Wednesday, July 23, 2025

Feral Lord/Wunjo/Malevolent Sound/2025 EP Review

 


  U.S.A's  duo  Feral  Lord  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  very  raw  and  depressive  form  of  black  metal  and  this  is  a  review  of  their  2025  ep  "Wunjo"  which  will  be  released  in  August  by  Malevolent  Sound.


  A  very  dark  yet  distorted  sound  starts  off  the  ep  before  going  into  a  heavier  direction while  all  of  the  tracks  are  also  very  long  and  epic  in  length.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  which  also  gives  the  recording  more  of  a  raw  feeling  and  the  vocals  are  mostly  high  pitched  depressive  black  metal  screams.


  A  lot  of  the  music  is  also  very  heavily  influenced  by  the  old  school  era  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Some  of  the  riffing  also  adds  in  a  small  amount  of  melody  at  times  along  with  the  solos  and  leads  also  adding  in  more  of  a  chaotic  style  when  they  are  utilized  and  clean  playing  is  also  added  briefly  towards  the  end


  On  this  recording  Feral  lord  moves  away  from  the  dissonant,  experimental,  technical  and  progressive  elements  of  previous  releases  and  focuses  more  on  a  raw  and  depressive  form  of  black  metal.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  Nordic  Runes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Feral  Lord  and  if  you  are  a  fan  of  raw  and  depressive  black  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "Ansuz".  8  out  of  10.


  

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Finnr's Cane/Self Titled/Nordvis Produktion/2025 Full Length Review

 


  Finnr's  Cane  are  a  band  from  Ontario,  Canada  that  has  been  featured  before  in  this  zine  and  plays  a  very  atmospheric  and  progressive  form  of  post  black  metal  and  this  is  a  review  of  their  self  titled  2025  album  which  will b e  released  in  August  by  Nordvis  Produktion.


  Choirs  start  off  the  album  before  going  into  a  heavier  direction  while  clear  vocals  and  spoken  words  are  also  utilized  at  times.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in a   very  melodic  style  along  with  the  riffs  also  adding  in    great  amount  of  melody  and  the  keyboards  also  give  the  music  an  atmospheric  feeling.


  At  times  the  music  goes  into  more  of  a  progressive  direction  while  the  faster  sections  of  the  songs  also  add  in  a  great  amount  of  tremolo  picking  and  blast  beats  which  also  gives  the  recording  more  of  a  raw  black  metal  feeling.   Cello's  are  also  added  into certain  sections  of  the  album  and  throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  harsh  screams  and  spoken  words  are  also  utilized  on  a  few  tracks. 


  On  this  recording  Finnr's  Cane  goes  for  a  very  modern  and  atmospheric  style  of  post  black  metal.  The  production  so0unds  very  professional  while  the  lyrics  cover  autumn,  winter,  nature  and  civilization  themes.


  In  my  opinion t his  is  another  great  sounding  recording  from  Finnr's  Cane  and  if  you  are  a  fan  of  atmospheric  post  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Wayward  Souls"  "in  Shadows"  and  "Harvest".  8  out  of  10.


  https://nordvis.lnk.to/finnrscane  

Monday, July 21, 2025

Moon Of The Wind/No Point In Living/CHILD : OF : ILLNESS/2025 Split Album Review

 


  This  is  a  review  of  a  self  released  split  album  between  Ukraine's  Moon  Of  The  Wind  and  Japan's  No  Point  In  Living  called  "CHILD : OF : ILLNESS"  and  we  will  start  off  the  review  with  Moon  Of  The  Wind  a  solo  project  that h as  been  featured  before  in t his  zine  and  plays  an  atmospheric  and  depressive  form  of  black  metal.


  His  side  of  the  split  starts  out  with  some  clean  playing  along  with  some  ambient  style  keyboards  a  few  seconds  later  before  going  into  a  heavier  direction.  Most  of  his  tracks  are  also  very  long  and  epic  in  length  while  the  vocals  are  mostly  high  pitched  depressive  black  metal  screams,  at  times  the  music  also  gets  very  atmospheric  sounding.


