Monday, October 12, 2026

Nobody/The Birds Know/Inverse Records/2026 EP Review


  Finland's  solo  project  Nobody  has  returned  with  a  new  recording  which  shows  the  music  going  for  an  acoustic  dark  folk  direction  and  this  is  a  review  of  his  2026  ep  "The  Birds  know"  which  will  be  released  in  November  by  Inverse  Records.


  Acoustic  guitars  start  off  the  ep  while  also  adding  in  some  full  chords  and  finger  picking  along with  some  elements  of  folk  music.  Bass  guitars  also  add  in  a  very  powerful  sound  as  well  as  the  vocals  being  done  in  a clear  singing  direction.


 Percussion  can  also  be  heard  at  times  mixed  in  with  some  psychedelic  touches  while  each  song  also  sounds  very  different  from  each  other.  Some  of t he  music  also  shows  a  60's  influence  and  the  whole  recording  sticks  to  an  acoustic  direction,  guitar  solos  and  leads  are  also  added  towards  the  end.


  On  this  recording  Nobody  continues  to  expand  on  the  acoustic  dark  folk  style  he  has  introduced  on  previous  releases.  The  production  sounds  very  dark  while  the  lyrics  cover  xenophobia  and  Mali  and  the  ancient  Mandinka  kingdom.


  In  my  opinion  this  is  another  great  sounding  recording  form  Nobody  and  if  you  are  a  fan  of  acoustic  dark  folk,  you  should  check  out t his  ep.  RECOMMENDED  TRACKS  INCLUDE  "You  Don't  Get  To  love"  and  "Incognito".  8  out  of  10.


  https://nobodymetal.bandcamp.com

https://www.facebook.com/nobodymetal 

https://www.instagram.com/nobodyofficial666


     

Gull Skull/My Favorite Season: Nuclear War/2026 Full Length Review

 


  Gull  Skull  are  a  solo  project  from t he  Appalachian  region  of  the  United  States  that  plays  an  avant  garde  mixture  of  black  metal  and  noise  and  this  is  a  review  of  his  self  released  2026  album  "My  Favorite  Season:  Nuclear  Winter".


  New  samples  start  off  the  album  along  with  some  acoustic  guitars  a  few  seconds  later  before  going  into  a  heavier  direction.  A  great  portion  of  the  tracks  are  also  very  long  and  epic  in  length  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and t he  vocals  are  mostly  high  pitched  black  metal  screams.


  At  times  the  music  also  captures  a  very  lo-fi  atmosphere  while  the  album  also  has  its  avant  garde  and  experimental  moments.  The  riffs  also  add  in  a  lot  of  dissonant  structures  along  with  some  elements  of  noise  also  being  added  into  certain  sections  of  the  recording  and  blast  beats  are  added  into  the  faster  parts  of  the  songs.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  tremolo  picking  in t he  fast  riffs  also  giving  the  music  more  of  a  raw  feeling  and  the  album  also  adds  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  when  guitar  solos  and  leads  are  finally  utilized  they  are  done  in  more  of  a  distorted  style  and  one  track  also  introduces  keyboards  onto  the  recording.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  nuclear  war  themes.


  In  my  opinion  Gull  Skull  is  a  very  great  sounding  avant  garde  mixture  of  black  metal  and  noise  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "My  Favorite  Season:  Nuclear  Winter"  "Execution  Until  Proven  Guilty"  and  "Safety  In  The  Confines  Of  Fur=ture  Catcombs".  8  out  of  10.



https://gullskull.bandcamp.com/album/my-favorite-season-nuclear-winter    

Aliore Interview

1.Can you give us an update on what has been going on with the band since the recording of the new album?

Aeter : Hey Occult Black Metal Zine! This is Aeter (guitarist/composer), and it's an honor to answer these questions for your webzine. Since the recording of our first album, things have been really overwhelming, as we've had the chance to reach a mostly very receptive audience from all over the world. We receive feedback on our YouTube channel, Instagram, and also from the professional press, which is very important to us. We also had the chance to catch the eye of the mighty cult French metal label Adipocere, and get signed by them. They have helped promote and discover huge metal bands such as Sacramentum, Moonspell, and Diabolical Masquerade. We feel very fortunate, and we are confident that the record will get all the attention it deserves. Another dream come true (at least for me) was when the French guitar brand Flamel Guitars endorsed me. I am thrilled to have gained the confidence of such an amazing manufacturer, and I feel very lucky and ready to hit stages everywhere with those beautiful axes.

