Sunday, February 23, 2014

Signalfeide Interview


1.For those that have never heard of you before, can you tell us a little bit about the project?
J.N.: Hails, first of all I want to thank you for granting us this interview. Signalfeide was conceived back in 2012, more specifically around May or June if I remember correctly. I give all the credit to J.H. for making the whole thing happen, because he approached me with the idea of composing and recording a black metal-sounding demo and releasing it on tape. I remember us discussing that Norwegian band named Forgotten Woods and the brilliance of their “Sjel av Natten” EP and the whole sound and atmosphere surrounding that particular record. From there we simply started working on a few songs together, but they ended up sounding nothing like Forgotten Woods at all ha ha. In late 2012 we had 5 songs in the can, and for quite a while we were toying with the idea of releasing them on tape, but eventually we decided to release the whole damn thing digitally as a free download. It feels great to finally have those songs out and I'm psyched about the whole thing.

2.How would you describe the musical sound that is present on the demo?
J.N.: Well, the easy way out would be to simply state that the “Fornjot” demo is a mixture of extremely lo-fi black metal and minimalistic ambient music, but I guess it would be fair to say that there is a sense of melody to the whole thing and quite a few layers of guitars and vocals and so on, so the songs aren't as one-dimensionel as some would probably think. You can discover a lot of subtle nuances and details hidden in the background when listening to the demo with your headphones on. Mixing simple, melodic black metal with ambient music is hardly anything new or groundbreaking at all, but the songs and lyrics are 100 % honest to us and that is what matters.  

3.What are some of the themes and concepts the band brings out with the music?
J.N.: Norse Mythology, military history related to WWII, and desolate nature are the themes, subjects, and motifs present in and covered by our song material. One could argue that all three of those subjects are related in one or more ways, but to cut a long story short our songs focus on and bring to life things that interest and inspire us. Of course, Norse Mythology and military history are such vast subjects that one will never be able to cover everything related to them, thus they serve as endless sources of inspiration in my opinion. I love reading the old Icelandic sagas and the stories of the ancient Norse kings as well as all manner of things related to WWII, namely in relation to Scandinavia during the occupation, but I also love taking long walks in the mountains and woods and sensing the wonders and beauty of nature. There is a sweet sense of melancholy and longing to the latter that I embrace wholeheartedly. All of these things we have tried to channel into the music and lyrics of Signalfeide. J.H. and I have a lot in common, that's for damn sure.

4.What is the meaning and inspiration behind the name 'Signalfeide'?
J.N.: That is a very good question. The term relates to military history in that it revolves around allegiances and loyalty and pacts and so on in times of war. There was a discussion going on in Norway back in the 19th century involving the famous writer Bjoernstjerne Bjoernson that revolved around the Franco-Prussion war and who the natural allies of Norway were. From what I remember Bjoernson was of the opinion that Norway should support and ally themselves with France, but he eventually changed his view-point and argued that Germany and Norway were much closer in spirit and that they should gravitate toward each other. Somebody named the whole thing “signalfeiden”, which can be taken to mean “switching allegiances” and I think Bjoerson was mocked and became somewhat unpopular for a while because of the whole thing. Nevertheless, I think it's a great name for a band such as ours and quite original if I may say so myself. Signalfeide is not a political band by any stretch of the imagination, so for us the name is mostly interesting in a historical perspective.

5.Currently there are only 2 members in the project, are you planning on expanding the line up in the future or do you choose to remain a duo?
J.N.: No, we have no plans whatsoever to expand the line-up. I hope that we will always remain a duo, because there is a certain chemistry present in Signalfeide that I have never experienced before when working with others in a musical setting, and since we can handle pretty much all the instruments ourselves (for better or worse:), I see no need to bring others into the fold and change things around. Having more people in a band usually results in more problems and shit like that, so unless we have to play live someday we will remain a duo.

6.One member lives in America and the other in Norway, how does this work when it comes to the recording process?
J.N.: We mail files and recordings and so on back and forth between the US and Norway. The ambient pieces on “Fornjot” were pretty much done at my place, but J.H. started out by recording the drum tracks for “Miles from Home” and “Black Sun Insignia” at home and then mailed them to me so that I could put the instruments on top of the drum tracks. It's a strange way of working, but it works for us ha ha. My parts were recorded on this cheap little Boss 4-track micro recorder, which is all I had at the time, so I am mostly to blame for “Fornjot” turning out so crude and ugly ha ha.