  All  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  along  with  some  spoken  words  and  whispers  also  being  utilized  briefly,  melodies  can  also  be  heard  at  times,  when  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  as  well  as  some  acoustic  guitars  being  used  at  times  and  female  vocal samples  also  being  utilized  briefly  and  all  of  the  music  sticks  to  a  slower  direction.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  suicide,  depression,  nature  and  isolation.


  In  my  opinion  this  is  another  great  sounding  recording  from  Moon  Of  The  Wind  and  if  you  are  a  fan  of  atmospheric  and  depressive  black  metal,  you  should  check  out  his  side  of  the  split.  RECOMMENDED  TRACK  "Anesthesia  & Nameless".


  Next  up  is  No  Point  In  Living  a  solo  project  that  has  been  featured  before  in  this  zine  and  on  this  recording  goes  for  a  very  progressive  form  of  depressive  black  metal.


  His  side  of  the  split  starts  out  with  a  very  fast  and  raw  sound  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  mostly  high  pitched  depressive  black  metal  screams  while  the  clean  playing  also  adds  in  a  progressive  touch  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  songs  sticking  to  mostly  a  slow  or  mid  tempo  direction.  At  times  the  music  also  gets  very  atmospheric  sounding  as  well as  the  synths  also  adding  in  elements  of  ambient  when  they  are  utilized.  The  production  sounds  very  professional  while  the  lyrics  cover  nihilism,  self-hatred,  depression  and  life  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  No  Point  In  Living  and  if  you  are  a  fan  of  progressive  and  depressive  black  metal,  you  should  check  out  this  side  of  the  split.  RECOMMENDED  TRACKS  INCLUDE  "Echoes  Of  The  Sun"  and  "Haunted".


  In  conclusion  I  feel  this  is  a  very  great  sounding  split  and  I  would  recommend  it  to  all  fans  of  atmospheric,  progressive  and  depressive  black  metal.  8  out  of  10.


  https://youtu.be/Lij_wae0hMw?si=QJpZKVmtH9qQdabF  


        

Mjolne Interview

 

1.Can you give us an update on what has been going on with the musical project since the recording of the new album?


Through Veils of Time was recorded during 2024 and I released it digitally February 15th 2025. Since the release I’ve been contacted by several who wanted to be a part in making this a physical release. So I did spend some time considering my options with this. I ended up signing a deal with ATMF for the release of the album on cd, and the collaboration with them has been great. I have also been doing some promotion and interviews about my musical project and the album.


Musically, I have also started writing some new material for the project MJOLNE, so I hope to release a second album within a year or two.  Gaut (guitarist of Mactätus) and I also have an ongoing project, so we have been writing and recording some songs lately. We don’t know what will become of this in the end, but we are having fun doing it so we will see.


2.So far you have recorded a full length with this project ,can you tell us a little bit more about the musical style that you went for on the recording?


Actually, when I started making the music that ended up on the album, I had no intention of turning this into a project or even releasing the music. It all started during covid. I needed something to do besides work, and I took out my old guitar and started playing cover songs, and eventually write my own music. As I found this rewarding and the music got more and more twisted into form, I invested in some more gear to be able to record full productions. Then I started to make songs that suited each other in terms of musical genre, and suddenly I had enough songs to fill an album.


With that in mind, I didn’t have a certain musical style in mind when I wrote the music, but I just made music that felt natural to me. But I have always been attracted to the 90’s black metal and the feeling this music gives me, so this probably explains why the music of MJOLNE has strong connections to the 90’s black metal.



3.Previously you where a part of 'Mactatus', how does your solo material differ from the stuff you have done with that band and are there some new things you where able to do solo that you where not able to do with your previous group?


Of course, me playing in Mactätus have probably also influenced the way I write and think about music.  The musical style of MJOLNE is not too different from the Mactätus material, especially around the Provenence... area. The MJOLNE project do have more acoustic elements than what we used in Mactätus, and are maybe a little more dynamic. The orchestration is probably also somewhat more prominent, but in the end the music in Mactätus and MJOLNE doesn’t differ too much, I think.