2. You have a new album coming out in November. Musically, how does it differ from the material you released in the past?

Aeter : In the past, I was the sole member aboard Aliore, and back then it was an atmospheric, instrumental blackgaze and black metal project. Since I decided to form a real band with dedicated members, everyone involved has infused Aliore's musical framework with their own vision. We now have French lyrics, a whole lore surrounding the characters we portray, and most importantly, the music has become more aggressive while keeping that dreamy quality, as if you were stuck between two worlds—like a parallel universe hovering between life and death. Murmur, our lead singer, comes from a black metal and classical background. She brings that extra layer of interpretation and life, while Dolor, our bass player, has become our main orchestration composer, which is a massive part of Aliore's sound today. Last but not least, Abaddon, our drummer, writes all his parts with his own unique vision, which is also crucial to me. In 2026, Aliore is fully realized, and we are working very hard on our sound, our lore, and the emotions we want to share with people.

3. The band started out with instrumental music while the newer music has vocals and lyrics. What was the decision behind going in this direction?

Aeter : When I founded Aliore, it was during dark times worldwide due to the pandemic. I was alone at home, driven by an urge to compose something intense yet epic and dark. When humanity slowly regained some form of freedom back in 2023, I decided to resurrect the project, but this time with real band members. The goal for me was to share that music live and try to live the best possible experiences through it. As I mentioned above, every soul in Aliore is now fully integrated, bringing their own energy and vision.

4. The lyrics on the new album have a concept to them. Can you tell us a little bit more about the songwriting on the current release?

Aeter : As we started to rehearse and get to know each other, we realized we shared a deep passion for esoteric subjects, history and black metal. Oraison Funèbre can be considered a concept album, featuring a continuous story running from the first track to the last. "Renaissance," which means "rebirth" in French, marks a turning point: Murmur is murdered by her husband—a World War I army general who completely lost his mind due to mental illness, compounded by heavy drug abuse, and returned home entirely dysfunctional, to the point of murdering his own wife and burying her in the fireplace. Marianne dies, but Murmur is born: an entity stranded in an in-between world, struggling to understand what happened to her. She goes from experiencing apprehension, to seeking answers from the Prince of Darkness (Entretien avec le diable / Interview with the Devil), to fully embracing what befell her, ultimately taking her revenge and—most importantly, by the end of the record—accepting the catalyst that turned her into Murmur. Dolor, Abaddon, and myself are directly connected to Murmur, as we were all killed by her husband during the war. Dolor was the medic who took his own life after witnessing too many horrors, driven to despair after Murmur's husband led thousands of men to their certain deaths. Abaddon was the apothecary who supplied the general with drugs and tried to poison him before getting caught in his own trap. As for myself, Aeter, I was the soldier who lost his life in an already lost battle.

5. Lyrically you have also covered esoteric themes. Can you tell us a little bit more about your interest in this topic?

Aeter : When I was a teenager, I was really into playing with the Ouija board, chasing ghosts, and reading dark authors like Lovecraft, Poe, and Baudelaire. These subjects deeply fascinate me and have helped shape my imagination. Beyond ghosts, it's more about trying to find the magic hidden in everyday life—unexplainable things, the energies you can feel when entering certain rooms or places, remaining deeply instinctive, and listening to your inner voice. I even visited Père Lachaise Cemetery to pay my respects to Allan Kardec, a Frenchman who pioneered early experiments with table-turning, Ouija, and esotericism in the 19th century. His grave is truly outstanding: a monument shaped like a rustic stone dolmen (a prehistoric megalithic structure) topped with a bronze bust of himself. Fascinating stuff.

6. What is the meaning and inspiration behind the name 'Aliore'?

Aeter : Aliore comes from Latin and means "Elsewhere" (Ailleurs in French). The inspiration stems directly from that craving to chase—and perhaps find—that "elsewhere" hiding somewhere out there, just waiting to be discovered.

