Saturday, July 4, 2026

Eldritch/Thalassophobia/2025 EP Review


  This  is  the  final  review  of  a  recording  from  United  Kingdom's  solo  artist  Eldritch  which  shows  the  music  moving  away  from  the  black  metal  style  of  earlier  releases  and  focusing  more  on  a  mixture  of  dark  ambient,  electronic  music,  dungeon  synth  and  experimental  and  the  ep  was  self  released  in  2025  and  called  "Thalassophobia".


  Dungeon  synth  style  synths  start  off  the  ep  while  also  adding  in  a  variety  of  many  different  sounding  keys  and  also  adding  in  elements  of  dark  ambient.  Most  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  most  of  the  recording  also  sticking  to  an  instrumental  musical  direction.


  Electronic  sounds  are  also  utilized  at  times  while  the  music  also  has  its  experimental  moments  and  each  track  also  sounds  very  different  from  each  other  and  also  captures  the  atmosphere  of  a  cosmic  horror  movie  soundtrack,  programmed  beats  can  also  be  heard  at  times.


  On  this  recording  Eldritch  moves  away  from  the  black  metal  style  of  earlier  releases  and  focuses  more  on  a mixture  of  dungeon  synth,  dark  ambient,  electronic  music  and  experimental  as  well  as  keeping  everything  instrumental  while  the  song  themes  are  inspired  by  the  writings  of  H.P  Lovecraft.


  In  my  opinion  this  is  another  great  sounding  recording  from  Eldritch  and  if  you  are  a  fan  of  dark  ambient,  dungeon  synth,  electronic  music  and  experimental,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Yuggoth,  The  Warm  Seas"  and  "Twenty-Third  Nebula".  8  out  of  10.


  https://eldritchofficial.bandcamp.com/album/thalassophobia


   

Eldritch/Altar Of The Nameless One/2022 Full Length Review


  This  is  a  review  of  another  recording  from  United  Kingdom's  solo  project  Eldritch  and  the  album  was  self  released  in  2022  and  called  "Altar  Of  The  Nameless  one".


  Synths  start  off  the  album  which  also  add  in  elements  of  dungeon  synth  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast b eats  can  be  heard  which  also  gives  the  recording  more  of  a  raw  feeling  and  the  guitar  leads  are  done  in  a  very  melodic  style. 


  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  music  is  also  very  heavily  rooted  in  the  classic  Finnish  tradition.  Spoken  words  can  also  be  heard  on  a  few  tracks  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody  as  well  as  the  recording  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.


  Clean  playing  is  also  added  on  one  of  the  tracks  along  with  some  growls  also  being  utilized  at  times  as  well  as  one  song  also  being  an  instrumental,  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  the  writings  of  H.P  Lovecraft.


  In  my  opinion  this  is  another  great  sounding album  from  Eldritch  and  if  you  are  a  fan  of  old  school  black  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Engulfed  By  A  Horde  Of  Shadows"  "Where  The  Dead  Wait  Dreaming"  and  Cosmicism".  8  out  of  10.


  https://eldritchofficial.bandcamp.com/album/altar-of-the-nameless-ones    

Eldritch/I Shall Raise My Burning Sword/2022 Full Length Review


  Eldritch  are  a  solo  project  from  the  United  Kingdom  that  plays  an  old  school  form  of  black  metal  and  this  is  a  review  of  his  self  released  2022  album  "I  Shall  Raise  My  Burning  Sword".


  Clean  playing  starts  off  the  album  before  going  into  a  very  fast  and  raw  musical  direction  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats.  A  couple  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  vocals  are  mostly  high  pitched  black  metal  screams  and  the  music  is  very  heavily  rooted  in  the  old  school  era.


  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  riffs  also  add  in  a  decent  amount  of  melody.  Spoken  words  can  also  be  heard  briefly  along  with  some  synths  also  being  utilized  at  times  as  well  as  the  riffs  also  adding  in  a  decent  amount  of  melody,  when  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  and  one  track  also  adding  in  a  brief  use  of  clear  singing.


