Showing posts with label Saarkoth. Show all posts
Showing posts with label Saarkoth. Show all posts

Saturday, October 31, 2020

Saarkoth/Cult Of Nature/2020 Full Length Review

 


  Saarkoth  are  a  band  from  the  united  Kingdom  that  has  had  music  reviewed  before  in  this  zine  and  plays  a  very  melodic  and  atmospheric  form  of  black  metal  and  this  is  a  review  of  their  self  released  2020  album  "Cult  Of  Nature".


  Spoken  word  parts  start  off  the album  along  with  some  clean  playing  a  few  seconds  later  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style. Vocals  are mostly  grim  sounding  yet  high  pitched  black  metal  screams  along  with  some  clean  chants  also  being  added  into  the  background  briefly.


  When  the  music  speeds  up  a  great amount  of  tremolo  picking  and  blast  beats  can  be  heard  which  also  gives  the  songs  more  of  a r aw  feeling.  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  music  also  having  its  atmospheric  moments.


  A  great  portion  of  the  tracks  also  being  very  long  and  epic  in  length  along  with  one  track  also  introducing  growling  vocals  and  synths  onto  the  recording,  clean  playing also  makes  a return  on  some  of  the  later  songs  as  well  as  the  spoken  word  parts  also  reappearing  in  certain  sections  of  the  recording  and  as  the  album  progresses  a  brief  use  of  melodic  vocals  can  also  be  heard.  The  production  sounds  very  raw  and  heavy  while  the  lyrics  cover  humanity,  nature,  the  rapid  decaying  of  Earth  and  the  human  mind.


  In  my  opinion  this  is  another  great  sounding  recording  from  Saarkoth  and  if  you  are  a  fan  of  atmospheric  and  melodic  black  metal, you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Rains  over  A  Dying  World"  "Sanctuaries  Of  Oak"  and  "Questions  For  The  Heavens".   8  out  of  10.


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Thursday, February 27, 2020

Saarkoth Interview

1.Can  you give us an update on what is going on with the band since the recording and release of the new ep?



The recording and release of the EP is the most recent thing that we’ve worked on. Since the release we’ve just been promoting it on social media and trying to get it sent out to reviewers. Outside of that we’ve been rehearsing for some upcoming shows.



In terms of the recording of this release, though, it was very much done in the typical way that we do things where one of us will have an idea and pretty much write the entire song from start to finish, often without the other party even knowing, and then present their ‘finished draft’, as it were, to the other to add their flair and ideas to it. This process alone can change big parts of a song, just by us then being in the room together and being able to bounce ideas as to what could better off of each other, for example the section of the song where there’s a few seconds of just bass before it kicks back in wasn’t in the original draft. That section and the melodies in the bars before and after it were spawned entirely from us sitting down together with the first draft infront of us and just seeing what we could come up with.



2.Recently you have released a new ep, musically how does it differ from the stuff you have released in the past?



It’s a much darker sounding EP than what we’ve previously released. Obviously it’s a single seventeen minute track, so by that point alone it’s a little bit more complex than anything we’ve released previously. The production is different too, since we went for a more raw sound inspired by more classic Black Metal albums, though admittedly not quite that raw.

It’s more melody driven, too. There less of the atmospheric side to it than our previous releases, those being Jera and Memories of You, which was on the ‘The Wanderer’ Single, both of which had much more obvious atmospheric sections. That’s not to say this is without atmosphere, but rather the atmosphere is more like a hillside at night with fog near choking you as opposed to a brightly lit, light filled forest.



3.What are some of the lyrical topics and subjects the band explores on the new release and also how would you describe your progress as songwriters over the years?



There’s some hints towards religion on the EP, a topic which we haven’t covered before and likely won’t touch much again in at-least the near future. Though, for the most part the lyrics are a collection of just what was going through my (Ellis) head at the time. I suppose I was angry and upset about some recent events which manifested itself through lyrics such as “As the rays of your holy love are hidden by gathering clouds” and “I feel the plague as it eats my flesh and rots me from the inside.” Though, the lines referring to “The Cult of Nature” have a sort of double meaning in that, without revealing anything, they are referencing future plans, but are also a bit of a commentary about how we’ve recently had a multiple amounts of natural disasters which seem to awake more and more people to the many crises affecting our world at the moment, hence “For once life has died, the cult of nature will arise.”.



As songwriters I’d say we’ve just gotten better at writing, I’ve become a better lyricist and we’ve found ourselves finding it easier to write shorter and longer songs, whereas before a typical song length was around the six or so minute mark, with not much in the way of deviation from that. Obviously this EP was an example of that progression.



4.What is the meaning and inspiration behind the name 'Saarkoth'?



