Andrey Tarkovskij, Lav Diaz (We used a sequence from his 7 long “Melancholia” as visual during one of our shows). Bela Tarr (Satantango), Hayao Myiazaki, Satoshi Kon, Katsuhiro Otomo. Speaking of books I’d like to mention Richard Adams’ “Watership Down”,  Haruki Murakami’s “In the sign of the sheep” and the esoteric book “Life After Life”, very influent on my lyrics.

Jacopo: I’m a lot into anime, manga and hentai. Some of my favourite artists are Hiromu Arakawa (Full Metal Alchemist, Arsian Senkin), Masashi Kishimoto, Sui Ishida and I’m also influenced by visionary painter Takato Yamamoto. Speaking of movies, I like many works by Quentin Tarantino, Sergio Leone, Takashi Miike (Sukyiaky Western Django, Gozu) and many others. Another thing I really like are videogames, I have some favourite titles from 90’s Nintendo masterpieces (The Legend of Zelda, the Pokémon saga) to modern ones (Darksouls, Bloodborne)

Stefano: I’m a big fan of sci-fi and literature in general, some of my favourite authors are Philip K. Dick (Eye in the Sky, Clans of the Alphane, The Penultimate Truth), Isaac Asimov, Stanislaw Lem (Solaris), but also Haruki Murakami, Franz Kafka, Michael Ende (The Mirror in the Mirror), George Orwell and Aldous Huxley. I also love western cinema (Sam Pekinpah, Edwin Sherin) and contemporary painters like Salvador Dalì, Renato Guttuso, Giorgio De Chirico and Giorgio Morandi.

Valerio: My interests includes Martial Arts, Videogames of every genre, Bauhaus architecture, philosophy (Immanuel Kant, Friederich Nietzsche), European languages, cooking and movies, in particular dystopian and utopian films.

13.Before we wrap up this interview, do you have any final words or thoughts?

Thanks a lot for the opportunity and for the kind words on the review. Occult Black Metal Zine has our full support

Morkulv/Where Hollowness Dwells/Satanath Records/Dark East Productions/Metal Throne Productions/Metal Of Crypt/2014 CD Review


  Morkulv  are  a  band  from  Spain  that  plays  a  very  raw  and  atmospheric  form  of  black  metal  and  this  is  a  review  of  their  2014  album  "Where  Hollowness  Dwells"  which  was  released  as  a  joint  effort  between  Satanath  Records,  Dark  East  Productions, Metal  Throne  Productions  and  Metal  Of  Crypt.

  Evil  sounding  synths  and  bells  start  off  the  album  along  with  some  grim  whispers  and  after  the  intro  the  music  goes  into  a  very  fast  and  raw  black  metal  direction  along  with  some  high  pitched  screams  while  also  keeping  around  the  synths  and  when  solos  and  leads  are  utilized  they  are  very  dark,  distorted  and  melodic  sounding.

  A  great  amount  of  blast  beats  can  be  heard  in  the  faster  sections  of  the  music  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  clean  playing  can  also  be  heard  in  certain  sections  of  the  recording   and  when  spoken  word  parts  are  utilized  they  enhance  the  grim  atmosphere  of  the  songs  along  with  the  keyboards  getting  more  epic.

 As  the  album progresses  and  one  track  also  brings  in  a  few  seconds  of  acoustic  guitars  while  a  later  track  brings  in  a  few  seconds  of  melodic  clean  singing  and  the  music  also  goes  back  to  the  early  90's  of  the  90's  where  they  started  mixing  in  keyboards  with  a  more  raw  black  metal  style  while  the  music  is  still  very  much  guitar  driven.      

  Morkulv  plays  a  style  of  black  metal  that  is  very  raw  and  rooted  in  the  early  90's which  they  mix  in  with  a  keyboard  sound  that  also  gives  the  music  a  feeling  or  a  horror  movie  soundtrack,  the  production  sounds  very  dark  and  raw  while  the  lyrics  cover  darkness  and  horror  themes.

In  my  opinion  Morkulv  are  a  very  great sounding  raw  and  atmospheric  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Red,  Dark,  Infinite"  'Where  Hollowness  Dwells"  "Conjuration  -  A  Blood  Ritual"  and  "Iron  Throb".  8  out  of  10. 

Everto Signum/Synergy/Satanath Records/Dark East Productions/NitroAtmosfericum Records/Metal Throne Productions/2014 EP Review


  Everto  Signum  are  an  international  band  with  members  from  Austria  and  Portugal  that  plays  a  musical  style  that  they  refer  to  as  'elemental  black  metal'  and  this  is  a  review  of  their  2014  ep  "Synergy"  which  was  released  as  a  joint  effort  between  Satanath  Records,  Dark  East  Productions,  NitroAtmosfericum  Records  and Metal  Throne  Productions.

  Ambient  style  synths  start  off  the  ep  bringing  in  a  very  epic  and  atmospheric  feeling  and  after  a  couple  of  minutes  melodic  guitar leads  make  their  presence  known  on  the  recording  and  after  the  intro the  music  starts  going  for  more  of  a  heavier  blck  metla  direction  while  also  retaining  the  atmospheric  elements.

  Vocals  are  mostly  grim  screams and  the  music  also  brings  in  a  more  modern style  of  black  metal  and  when  the  music  speeds  up  it  starts  evoking  more  of  a  raw  style  that  also  utilizes  a  great  amount  of  blast  beats  while  the  riffs  also  mic  in  a  great  amount  of  melody   and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  all  of  the  musical  instruments  having  a  very  powerful  sound  and  they  close  the  ep  with  a  cover  of  Lux  Ferre's  "Atrae  Materiae  Momuntum".

  Everto  Signum  plays  a  style  of  black  metal  that  is  very  atmospheric  and  melodic  while  also  mixing  in  a  raw  guitar  sound,  the  production  sounds  very  professional while  the  lyrics  cover  natural  elements,  landscapes,  forces,  and  phenomena".  8  out  of  10.

  In  my  opinion  Everto  Signum  are  a  very  great  sounding  atmospheric  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Stirred  Ambiance"  and  "Atrae  Materiae  Momuntum.  6  out  of  10.