  Ekdritch  plays  a  style  of  black  metal  that  is  very  aggressive  and  heavily  rooted  in  the  old  school  era  of  the  genre.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  Fantasy,  Mythology  and  Darkness  themes. 


  In  my  opinion  Eldritch  are  a  very  great  sounding  old  school  black  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "I  Shall  Raise  My  Burning  Sword"  and  "Hearken,  Calling  Of  The  Night  Sky".  8  out  of  10.


https://eldritchofficial.bandcamp.com/album/i-shall-raise-my-burning-sword  

Azgaal Interview

 1.Can you give us an update on what has been going on with the solo project since the recording of the new album?


Since the album was created, I have joined the label Fetzner Death Records. Alexander, who runs the label, has given me valuable support to help AZGAAL grow and move forward. I’m very happy about this opportunity, as it allows the project to take a significant step forward. Besides that, I’m continuing to write music for what comes next.


2.In August you have a new album coming out, musically how does it differ from the stuff you have released in the past?


The sound is different, and the overall production has evolved as well. That's really the biggest change. Otherwise, in terms of songwriting, the style remains the same. Of course, I've refined a lot of things over time. I've honed my writing approach and further defined the project's musical identity. But at its core, AZGAAL remains what it has always been.


3.The project has been around since 2000 but you waited until 2011 to release any music, can you tell us a little bit more about the earlier years?

The early years of AZGAAL were, above all, just two friends having fun. I had a 4-track cassette recorder (Tascam), and we did everything with that. I used a Roland DR-5 drum machine for the drums, and recorded the rest with the gear I had at the time. Then Ibuprohet added the vocals, and that was it. It was pretty rudimentary, but it did exactly what we wanted. We even recorded a demo tape that was never released. Back then, I didn't have any particular goal in mind.


4.The lyrics on the new album cover occult themes, can you tell us a little bit more about your interest in this topic?

Yes, AZGAAL primarily deals with occult and esoteric subjects, particularly from the perspective of Western occultism and its great tradition. I've always been immersed in the occult. It's a way of life, a particular worldview that has always felt right to me. Naturally, I ended up incorporating those influences into AZGAAL. That said, it's quite difficult to talk about the occult or explain why it fascinates me. Most people today don't really understand this field. They dismiss it as mere folklore without ever having seriously explored or practiced any of it. For me, it's something real, it's simply part of my life. After having gone through many unsettling experiences in this area, I can no longer deny its existence. My interest in the occult stems primarily from my personal experiences, which I refrain from sharing publicly, even though I fully embrace my place within this mysterious world.


5.What are some of the other lyrical topics and subjects you have explored over the years with your music?

I've written extensively about the introspection of the human soul and the many inner worlds that inhabit it. I've also used AZGAAL as an outlet to cope with the rotten world we live in. That's still true to some extent, but over time I've expanded the range of themes I explore.


6.I know that the bands name comes form a RPG, how does this name fit in with the musical style that you play?

Yes, the name AZGAAL comes from the name of a fortress in the Warhammer universe : Karak-Azgal. It is a place whose history resonates deeply with me and, in many ways, reflects what we are experiencing in the West : greatness, downfall, and then eternal vengeance in the lore. AZGAAL was born from that inspiration, and more specifically from this innate thirst for vengeance against the evil forces that have destroyed our world. The world of RPGs has always been a major source of inspiration for me. To me, the realm of imagination is something alive. It is not merely a collection of fantasy stories. Once you develop symbolic intelligence and have some understanding of esotericism, you quickly realize that imagination shapes the world and manifests itself here in its own way. For that reason, I have never regarded the world of imagination (including RPGs) as mere entertainment.


7.Can you tell us a little bit more about the artwork that is presented on the new album cover?