The advantage of a solo project is that you make all the decisions yourself, and there is no compromise. In this way I can try out all my ideas in different ways how I feel right, and I have control of the whole process. But don’t get me wrong, the process of compromising in a band can also make the result better in the end. The project with Gaut and I is an example of this, where we both contribute with guitar riffs and the structures of the songs. We have different styles of playing but when we put it all together it sounds good.  It’s quite brutal yet melodic in my opinion, without the use of keys.



5.How would you describe your progress as a songwriter with the new album?


As mentioned, the process of writing the material was not done with the intention of making an album or even starting the MJOLNE project. It was just me playing and creating music again after a long break from the Mactätus period.  


In the beginning I started to write music in the doom metal genre since I’ve also been a fan of this genre through the years. I guess it was easier to start slow since I hadn’t play instruments for a while. But the music quickly developed into the style of what you hear on the album. This is the genre that is closest to me, at least in terms of creating own music.


Of course, as time went by making music I also developed as a songwriter. I didn’t have too much experience writing whole compositions by myself , even though I contributed to the songwriting in Mactätus. So I developed as a songwriter, but also in terms of recording, mixing and producing the material.  An example of this is that the first songs I made, had to go through a makeover to keep up with how I developed as a songwriter, and I had to restructure and re-record the first songs I made.


6.Some of your lyrics and the band name comes from Norse Mythology, can you tell us a little bit more about your interest in this topic?


The Norse Mythology is an interesting topic, and of course it’s also a part of my country’s old heritage. It’s just something with the way our forefathers lived their lives, and what they believed in that’s interesting and something that should be remembered as a part of our heritage. The MJOLE name for this project is just me using my alias from Mactätus. This is an alias that my bandmates in Mactätus gave me in the early 90’s. I think this suited well for this project since the music is somewhat connected, and all the things I have been doing musically since the mid 90’s, have been done as Mjolne. So when I grew into this project, I felt that this was me continuing my musically journey as Mjolne.


Even though some of the lyrics originate from Norse mythology, the content is also related to existing themes. For instance, this is the case for the Helheim-triology. Let me try to explain:


In many aspects of life, we humans face various challenges or difficulties. This could be of physical or mental character, sickness and health, troubles we face at home with the people we care about, workwise and more. When we face these challenges, we as individuals handle them differently depending on the nature of each and every one of us as individuals, and what state we’re in. Sometimes the burden can be too heavy to bear, and slowly but surely it breaks us down. We’re digging ourselves into a dark hole that’s not good for you. This is what pt. I is about. Reisen (the journey) is when we meet these challenges that we can’t cope with, and you’re digging yourself into this hole. This is the metaphorical journey to Helheim.  


Pt. II is where this concept breaks with the Norse mythology. Helheim was a place of no return. If you got to Helheim, you were stuck there for eternity. Pt. II Forvandlingen (the transformation) is about the struggle you need to go through, to get out of this state of mind. Some people go through these struggles by themselves, and some do it with the help of others. But some people never manage to rise again and are stuck in “Helheim forever”. Pt. III Gjenreiselsen (the restoration/resurrection) is about the journey back from Helheim, when you rise again as a individual, maybe even stronger than before.


I guess the concept is that you will meet different challenges through life, and how you choose to deal with these challenges is important regarding to how you will handle it and grow as an individual. What doesn’t kill you makes you stronger, right?



7.Can you tell us a little bit more about the artwork that is presented on the new album cover?


Originally, on the digital release, the cover was a picture I took in the forest at night. I had made a fire and took a picture form the fireplace facing upwards to the sky, which made this red reflection in the trees.  


When I signed with ATMF, we of course wanted to make a professional artwork for the cd release. The new artwork is made by Francesco Gemelli. He is an amazing artist who does artwork and layouts for ATMF and other record labels. I guess he made the artwork based on how he felt the music and what suited the musical expression. He was given free reins to create artwork and the result I think is amazing and suits the music good.   


8.With this project you record everything by yourself, do you prefer working solo to being in a full band?


For this project I preferred to work solo. As mentioned earlier, when you work solo you have the opportunity to try out different approaches and create the music you want for yourself without compromise. This just felt as the right thing to do for me regarding how this project evolved through time and turned out in the end. Working together with others I still do in the project with Gaut.