7.The demo came out on Floodgate moons Productions, can you tell us a little bit more about this label?
J.N.: Yeah, Floodgate Moods Productions is a label-but-not-really-a-label-of-sorts that I finally launched not that long ago. I have tons of different recordings lying around by my previous outfits and projects (Vornoff, Sagntid, and Picture Ann) and I was just so goddamn tired of having all these MySpace and ReverbNation and YouTube accounts and whatnot for each and every project, so I simply decided to collect some of the releases that I have made or taken part in making under one roof and banner. Floodgate Moods Productions is a direct consequence of that decision. Vornoff and Sagntid do not exist anymore and have not done so for quite some time, but I try to keep alive some of those old releases that I am proud of and make sure that they're available to the public in one or more ways. I asked J.H. if he was cool with me releasing the digital version of “Fornjot” via Floodgate Moods Productions and he said “Go for it!”.

8.On a worldwide level how has the feedback been to your music by fans of black metal?
J.N.: So far people seem to like it, but I suspect that people will either love or hate our music. At least that is what I'm hoping for ha ha. I like the idea of it provoking strong reactions, but maybe that's just me.

9.Are any of the band members involved with any other musical projects?
J.N.: J.H. is busy running Regimental Records and is involved in a couple of other musical entities apart from Signalfeide, and the only other active band I have beside Signalfeide is Picture Ann, which is strange and moody music indeed. Listening to that will ruin your day, so I cannot recommend that you do that. Like I said earlier on, Vornoff and Sagntid no longer exist.

10.When can we expect a full length album and also what musical direction do you see the band heading into during the future?
J.N.: We're currently working on a new 5-song release entitled “Occupation Poetry”, which is similar to “Fornjot” in the sense that it will contain two black metal-sounding songs and three ambient pieces, but let me just make it clear that these new songs of ours truly rule compared to “Fornjot”. Musically, I think some of our new material as well as future material may well turn out a bit more melodic and melancholic, but we shall see how things turn out. Those new ambient pieces that we are working on contain a lot of acoustic guitars for instance. For now there are no plans to make a full-length album, but I'm not ruling out the possibility that one may well surface one fine day.

11.What are some bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
J.N.: Ugh, I just don't know where to begin as I am a junkie when it comes to music and I listen to so many different styles and genres. Everything from black metal to country music and further on to electronica and horrible dungeon synth records. In relation to Signalfeide I have been inspired by bands such as Grafvolluth, Burzum, Taake, Forgotten Woods, and early Gehenna. I'm listening to “Transilvanian Hunger” by Darkthrone as I write this, but apart from that I have been listening to different records by Mayhem, Rainbow, Iron Maiden, and Nebelung lately.

12.What are some of your interests outside of music?
J.N.: Apart from music and family life my days are filled with literature, movies, art, comic books, and the outdoors. It's a damn shame the day only holds 24 hours.

13.Before we wrap up this interview, do you have any final words or thoughts?
J.N.: Thanks once again for granting us this awesome interview and for letting us spread the pagan gospel that is SIGNALFEIDE! I strongly urge all you moody suckers out there to check out and support Regimental Records and Floodgate Moods Productions. Don't forget that “Fornjot” is free to download, so there is no excuse not to check that one out!

https://soundcloud.com/signalfeide


Saturday, February 22, 2014

Menschheitsdämmerung/Clever Of Skies And Tenants/No Sleep Till Megiddo Records/2013 EP Review


  Menscheitsdammerung  are  a  1  man  band  from  Belgium  that  plays  a  very  heavy,  fast,  raw  and  melodic  form  of  black  metal  and  this  is  a  review  of  his  2013  ep  "Clever  Of  Skies  And  Tenants"  which  was  released  by  No  Sleep  Till  Megiddo  Records.

  The  ep  starts  out  with  nature  sounds  before  going  into  a  fast,  raw  and  melodic  black  metal  direction  along  with  grim  vocals  and  blast  beats  and  after  awhile  the  recording  starts  bringing  in  a  mixture  of  slow  and  fast  parts.

  When  the ep  moves on  the  music  sticks  to  a  raw  and  melodic  black  metal  sound  which  reminds  me  of  the  mid  90's  Swedish  black  metal  bands  while  having  a  different  approach  to  the  music  lyric  wise  and  at  time s the  music  produces  a  death  metal  feeling  while  being  a  lot  more  closer  to  black  metal  and  the  music  gets  a  lot  more  darker  during  the  slower  sections  and  on  the  5th  song  the  music  starts  adding  in  more  fast  old  school  black  metal  and  thrash  elements.

  Menscheitsdammerung  bring  back  a  lot  of  memories  of  the  mid  90's  with  their  fast  and  melodic  approach  to  black  metal  while  also  having  a  good  amount  of  slow  parts  which  add  to  the  diversity  of  the  recording  and  this  is  a  decent  example  of  melodic  black  metal.

