Thursday, October 1, 2026

Liminalanimal/Seanchas/2026 Full Length Review


  Liminalanimal  are  a  solo  project  from  the  United  Kingdom  that h as  been  featured  before  in  this  zine  and  on  this  recording  goes  for  a  very  atmospheric  and  depressive  mixture  of  black  and  doom  metal  and  this  is  a  review  of  his  self  released  2026  album  "Seanchas"  which  will  be  released  on  October  23rd.


  Atmospheric  sounding  synths  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  which  also  gives  the  recording  more  of  a  raw  feeling  while  the  riffs  also  add  in  a  lot  of  melody.


  Vocals  are  mostly  high  pitched  depressive  black  metal  screams  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Elements  of  doom  metal are  also  added  into  the  slower  sections  of  the  album  along  with  a  great  portion  of  the  tracks  also  being  very  long  and  epic  in  length,  clean  playing  can  also  be  heard  briefly.


  On  this  recording  Liminalanimal  brings  out  a  very  modern,  atmospheric  and  depressive  mixture  of  black  and  doom  metal.  The  production  sounds  very  professional  while  the  lyrics  cover  nature  and  existence  themes.


  In  my  opinion  this  is  another  great  sounding  album  from  Liminalanimal  and  if  you  are  a  fan  of  atmospheric  and  depressive  black  and  doom  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "I"  and  "VI".  8  out  of  10.


 https://www.instagram.com/liminalanimal69

https://x.com/liminalanimal69   

Temple Nightside/Cenotaph Severance/Iron Bonehead Productions/2026 Full Length Review

 

  Australia's  Temple  Nightside  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  ritualistic  and  occult  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2026  album  "Cenotaph  Severance"  which  will  be  released  on  October  30th  by  Iron  Bonehead  Productions.


  A  very  dark  yet  heavy  sound  starts  off  the  album  while  melodies  are  also  added  into  some  of  the  guitar  riffing.  Vocals  are  a  mixture  of  black  metal  screams  and  death  meal  growls  along  with  all  of  the  musical  instruments  on  the  recording  also having  a  very  powerful  sound  to  them  and  a  couple  of  the  tracks  are  also  long  and  epic  in  length.


  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast b eats  can  be  heard  which  also  gives  the  album  more  of  a  raw  feeling.  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  clean  playing  can  also  be  heard  at  times  and  the  solos  and  leads  add  in  more  of  a  classic  death  metal  style  as  well  as  some  tracks  also  adding  in  a  small  amount  of  whispered  vocals.


  On  this  recording  Temple  Nightshade  brings  out  a  very  ritualistic  and  aggressive  style  of  black/death  metal  which  captures  the  darkness  of  the  old  school  era  with  a  more  modern  approach  to  the  genre.  The  production  sounds  very  professional  while  the  lyrics  cover  Necromancy,  Occultism  and  Death  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Temple  Nightshade  and  if  you  are  a  fan  of  ritualistic  black  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Seething  Dissolve"  "Soul  Defilement"  and  "Exhumed  Death".  8  out  of  10.


  facebook.com/templenightsidenecromancy

templenightside.bandcamp.com


  

Frostland Interview

 1.Can you give us an update on what has been going on with the band since the recording of the new album?


1: The recording process itself spanned quite a long period. We actually started recording the guitars back in October 2024, while the bass, drums, and vocals were tracked in August 2025. We wrapped up the mixing and mastering early this year. 

So we deliberately took more time with this project to avoid mistakes we had made on previous recordings. We constantly tweaked things and experimented. 


To get back to your actual question: since finishing the recordings, we’ve used the time to manufacture physical CDs and produce new T-shirts and merchandise. After all, we have a brand-new logo and hadn't released anything in a long while. A release show has been scheduled for October 29, and in the meantime, we’ve already written new songs that sound somewhat different from the previous ones.


 

2.In October you have a new album coming out, musically how does it differ from the stuff you have released in the past?



2: First of all, I’d like to say that we try to ensure no new album or EP sounds exactly like the previous one. We want to evolve and feel like we’ve reached a new level or created something new. Of course, it still needs to sound like Frostland; our style should remain recognizable.