I feel like this is quite typical for Black Metal, but it’s origins are actually a little bit geeky. It’s a slight rework of the name of an NPC from a game.













5.Can you tell us a little bit more about the artwork that is presented on the new ep cover?



The artwork is the ‘Jera’ rune, which is the rune which symbolizes ‘Year’ and ‘Harvest’ in the Elder Futhark set of runes. It’s a rune we adopted as our symbol on our debut album titled ‘Jera’.  We wished to have a personalized version of that, one which had a bit of detail which will hopefully be recognisable as ours, to people who knows us, and not one that you could just be off of Google.



So, in that respect, consider that artwork as our ‘Second logo’, our emblem as it were. It’ll likely crop up again.



6.Currently there are only 2 members in the band, are you open to expanding the line up or do you prefer to remain a duo?



We’ve been trying to fill the ranks since 2018. We spent a year and a half as a trio with our bassist, Asa, but he left us at the end of 2019 to pursue other musical interests with his other band. But yes, we do want a full band. It’s been a thorn in our side ever since the drummer pulled.



7.What are some of the best shows that the band has played so far and also how would you describe your stage performance?



Without a doubt, our best shows have been Oakfest 2019 and The Blackwood Gathering 2019. Those were two times where we walked off the stage just knowing we’d killed it. For the last two shows we’ve played, we have begun to add a small bit of flair to the show in the sense of a solidified dress sense. But I like to think that our show is engaging to watch, I know that I try to put on a bit of an aggressive presence.



8.Do you have any touring or show plans for the future?

Touring would be nice, but it’s a stage we aren’t at yet unless we were touring in support of a fellow band. This year we’re cutting down a little bit on the shows and we’re trying to be a bit pickier about the shows we play. We want to fit on bills, whereas there’s been a few shows in the past where we a bit left field and the crowd weren’t there to see that kind of music.



9.Currently the band is unsigned but has worked with a label in the past, are you open to working with another label again in the future?

Yeah, we’re more than happy to work with labels. We just decided we wanted complete control over this release so that we could just drop it. We didn’t want any beforehand promotion and we figured the best way to do that would be to self release, as it’s more than understandable that labels will want to promote beforehand in order to secure sales, they’re businesses afterall.



10.On a worldwide level how has the reaction been to your music by fans of black metal?



I’ve not heard anything bad so far! As of writing this we’ve had two reviews back, averaging out at 8.5/10 so we’re more than happy with that. On a one to one level, we’ve been told by multiple people that they’ve really enjoyed the release and the changed sound.





11.When can we expect another full length and also where do you see the band heading into musically during the future?



Hopefully this year. We’ll decide that when it comes to it. We’ve tried a planned release before, but it just didn’t work out, so it makes more sense to just see what comes out when you sit down to write rather than try and plan how you want to sound however many years down the line.



12.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays/



I wouldn’t say our influences changed, when I was writing this I was mostly listening to the same stuff I always do, a lot of UK bands and a lot of old school bands. I think the only influence I tried to incorporate into this release was a bit of the more recent sound of Behemoth, specifically The Satanist era.



13.Before we wrap up this interview, do you have any final words or thoughts?


Just a thank you to yourself for offering us this platform to talk on and for the kind words in your review, as well as a thank you to everyone who has supported this release by either buying it or sharing it with friends. It all helps and we appreciate it all.

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Friday, February 21, 2020

Saarkoth/Follow The Cult/2020 EP Review


  Saarkoth  are  a  band  from  the  United  Kingdom  that  plays  a  very  melodic  and  atmospheric  form  of  black  metal  and  this  is  a  review  of  their  self  released  2020  ep  "Follow  The  Cult".

  Acoustic  guitars  start  off  the  ep  before  going  into  a  heavier  direction  while  the  only  track  that  is  presented  on  this  recording  is  over  17  minutes  in  length.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  which  also  gives  the  song  more  of  a  raw  feeling.

  When  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  melodic style  while  the  vocals  are  mostly  angry  sounding  black  metal  screams.  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  music  also  having  its  atmospheric  moments  as  well  as  the  riffs  also  adding  in  a  great  amount  of  melody,  synths  can  also  be  heard  in  the  background  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  Saarkoth  plays  a  style  of  black  metal  that  is  very  melodic,  epic  and  atmospheric  sounding.  The  production  sounds  very  raw  and  heavy  while  the  lyrics  cover  dark  and  anti  religion  themes.

  In  my  opinion  Saarkoth  are  a  very  great  sounding  atmospheric  and  melodic  black  metal  band  and  if  you  are  a f an  of  this  musical  genre,  you  should  check  out  this  ep.  8  out  of  10.

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