  Song  lyrics  are  a  concept  based  on  instincts  and  perversions,  while  the  production  has  a  very  raw,  heavy  and  powerful  sound  to  it.

  In  my  opinion  Menscheitsdammerung  are  a  very  great  sounding  heavy,  fast,  raw  and  melodic  black  metal  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "The  Pick  (or  When,  fortuity  and  violation  intervene)"  and  "The  Kill  (or,  How  the  quientessence  of  nature  prevails)".  8  out  of  10.

http://menschheitsdaemmerung.bandcamp.com/

  

Nekrospell/Demo III/2013 Review


  This  is  a  review  of  another  recording  from  Nekrospell  which  continues  his  fast,  raw  and  atmospheric  black  metal  sound  with  his  3rd  demo  being  self  released  in  2013.

  The  demo  starts  out  with  an  intro  that  has  a  very  heavy  and  dark  sound  to  it  along  with  traces of  doom  metal  and  melodic  leads  before  adding  in  spoken  word  parts  which  also  takes  the  music  into  a  faster  black  metal  direction.

  After  the  intro  the  music  goes  into  a  more  slow  and  depressive  black  metal  direction  along  with  grim  vocals  before  adding  in  fast  parts  while  also  keeping  the  melodic  leads  of  the  intro  and  the  music  also  has  a  mixture  of  both  fast  and  slow  parts  which  the  brings  out  in  all  of  the  songs  that  are  present  on  this  recording  and  the  last  song  brings  in  more  atmospheric  elements  as  well  as  a  small  amount  of  acoustic  guitars  before  returning  to  a  faster  direction  and  during  the  last  few  seconds  melodic  vocals  are  added  in  briefly.

  With  this  demo  Nekrospell  slow  the  music  down  a  bit  and  the  music  takes  a  more  dark,  melodic  and  depressive  direction  while  the  fast  parts  are  still  brought  into  the  music  on  a  regular  basis  and  this  is  a  very  great  sounding  demo  for  the  black  metal  genre.

  Song  lyrics  cover  darkness  and  occultism  themes,  while  the  production  has  a  very  dark,  raw  and  heavy  sound  to  it  along  with  one  of  the  songs  being  long  and  epic  in  length.

  In  my  opinion  this  is  another  great  sounding  demo  from  Nekrospell  and  if  you  are  a  fan  of  raw  and  atmospheric  black  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Path  Through  Arkhanic  Rituals"  and  "Land  Of  Black  Lakes".  8/5  out  of  10.

Bandcamp
Facebook

Nekrospell/Demo II/2013 Review


  Nekrospell  are  a  1  man  band  from  Spain  that  has  been  featured  before  in  this  zine  before  that  his  a  very  raw  and  atmospheric  form  of  black  metal  and  this  is  a  review  of  his  self  released  2013  second  demo.

  The  demo  starts  out  with  a  very  dark  sound  and  a  minute  later  the  music  goes into  a  more  fast  and  raw  black  metal  direction  along  with  blast  beats  as  well  as  mixing  slow  and  fast  parts  together.

  On  the  following  track  grim  screams  and  vocals  are  added  into  the  music  as  well  as  bringing  in  clean  sections  a  few  minutes  later  for  a  few  seconds  before  returning  to  a  heavier  and  darker  direction  and  as  the  demo  progresses  you  can  hear  more  melody and  depressive  elements  being  added  into  the  music  and  start  mixing  in  with  the  more  fast  and  raw  parts  of  the  demo.

  With  this  ep  Nekrospell  show  a  bit  of  diversity  with  the  way  he  mixes  in  fast  and  raw  black  metal  with  some  more  slow,  melodic,  atmospheric  and  depressive  parts  while  mostly  sticking  to  a  faster  style  and  this  recording  is  another  great  example  of  true  black  metal  the  way  it  showed  be  played.

  Song  lyrics  cover  darkness  and  occultism  themes,  while  the  production  has  a  very  dark,  raw,  heavy  and  old  school  sound  to  it  along  with  one  of  the  songs  being  long  and  epic  in  length.

  In  my  opinion  this  is  another  great  sounding  recording  from  Nekrospell  and  if  you  are  a  fan  of  atmospheric,  fast  and  raw  black  metal,  you  should  check  out  this  demo.  RECOMMENDED  TRACKS  INCLUDE  "Cryptic  Voices"  adn  "Darkened  Path".  8/5  out  of  10.

Bandcamp
Facebook

Friday, February 21, 2014

ForestMuse Interview


1.For those that have never heard of you before can you tell us a little bit about the band?