At its core, I’d say we tried to introduce more variety into the songwriting. We examined every section and considered what different things each instrument could do at that point. The drums, in particular, have a huge impact on how a section sounds; we constantly looked at how a guitar riff’s effect changed when the drum patterns shifted or varied. On top of that, many guitar parts have become more complex, and we’ve incorporated more dissonant guitar riffs.


 

3.This is going to be your first album in 6 years, can you tell us a little bit more about the long wait in between releases?


3: Strictly speaking, it is our first album in eight years. Our last release, "Winterkult," came out in 2018. It wasn't exactly planned that way. At the time, we assumed we’d have a new album out within three years at most, but life doesn't always go according to plan. Some of us had children, others moved further away, and then there was the coronavirus pandemic. We never stopped making music together, though it has to be said that progress was very slow for a few years. However, we never doubted that a new album would happen. There was never any question of there not being another one. 

Things have moved very quickly over the last two years, I’d say. We’re currently very well synchronized which is why we already have more material ready.




 

4.The lyrics on the new album are inspired by the writings of H.P Lovecraft, can you tell us a little bit more about your interest in his work?


4: Since I write the lyrics for Frostland, I’m well-suited to this. I’m a huge H.P. Lovecraft fan and have read almost everything he’s written. Over time, I adopted his writing style because I found his vocabulary so aesthetic. I also felt his themes were a perfect fit for black metal. Consequently, his vocabulary permeates all our lyrics.


However, I should point out that only one song on our new album refers directly to a specific H.P. Lovecraft short story: "Hypnos.". It’s a classic Lovecraftian dream story in which the protagonist transcends nightmarish boundaries within his dreams. Incidentally, our previous album also featured a Lovecraftian dream story. The song "Jenseits der Mauer des Schlafes" ("Beyond the Wall of Sleep"). I try to keep this tradition alive, though there is never more than one song per album based on a Lovecraft short story. The remaining lyrics on the new album deal with the cosmos in all its madness and depth. A subject that, fittingly, aligns perfectly with Lovecraft’s work.


 

5.What are some of the other lyrical topics and subjects the band has explored over the years with your music?


5: The central theme of our last album (*Winterkult*) was winter in all its facets and splendor. Our EP *Visionenfluch*, on the other hand, was dedicated more to philosophical and moral themes. However, those lyrics were written by our former vocalist. At the time, I was just the guitarist.


It is important to us to keep exploring new themes without losing our essence. Besides, I would get bored writing about the same topics all the time.


 

6.What is the meaning and inspiration behind the name 'Frostland'?


6: From the very beginning, we focused on winter themes and nature; there was a certain appeal to that. However, when we chose the name in 2006, we were influenced by a 1999 bootleg album by the band Emperor titled *Live in Frostland*. Personally, I really liked the artwork on that bootleg, and the word "Frostland" embodied much of what we wanted our music to represent.


 

7.Can you tell us a little bit more about the artwork that is presented on the new album cover?


7: We wanted artwork that precisely reflects the themes of our lyrics. Something that captures the depth, chaos, and madness of the cosmos and fits the title *Im Zentrum der Leere* (At the Center of the Void), while also looking graceful.


Incidentally, the artwork is by the brilliant Mexican artist Pall Maldavian, who also created the cover art for our previous album, *Winterkult*. We love her style, and she has a real knack for understanding our vision.


 

8.Out of all the shows and tours the band has done so far, which one stands out the most?


8: Between 2015 and 2018, we played a relatively high number of shows by our standards. All in all, it was an intense and interesting period. Naturally, every show was special and interesting in its own way, but if I had to single a few out, I’d mention our performance at "Rhein in Blood." That was a legendary concert series in Cologne running for over a decade that showcased black, death, thrash, and grindcore metal. It took place every two months and was always well-attended, featuring a mix of regional acts and bands from around the world. 