7. Can you tell us a little bit more about the artwork presented on the new album cover?

Aeter : We are lucky to have Murmur in the band, and not just for her vocal talents—she is also a professional designer, and we are very fortunate that her skills match Aliore's visual universe. She painted the album cover entirely from scratch. The great thing is that we had full creative control, and she completely understood what we needed. I think she presented us with what would become the final version of the cover on her very first try, and we only had a few minor tweaks to make! You can see Murmur transitioning from human to entity, following all the adventures that await her on this musical journey—from misunderstanding to acceptance, and finally, escape.

8. Out of all the tours and shows the band has done so far, which one stands out the most?

Aeter : So far, Aliore has only been around for a year and a half. In such a short lifespan, we've been very fortunate to play amazing shows, like opening at the Opéra de Nice for Septicflesh, or sharing the stage with Houle, another thematic French black metal band. I think we love what we do so much that every single moment we spend on stage stands out for us. Playing live is a double-edged sword: it can be deeply rewarding, but it can also leave you with the greatest doubts and questions about yourself as an artist. We live for that!

9. Do you have any touring or show plans once the new album is released?

Aeter : We definitely have plans. As I mentioned, we are now signed with Adipocere, and they are actively helping us spread the word. We will be playing on various stages in the near future.

10. On a worldwide level, how has the reaction to your music been among black metal fans?

Aeter : So far, we are very satisfied with the feedback we've received. Lots of positive comments and support. People seem very curious about the band, and that's great. More than anything, we want to meet our audience—the people we can share stories and emotions with, and live a wonderful musical journey together.

11. Where do you see the band heading musically in the future?

Aeter : All I can say is that we are a hard-working band. Our second album is already being written, and it is taking a really interesting musical turn that we can't wait to share! Get ready for even more aggression and darkness as we head into even deeper, darker territories...


https://www.facebook.com/alioremetalnoir/

 

Sunday, October 11, 2026

Seeds Of Hate/Foreboding Of The Final Eradication/2026 EP Review

 


  Seeds  Of  Hate  are  a  band  from  Germany  that  plays  a  very  raw  and  old  school  form  of  black  metal  and  this  is  a  review  of  their  self  released  2025  ep  "Foreboding  Of  The  Final  Eradication".


  A  very  dark  yet  heavy  sound  starts  off  the  ep  while  melodies  are  also  added  into  some  of  the  guitar  riffing.  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast b eats  can  be  heard  which  also  gives  the  recording  more  of  a  raw  feeling  and  the  vocals  are  mostly  high  pitched  black  metal  screams.


  Most  of  the  music  is  very  heavily  rooted  in  the  old  school  era  of  the  genre  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  Throughout  the  recording  you  can  also h ear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  of  the  riffing  also  adding  in  a  small  amount  of  melody  and  the  whole  ep  sticks  to  a  heavier  direction,  spoken  words  are  also  added  towards  the  end.



  Seeds  Of  Hades  plays  a  style  of  black  metal  that  is very  fast  and  raw  in t he  90's  tradition.  The  production  sounds  very  dark  and  raw  while  the  lyrics  are  written  in  a  mixture  of  German  and  English  and  cover  Satanism,  Anti  Christianity  and  Hateful  themes.


  In  my  opinion  Seeds  Of  Hate  are  a  very  great  sounding  raw  and  old  school  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "Summoning  The  Age  of  Intolerance".  8  out  of  10.


  https://www.facebook.com/seedsofhateofficial      

Saturday, October 10, 2026

Aliore/Oraison Funebre/Adipocere Records/2026 Full Length Review

 

  Aliore  are  a  band  from  Italy  that  plays  a  very  esoteric  and  theatrical  form  of  black  metal  and  this  is  a  review  of  their  2026  album  "Oraison  Funebre"  which  will  be  released  in  November  by  Adpocere  Records.