Kage: ForestMuse is a black metal band from Santa Cruz, California, started by Taserof and myself in 2012. At the time of formation we had been playing music together already for about 6 years on and off, and now ForestMuse is around 2 years old. We play black metal inspired by bands such as Bathory, Emperor, Immortal, Moonsorrow, as well as history, particularly of Europe/Scandinavia and the Americas.
Our first release, “The Land of Tall Trees,” was self-recorded and self-produced and released through Bandcamp. Our new album, “Moonlit Shadows,” is complete and awaiting artwork before becoming available. It was recorded at Parade Outrageous Studios by Max Zigman.

2.A few year you released your first demo, can you tell us a little bit more about your musical sound?

Kage: Our style falls into the classic black metal tradition, but we also use ambient and folk elements in our music. Our first album had several keyboard pieces, and our latest album features a Finnish instrument called the Kantele.

Taserof: As well as the Lithuanian Kankles.

3.Your lyrics cover Nature, Atavism and Ancestors, can you tell us a little bit more about your interest in these topics?

Taserof: My interest is in all things that made us humans the way we are. It is more than something so narrow as a “topic” they are the very reasons we are alive today. Anyone who does not appreciate nature, their ancestors, or the past is completely lost in the artificial world it’s became.
The lyrics of ForestMuse are imaginary. I personally am a very visual person, I see a story or landscape unfold from music. So when I write lyrics I try to make them match what I see from the music. ForestMuse lyrics are generally literal and take the listener to a place and describe the setting. It’s sometimes hard for me to write lyrics that don’t delve into my hate for greed and the many things that still continue to utterly destroy our already shattered cultures and dwindling nature. I let the music be the hate while the lyrics focus on the epicness of what was (and can still be).

4.What is the meaning and inspiration behind the name ForestMuse?

Taserof: The name is self-explanatory. I have been asked if the word muse has anything to do with the old Greek religion and no it does not. However, I think anything that reminds people of the past and of a forgotten religion fits ForestMuse.

5.Currently there are only 2 members in the band, are you planning on expanding the line up in the future or do you choose to remain a duo?

Kage: We added our bass player, Senun, last year. He is an accomplished musician who also plays in Fiends at Feast. Senun definitely adds a missing element to the band, as is evident both live and on our second album, and we are lucky to have him.

6.Has the band done any live shows or is this strictly a studio project?

Kage: We have played half a dozen live shows so far, mostly in Santa Cruz, but we have begun to play neighboring cities. In June we will perform at Festum Carnis, a forest metal festival in Soda Springs, CA.

Taserof: We are looking to play as many live shows as possible. We will hopefully organize and play a show somewhere in the forest in Santa Cruz sometime in the spring.

7.Currently you are unsigned, are you looking for a label or have received any interest?

Kage: We are not currently seeking a label; however, if there is enough interest in our second album, we will consider finding a distributor.

8.On a worldwide level how has the feedback been to your music by fans of black metal?


Kage: We have gotten positive feedback on our first album by fans worldwide, from France to Italy to Chile, Russia, and so on. It has been very humbling to have good response to a record that was recorded and produced entirely for free, and we are looking forward to hearing what people have to think of the second album. It is all-around a much stronger record and we expect more people to hear it and enjoy it!

9.When can we expect new material and also what musical direction do you see the band heading into during the future?

Kage: As said before, the new album, “Moonlit Shadows,” is recorded and awaiting artwork before its release. Here is a video for one of the songs from the album: http://www.youtube.com/watch?v=CZ-KTFp2ucQ
Taserof is currently writing new material and we will hopefully record again this year.

Taserof: Yes, new material is constantly developing. Future releases will have more Kantele and Kankles.

10.What are some bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Kage: As I mentioned earlier, the bands that have influenced us the most stylistically are classic black metal bands such as Bathory, Emperor, Enslaved, and Immortal. In addition to black metal, I listen to a lot of death metal like At the Gates, Morbid Angel, and Death, although I don’t know how much that style influences ForestMuse’s music.

Taserof: As Kage already mentioned most of the second wave Norwegian black metal bands from the early 90’s as well as various underground Slavic black metal bands from the mid 90’s. The keyboard songs on “The Land Of Tall Trees” were inspired by Burzum’s “Hliðskjálf” and “Daudi Baldrs”, Mortiis’s “Keiser Av En Dimension Ukjent” and “Ånden Som Gjorde Opprør”, and various ambient artists especially Klaus Schulze. There are too many bands to name but Slayer must be mentioned. Non- metal (but still metal) Martti Pokela and various other kantele and zither music.