One thing that differs a lot these days as an old man pushing 50, compared to when we were young and played in Mactätus, is time.  We have several times over the past decade, talked about a reunion of Mactätus, but time seems to be one factor that makes this difficult. We all have moved on with our lives since the time when we could rehearse 3 times a week in some sweaty basement, and we have other commitments now. But as a solo project, I can do what I want whenever I have the time to do it, so this is a great part of being a solo project. But of course, I sometimes miss the “band-feeling”, and I look back at the Mactätus years with much appreciation and great memories.  


9.On a worldwide level how has the reaction been to your music by fans of black metal?


To be honest, I didn’t know what to expect when I first released the album digitally. It was 23 years since the last Mactätus release and time has changed since then.


It was actually my wife who convinced me to get my music out there. She thought it was meaningless to spend so much time writing and recording music, if nobody else should be able to listen to it. So I decided to make the album as a digital release, and this is how the MJOLNE project was established. The response has been over my expectations to say the least, and I am very grateful for the response that people worldwide have given me. I’ve been contacted by people from across the world showing their interest in my project, especially from South America, The US, Europe and Scandinavia.


I also realized that there still are some loyal Mactätus fans out there who have reached out to me, and I am grateful for that. We are currently working on some Mactätus re-release of old material later this year, so stay tuned for that. More info will come about this later.




10.Where do you see yourself heading into as a musician during the future?


I have started writing new material for the next MJOLNE album. Musically this should be in the same vein as the first album, but I’m still early in this process, so it can develop through time. Since MJOLNE is a solo project, I will write the kind of music that feels natural to me. That is the privilege of a solo project.


I will also continue the project with Gaut and write and record more songs with him, and we will see what will become of this in the future.


There are no plans of taking the MJOLNE project to stage at this point.  


11.What are some of the bands or musical styles you are listening to nowadays?


Nowadays, there are so much music being released so it’s hard to keep track of it all. I guess I’m contributing to that releasing my music as well haha. So when I’m listening to music I often go back to the good old releases from the 90’s, at least when it comes to black metal.  An album that has stuck with me since the release in 1994 is Dødheimsgard “Kronet til konge”. I still frequently listen to this album. Dissection, early Covenant, Emperor, Borknagar, Gehenna, old Satyricon, Dimmu Brogir and Ulver are also frequently listened to. Newer black metal releases that have caught my attention are Dold Vorde Ens Navn with “Mørkere” and Gràb with “Kremess”. These releases are exceptional.


Of course I don’t only listen to black metal, so the old King Diamond releases throughout the 80’s are frequently played. Also bands like Archspire, Ereb Altor, Iotuun, Fleshgod Apocalypse, Funeral, Katatonia, My Dying Bride, Nevermore and Septicflesh are examples of music that have been played lately.


12.Before we wrap up this interview, do you have any final words or thoughts?


First of all, I want to thank all the people who have reached out to me regarding my MJOLNE project but also regarding Mactätus. It’s much appreciated. And I also want to thank you for giving me the opportunity to talk about my project here in your zine.


The cd version of MJOLNE Through Veils of Time will be released on cd at August 29th by ATMF. Also beware of more info to come regarding the re-release of some old Mactätus material. 


https://metalodyssey.8merch.com/product/mjolne-through-veils-of-time-cd-pre-order/

Sunday, July 20, 2025

Bok/Mors Gregis/2025 Full Length Review

 


  Bok  are  a  solo  project  from  Netherlands  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  very  raw  form  of  black  metal  with  elements  of  doom,  thrash  metal,  post  punk  and  electronic  music  and  this  is  a  review  of  his  self  released  2025  album  "Mors  Gregis"  which  will  be  released  on  August  29th.


  Dark  sounding  synths  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can be  heard  which  also  gives  the  songs  more  of  a  raw  feeling  while  the  riffs  also  add  in  a  great  amount  of  melody.


  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Electronic  sounds  are  also  utilize  quite  a  bit  throughout  the  recording  along  with  the  slower  sections  of  the  album  also  being  very  heavily  rooted  in  doom  metal.