On the artwork, you can see a metalhead summoning the angel Daovith. Daovith is an angel whose purpose is to punish humanity. It is a warrior, forged by judgment, wrath, and divine anger. It delivers justice to those who have betrayed the natural order. I chose it for this album because I dreamed of it when I entered the album's creative process. In my dream, I saw it as a divine hitman sent by God to cleanse humanity of the psychopathic elites who are corrupting and destroying the planet.


8.With this project you work mostly solo but have worked with other musicians in the past, do you prefer to work by yourself?

Yes, I prefer working alone to avoid the ego-related issues that are so common in the music industry. It's exhausting, and it wastes far too much time and energy. Besides, I'm naturally a solitary person. Working on my own allows me to stay in a peaceful environment, work at my own pace, follow my instincts, and not have to answer to anyone except myself.


9.With the live line up, what are some of the best shows that you have played so far and also how would you describe your stage performance?

I have never performed live with AZGAAL. I did have musicians lined up to make it happen, but it ultimately never took place. However, I do have live performance experience with other bands I have played in. The stage is an environment I know well.


10.Do you have any touring or show plans once the new album is released?

No, there are no plans for a tour or anything like that. First of all, I don't enjoy being on stage. It's not where I feel most comfortable. I much prefer staying in my studio, creating and composing my music. I'd only be willing to perform live if that's what the audience truly wants. It's something I'd do for the fans, but personally, I don't get much out of it. If it ever happens, I prefer to play a handful of dates at festivals, working with an organization that knows how to handle things properly for AZGAAL. I'd rather perform rarely, but in the right venues, to give the audience the best possible experience. So it's not out of the question that it could happen one day, but it certainly won't be because I was the one pushing for it.


11.On a worldwide level, how has the reaction been to your music by fans of black metal?

I suppose the purists would say that AZGAAL isn't Black Metal. I've already read that in a few articles written about my work. And that's true that in a way AZGAAL isn't conventional Black Metal. It might not even qualify as Black Metal according to the definitions used by metal reviewers and journalists. At this point, though, I don't really care. I don't feel concerned with that debate over definitions. What I can say is that AZGAAL is a hybrid built upon Black Metal. Black Metal remains my foundation, the environment where I feel most at home. It's the style of metal I connect with the most, the one I have the deepest affinity for.


12.Where do you see yourself heading into as a musician during the future?

I simply see myself continuing to release albums and share my music out of pure passion. I hope to grow AZGAAL enough to gain access to greater production resources and bring my ideas to life on a larger scale. I'd also love to write books about AZGAAL, not to dwell on trivial details, but to share my journey as an artist in a different way. It would be an opportunity to tell the stories behind the dreams that inspire me, the ones that sometimes even reveal riffs, images, themes, and entire creative directions. I'm never short of inspiration, only of the resources needed to take it further.


13.What are some of the bands or musical styles you are currently listening to nowadays?

I still mainly stick to Rock and Metal (especially Black Metal). Over the past few days, for example, I've been listening to Bolt Thrower, Crépuscule d'Hiver, Cradle of Filth, At The Gates, and Enslaved. I also listen to a lot of classical music, both old and contemporary, including film, video game, and other soundtrack scores. 


14.Before we wrap up this interview, do you have any final words or thoughts?

Thank you for the interview. It was a real pleasure. I encourage everyone to discover AZGAAL, spread the word, and share it as much as possible to help this project grow. I'd also like to thank all the fans who support me. I'm sure they're going to love the new album !   

https://www.instagram.com/azgaalofficial/

Wormwood/Å/Black Lodge Records/2026 EP Review


  Sweden's  Wormood  have  returned  with  a  new  recording  which  shows  the  music  going  for  an  atmospheric  and  melodic  mixture  of  black,  death  and  thrash  metal  and  this  is  a  review  of  their  2026  ep  "Å"  which  will be  released  in  August  by  Black  Lodge  Records.