11.What are some of your non musical interests?

Kage: All of the band members love spending time in nature, whether it be hiking, camping, mountain biking, etc. I am a graduate student, so when I am not playing or listening to music I am almost always reading or writing. Senun is also a student finishing up his degree in music.

Taserof: Nature admiring. All the education I need comes from the forest and deep recollecting.

12.Before we wrap up this interview, do you have any final words or thoughts?

Kage: Thank you for the kind words and for helping us put our music out there. We are excited to continue performing and writing original black metal, and we hope that people give us a listen and enjoy it!

Taserof: Never forget who you are. Feel your blood. Smell the Night-Air!

Bandcamp


Signalfeide/Fornjot/Floodgate Moods Productions/2014 EP Review


  Signalfeide  are  a  band  with  members  both  from  the  United  States  and  Norway  that  plays   black  metal  mixed  with  dark  ambient  and  this  is  a  review  of  their  2014  ep  "Fornjot"  which  was  released  by  Floodgate  Moods  Productions.

  The  ep  starts  out  with  dark  ambient  drones  and  harsh  noises  and  after  the  first  song  the  music  gets  more  distorted  and  goes  into  a  more  mid  paced  melodic  black  metal  direction  along  with  spoken  word  samples  which  also  lead  up  to  a  small  amount  of  blast  beats  and  you  can  also  hear  psychedelic  elements  in  the  background.

  On  the  following  track  they  start  bringing  in  acoustic  guitars  while  also  having  distorted  parts  before  returning  to  a  more  black  metal  direction  on  the  following  song  and  adding  in  a  small  amount  of  deep  grim  vocals  which  are  mostly  done  in  a  whisper  or  spoken  mode  as  well  as  having  soft  and  heavy  parts  being  mixed  together  and  the  last  song  is  all  ambient.

  With  this  ep  Signalfeide  bring  in  a  great  amount  of  diversity  and  originality  and  while  you  can  tell  that  black  metal  is  one  of  their  main  influences  you  can  also hear  traces  of  dark  ambient  and  other  genres  throughout  this  recording  and  this  is  a  hard  to  classify  band.

  Song  themes  cover  darkness  and  nature,  while  the  production  has  a  very  dark,  raw  and  lo-fi  sound.

  In  my  opinion  Signalfeide  are  a  very  decent  sounding  mixture  of  black  metal  and  dark  ambient  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Miles  From  Home"  and  "Black  Sun  Insignia".  7/8  out  of  10.

floodgatemoodsproductions.bandcamp.com
soundcloud.com/signalfeide

  

Morgirion/None Left to Worship/NoVisibleScars/2014 Live Cassette Review


  Morgirion  are  a  band  from  Connecticut  that  has  been  featured  before  in  this  zine  with  a  musical  style  I  would  describe  as  being  a  raw  and  old  school  form  of  black  metal  and  this  is  a  review  of  their  live  2014  cassette  "None  Left  To  Worship"  which  was  released  the  NoVisibleScars.

  The  cassette  starts  out  with  a  very  fast,  raw  and  heavy  old  school  black  metal  sound  along  with  blast  beats  and  high  pitched  grim  sounding  screams  and  after  awhile  they  bring  in  a  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  the  bass  guitars  getting  a  lot  more  powerful  in  sound.

  When  the  ep  goes  into  other  song s the  band  sticks  to  an  old  school  black  metal  direction bringing  in  influences  from  both  Norwegian  and  Swedish  bands  as  well  as  beinging  death  metal  growls  into  certain  sections  of  the  recording.

  With  this  live  recording  Morgirion  really  show  an  aggressive  sound  with  their  old  school  black  metal  approach  as  well  as  showing  how  powerful  fast  and  brutal  black  metal  can  sound  live  and  this  is  the  type  of  sound  I  would  want  to  hear  when  I  am  at  a  black  metal  show.

  Song  lyrics  cover  misanthropic  and  nihilism  themes,  while  the  production  has  a  very  raw  and  heavy  sound  where  you  can  hear  all  of  the  musical  instruments  that  are  present  on  this  recording  as  well  as  all  of  the  songs  being  recorded  live.

  In  my  opinion  this  is  another  great  sounding recording  from  Morgirion  and  if  you  are  a  fan  of  fast,  raw  old  school  black  metal,  you  should  check  out  this  live  cassette.  RECOMMENDED  TRACKS  INCLUDE  "None  Left  To  Worship"  and  "Infiltration  Of  Divine  Entity".  8  out  of  10.  

http://novisiblescars.bandcamp.com/album/none-left-to-worship