  Elements  of  post  punk  can  also  be  heard  at  times  along  with  some  of  the  guitar  riffing  also  adding  in  influences  of  thrash  metal  as  well  as  some  of  the  tracks  also  being  very  long  and  epic  in  length,  goth  rock  style  vocals  can  also  be  heard  briefly  and  a  couple  of  songs  also  add  in  a  small  amount  of  spoken  words.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  darkness  and  anti  religion  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Bok  and  if  you  are  fan  of  raw  black  metal  with  elements  of  doom,  thrash  metal,  post  punk  and  electronic  music,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Doctrine  OF  The  Sulphur  Kiss"  "The  Bearer  And  The  Harlot"  and  "Specs  altera  vitae".  8  out  of  10.


  bokfoad.bandcamp.com

instagram.com/bokfoad

facebook.com/bokfoad        

Saturday, July 19, 2025

Mjolne/Through Veils Of Time/ATMF/2025 Full Length Review

 


    Mjolne  are  a  solo  project  from  Norway  that  plays  a  very  raw,  old  school  and  symphonic  form  of  black  metal  and  this  is  a  review  of  his  2025  album  "Through  Veils  Of  Time"  which  will  be  released  in  August  by  ATMF.


  Clean  playing  starts  off  the  album  before  going  into  a  heavier  direction  while  the  synths  and  orchestration  also  takes  the  music  into  more  of  a  symphonics  direction.  A  lot  of  the  recording  is  also  very  heavily  rooted  in  the  mid  90's  era  along  with  the  vocals  being  mostly  high  pitched  black  metal  screams.


  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast b eats  can  be  heard  which  also  gives  the  recording  more  of  a  raw  feeling.  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  a  great  portion  of  the  tracks  also  being  very  long  and  epic  in  length.


  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  along  with  some  of  the  tracks  also  adding  in  a  small  amount  of  acoustic  guitars.  Clear  singing  is  also  added  into  certain  sections  of  the  recording  as  well  as  a  few  songs  also  adding  in  spoken  words,  when  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  a  mixture  of  English  and  Norwegian  and  cover  Darkness  and  Norse  Mythology  themes. 


  In  my  opinion  Mjolne  are  a  very  great  sounding  old  school  and  symphonic  black  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "What I  Once  Was"  "In  The  Abyss  Of  Existence"  and  "The  Cries  Within".  8 out  of  10.


  https://metalodyssey.8merch.com/product/mjolne-through-veils-of-time-cd-pre-order/  

Friday, July 18, 2025

Krigsgrav/Stormcaller/Willowtip Records/2025 Full Length Review

 


  Dallas,  Texas's  Krigsgrav  have  returned  with  a  new  recording  which  shows  the  music  going  for  an  atmospheric  form  of  blackened  doom  metal  and  this  is  a  review  of  their  2025  album  "Stormcaller"  which  will  be  released  in  September  by  Willowtip  Records.


  A  very  slow,  dark  and  heavy  doom  metal  sound  starts  off  the  album  while  the  riffs  also  add  in  a  lot  of  melody.  Vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls  along  with  the  faster  sections  of  the  songs  also  adding  in  a  decent  amount  of  blast  beats  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.


  When  tremolo  picking  is  added  into  the  fast  riffing  they  also  give  the  album  more  of  a  raw  feeling  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  At  times  the  music  also  gets  very  atmospheric  sounding  along  with  a  great  portion  of  the  tracks  also  being  very  long  and  epic  in  length.


  All  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  along  with  clear  singing  also  being  added  into  certain  sections  of  the  album  and  a  couple  of  songs  also  add  in  a  small  amount  of clean  playing  as  well  as  one  track  also  adding  in  a  brief  use  of  spoken  words.  The  production  sounds  very  professional  while  the  lyrics  cover  death,  nature  and  philosophy  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Krigsgrav  and  if  you  are  a  fan  of  atmospheric  blackened  doom  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Huntress  Of  The  Fire  Moon"  "None  Shall  Remember  Your  Name"  and  "Womb-Death-Dawn".  8  out  of  10.


  https://linktr.ee/Krigsgrav