  A  very  fast  and  raw  sound  starts  off  the  ep  along  with  a  great  amount  of  tremolo  picking  and  blast  beats.  Atmospheric  synths  can  also  be  heard  at  times  while  the  vocals  are mostly  high  pitched  black  metal  screams  mixed  in  with  a  few  death  metal  growls  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  clean  playing  also  being  utilized  at  times  as  well  as  the  riffs  also  adding  in  elements  of  thrash  metal,  spoken  words  can  also  be  heard  briefly  and  both  of  the  tracks  are  also  very  long  and  epic  in  length.


  On  this  recording  Wormwood  add  elements  of  death  and  thrash  metal  into  their  atmospheric  and  melodic  style  of  black  emtal  to  take  their  sound  to  a  different  level.  The  production  sounds  very  professional  while  the  lyrics  cover  cosmic  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Wormwood  and  if  you  are  a  fan  of  atmospheric  and  melodic  black  metal,  you  should  check  out t his  ep.  RECOMMENDED  TRACK  "Purposeless  Geometry".  8  out  of  10.


  https://orcd.co/blod197


     

Friday, July 3, 2026

Darkest Bethlehem/Guiding Star Of Misanthropy/2021 Demo Review

 

  Darkest  Bethlehem  are  an  international  band  with  members  from  Norway  and  the  united  States  that  plays  a  very  old  school  form  of  black  metal  and  this  is  a  review  of  their  self  released  2021  demo  "Guiding  Star  Of  Misanthropy".


  Keyboards  start  off  the  demo  before  going  into  a  very  fast  and  raw  musical  direction  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  music  is  very  heavily  rooted  in  the  second  wave  era  of  the  genre  and  melodies  are  also  added  into  some  of  the  guitar  riffing.


  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  The  music  also  having  its  atmospheric  moments  and  when  guitar  solos  and  leads  are  finally  introduced  they  are  also  done  in  a  very  melodic  style.


  Darkest  Bethlehem  plays  a  style  of  black  metal  that  is  very  aggressive  and  atmospheric  sounding  in  the  90's  second  wave  tradition.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  darkness  and  blasphemy  themes.


  In  my  opinion  Darkest  Bethlehem  are  a  very  great  sounding  atmospheric  and  old  school  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  demo.  RECOMMENDED  TRACKS  INCLUDE  "To  Walk  On  Thorns"  and  "Cathedral  of  Stars".  8  out  of  10.


https://darkestbethlehem1.bandcamp.com/album/guiding-star-of-misanthropy      

Kaosekt/The Fathomless Void Of Death/Death's Ovations/2025 Full length Review

 

  Kaosekt  are  a  band  from  Greece  that  plays  a  very  raw  and  old  school  form  of  black  metal  and  this  is  a  review  of  their  2025  album  "The  Fathomless  Void  Of  Death"  which  was  released  by  Death's  Ovations.


  Ritualistic  soundscapes  and  synths  start  off  the  album  before  going  into  a  very  fast  and  raw  musical  direction  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  done  in  more  of  an  angry  black  metal  style  mixed  in  with  a  few  screams  and  the  music  is  very  heavily  rooted  in  the  old  school  tradition.


  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  Melodies  are  also  added  into  some  of  the  guitar riffing  along  with  the  guitar  leads  also  being  done  in  a  melodic  style  when  they  are  finally  utilized.


  Kaosekt  plays  a  style  of    black  metal  that  is  very  raw,  aggressive  and  fast  in  the  classic  tradition.  The  production  sounds  very  dark  and  raw  with  all  the  tracks  being  recorded  live  while  the  lyrics  cover  Occultism,  Death  and  Chaos  themes.


  In  my  opinion  Kaosekt  are  a  very  great  sounding  raw  and  old  school  black  metal b and  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Fiery  Tongues  Of  Chaos"  and  "Winds  Of  Morbidity".  8  out  of  10.


  https://kaosekt.bandcamp.com/album/the-fathomless-void-of-death