  Clean  playing  and  drum  beats  start  off  the  album  before  going  into  a  heavier  direction while  synths  are  also  utilized  at  times.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  along  with  the  vocals  being  mostly  high  pitched  black  metal  screams  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  which  also  gives  the  recording  more  of  raw  feeling.  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  tracks  also  adding  in  a small  amount  of  spoken  words.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  as  well  as  the  album  also  adding  in  some  touches  of  the  mid  90's  era  symphonic  style  along  wit h one  song  also  introducing  operatic  vocals  onto  the  recording.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Italian  and  cover  four  souls  torn  from  the  First  World  War  bound  together  by  tragedy  and  destiny.


  In  my  opinion  Aliore  are  a  very  great  sounding  theatrical  and  esoteric  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Renaissance"  "Tumulte"  "Sous  la  LunePale"  and  Cendres  et  Lumiere".  8  out  of  10.


  Aliore - Entretien avec le Diable (Single)



Aliore - Cendres et Lumiere - Piano Voix Live - YouTube      

The Diabolic Obsession/Tier Drama/2026 EP Review


  The  Diabolic  Obsession  are  a  solo  project  from Italy  that  plays  an  occult  and  horror  themed  form  of  black  metal  with  elements  of  thrash  and  heavy  metal  and  this  is  a  review  of  his  self  released  2026  ep  "Tier  Drama".


  Horror  movie  style  keyboards  start  off  the  ep  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  vocals  are  mostly  grim  sounding  black  metal  screams  and  all  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them.


  Elements  of  thrash  and  heavy  metal  are  also  added  into  some  of  the  guitar  riffing  while  one  track  also  adds  in  some  session  work  from  Andy  LaRocque  the  former  guitarist  of  king  Diamond  and  Death.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  yet  old  school  style.  most  of  the  music  sticks  to  a  mid  tempo  direction,  clean  playing  and  spoken  words  are  also  added  on  the  closing  track.


  The  Diabolic  Obsession  plays  a  musical  style  that  takes  an  occult  form  of  black  metal  and  mixes  it  with  thrash  and  traditional  metal  to  create  a  sound  of  his  own.  The  production  sounds  very  professional  while  the  lyrics  cover  Horror  and  Occultism  themes.   


  In  my  opinion  The  Diabolic  Obsession  is  a  very  great  sounding  occult  and  horror  themed  mixture  of  black,  thrash  and  heavy  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "The  Red  House"  and  "Testament  In  Decay".  8  out  of  10.



https://thediabolicobsession.bandcamp.com/album/tier-drama  

DeathFuckingWound/Teratoma Haruspex/Ancient Temple Recordings/2026 Full Length Review

 



  DeathFuckingWound  are  a  duo  from  Finland  that h as  had  music  reviewed  before  in  this  zine  and  on  this  recording  goes  for  a  mixture  of  war,  black,  death  metal,  grindcore  and  noise  and  this  is  a  review  of  their  2026  album  "Teretoma  Haruspex"  which  will  be  released  on  October  30th  by  Ancient  Temple  Recordings.


  Apocalyptic  soundscapes  start  off  the  album  before  going  into  a  very  fast,  raw  and  brutal  war  metal  direction  which  also  adds  in a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  a  mixture  of  bestial  growls  and  high  pitched  black  metal  screams  while  the  music  also  adds  in  the  brutality  of  grindcore.


  Elements  of  noise  are  also  utilized  at  times  while  a  brief  use  of  melody  can  also  be  heard  in  some  of  the  guitar  riffing.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  only  a  small  amount  of  mid  tempo  sections  being  used  with  most  of  the  music  focusing  on  more  of  a  fast  and  brutal  direction,  clean  playing  can  also  be  heard  briefly.


  On  this  recording  DeathFuckingWound  takes  the  heaviest  and  most  brutal  forms  of  war,  black,  death  metal,  grindcore  and  noise  and  mixes  them  together  to  create  a  very  harsh  and  aggressive  musical  style.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  dark,  violent  and  nihilistic  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  DathFuckingWound  and  if  you  are  a  fan  of  war,  black,  death  metal,  grindcore  and  noise,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Pounding  Ambush"  "Hematoma"  "Black  Vomit  Sermon"  and  "A  Nihil  ation".  8  out  of  10.


  https://www.youtube.com/watch?v=olUR7RO0gKM