We also played the Frostfeuernächte Festival near Berlin, which was pretty great, too. Another very special gig took place in a somewhat large rehearsal space in Bochum; there were maybe only 12 people there, but the atmosphere was incredible. 

Finally, the Rotten Stones Festival in Luxembourg held in an amphitheater right in the middle of the woods offered a truly impressive setting for a live performance.


 

9.Do you have any touring or show plans once the new album is released?



9: For now, the only confirmed date is the release show on October 29th at Valhalla in Cologne a venue we have a deep connection to, by the way. We’ve played there a few times, and my drummer and I practically spent our youth there listening to metal.


Nothing else is firmly planned at the moment, but there will certainly be more shows for the album. We’ll see what comes up. So, if anyone is interested in booking us, feel free to get in touch.


 

10.On a worldwide level how has the reaction been to your music by fans of black metal?


10: We aren’t exactly a huge band, even though we’ve been making music for 20 years. Yet. Over the years, people from all over the world have taken an interest in our music. Some more than others. We’ve had some wonderful encounters and conversations with fans. For instance, we once played a show at the Helvete in Oberhausen. Before the gig, we were standing outside the venue having a beer when two guys walked up to us and said, "You’re the Frostland guys, aren't you? We traveled a long way just to see you." It turned out they were train drivers who used to talk about our music while at work. It was really special for us that people would travel such a distance to see us, especially since we view ourselves as a relatively small band.

 

11.Where do you see the band heading into musically during the future?


11: As we’ve said before, we’ll always sound a little different without losing our core identity. Our latest ideas are a bit more complex, but also darker. We’ll let you be surprised. In any case, it definitely won’t take eight years until the next album.

 

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


12: That’s actually a tricky question. Let me put it this way. Our drummer and I have known each other since we were very young and listened to metal together from an early age. 

So our tastes in black metal are quite similar. Our guitarist, who joined later, listened to or preferred some completely different bands. Of course, we ended up influencing each other, but there were definitely differences. I believe it was precisely those differences that helped us grow. Our bassist and vocalist, on the other hand, comes more from a melodic death metal background and preferred a whole different set of bands. We’ve always discussed the styles or elements of various bands to see what we liked and what we could incorporate. So, I don’t want to single out just one or two bands; that would give a distorted picture. We’ve been influenced by countless bands and still are today.


 

13.Before we wrap up this interview, do you have any final words or thoughts?


13: I’d like to thank you for the opportunity to do this interview. It’s really interesting to consciously reflect on these questions myself.


Thanks, too, for your passion for this music. Something we share with you and your readers.


If you’re interested, please feel free to check out our album *Im Zentrum der Leere* starting October 30th. We always really appreciate feedback.


https://www.facebook.com/frostlandblackmetal

https://frostland.bandcamp.com/album/winterkult

https://frostland-official.de/releases.html

https://www.metal-archives.com/bands/Frostland/3540273705

Kalt Vindur/The Void Of Time/The Circle Music/2026 Full Length Review


  Poland's  Kult  Vindur  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  'subcarpatian'  form  of  black  metal  and  this  is  a  review  of  their  2026  album  "The  Void  Of  Time"  which  will  be  released  in  November  by  The  Circle  Music.


  Synths  start  off  the  album  before  going  into  a  very  fast  and  raw  musical  direction  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  riffs  also  add  in  a  decent  amount  of  melody  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.


  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  elements  of  doom  metal  are  also  added  into  the  slower  sections  of  the  recording.  Synths  are  also  utilized  at  times  along  with  some  songs  also  adding  in  a  small  amount  of  clean  playing  and  acoustic  guitars  as  well  as  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them,  one  track  is  also  an  instrumental


  On  this  recording  Kult  Vindur  goes  for  more  of  an  aggressive,  modern  and  melodic  style  of  black  metal.  The  production  sounds  very  professional  while  the  lyrics  cover  war,  death  and  pain  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Kult  Vindur  and  if  you  are  a  fan  of  melodic  and  aggressive  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Suspended  In  Emptiness"  "Lost  Infinity"  and  "Jesien".  8  out  of  10.


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https://youtu.be/aTwAGxe8eOc