Tuesday, October 13, 2026

Harridan/Hul/2026 Full Length Review


  Harridan  are  a  band  from  Poland  that h as  had  music  reviewed  before  in  this  zine  and  on  this  recording  goes  for  a  very  ritualistic  and  old  school  form  of  occult  black  metal  and  this  is  a  revie w of  their  self  released  2026  album  "Hul".


  Ritualistic  percussion  and  chants  start  off  the  album  before  going  into  a  very  fast  and  raw  musical  direction  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  music  is  also  very  heavily  rooted  in t he  old  school  era  of  the  genre.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  of  the  tracks  also  being  very  long  and  epic  in  length,  when  guitar  solos  and  leads  are  introduced  they  add  in  more  of  a  90's  style  and  spoken  words  are  also  used  at  times.


  On  this  recording  Harridan  takes  their  old  school  style  of  occult  black  metal  into  more  of  a  ritualistic  direction.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Akkadian  and  cover  the  Evil  Spirits  of  Ancient  Babylonia.


  In  my  opinion  this  is  another  great  sounding  recording  from  Harridan  and  if  you  are  a  fan  of  ritualistic  and  old  school  occult  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Namtar  Du  Kiagga  Dungur  Enlillia"  "Sebet   Na  Sebet  Na"  and  "Hul".  8 out  of  10.


  https://youtu.be/SXdlI7QJaDg

Facebook | Bandcamp  


    

Wyrm Chasm Interview

 1.For those that have never heard of you before, can you tell us a little bit about the band? 

Eric: 

Early 2015 I sent Stephen two songs, ‘Light at the End and Duality of Existence, I recorded scratch guitars with a drum machine using some shitty recording software. He liked them and was on board. He also brought along a death metal drummer and now friend Brandon Partain. My friend Patrick Collins and at the time coworker had a history playing in hardcore bands and also joined in on guitar. Our vocalist/bass player Stephen was involved in many bands and recently disbanded from Runes of the Evening. I was interested in bands that blended melodic and atmospheric styles of black metal which at the time rarely existed in Dallas. 2017, Buddy Griffin replaced our original drummer while also playing in a few other projects. 2019 our friend Dale Childs filled in guitar while we went on tour and ended up staying as the second guitarist.  


2.In October you have your first full length coming out, musically how does it differ from the stuff you have released in the past? 

Eric:  

The foundation is pretty much the same, blending a level of atmosphere with melodic riffs.  My approach to writing is to try not to write the same song over again; every song should have an element that stands out from the rest.  


3.This is also going to be your first release in 8 years, can you tell us a little bit more about the long wait in between releases?  

Eric: 

Some personal hurdles, careers, family life, with a few setbacks between projects. Nothing planned.  


4.A couple of members have a death metal background, how would you compare the black metal style of your current band to previous groups you have been a part of?  

Eric:

The first band I was in wrote songs with two guitars playing leads. The melodies weren't exactly alike and if separated could create two completely different songs. The guitars managed to synchronize but added different layers to the songs. I still carry that approach when writing in Wyrm Chasm. Stephen used to play bass for Runes of the Evening which I would say had a bit more of a melodic approach with more Swedish influences. He also has a history with death metal bands which those influences come out in his vocal approach. Buddy has always drummed in more technical and heavier bands and is used to playing faster. Although a bit stripped down with Wyrm Chasm, his drumming is still in full force. 


Stephen:

My first band was a black metal band and quickly thereafter I joined several death metal bands varying from brutal death metal to technical death metal. Seeing the differences in the was bass is written in both styles has made me create interesting bass lines while not over doing it. My biggest metal influence on bass is Eric Langlois from Cryptopsy, so there will always be a death metal flavor to my playing.


5.What are some of the lyrical topics and subjects the band explores with the newer album and also how would you describe your progress as songwriters over the years?  


Subjects stem from philosophy, epistemology, esoteric knowledge, 

nature, and human nature.  


6.What is the meaning and inspiration behind the name 'Wyrm Chasm'?  

Eric: 

A double meaning. Wyrm, old English for powerful serpent like dragon. Chasm, a fault, divide, or a hole usually where a Wyrm would dwell, separated, and feared. Also, a metaphor for individuals obtaining knowledge, carving their own path, usually outcasted for not fitting in with the social norm, at times even deemed dangerous.  


7.Can you tell us a little bit more about the artwork that is presented on the new album cover?  

Eric: 

It’s a depiction of the never-ending cycle. Man, constantly trying to conquer nature but always having face it. The dragon represents nature ultimately taking over a castle, a fallen empire perhaps. Man, returning to overthrow nature by taking back his “throne”, and the cycle goes on.  


8.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?  

Eric: 

For me, the best shows were on the road. The hospitality and reciprocation in other cities was not what I expected. Although, always great experiences in Dallas, sharing the stage with bands like Marduk, Possessed, Batushka, Venom Inc, to name a few. We try to keep the live performance atmospheric, dark lighting, moving from song to song, usually with no silence.  


Stephen:

Best shows? All of them. Any opportunity to share what we've created is what I look to do.

The stage performance is usually set as no or minimal stage banter from me, and just dark lighting. Our goal is to envelope the room in a wall of sound that is more of an experience rather than people standing still on stage playing music. 


9.Do you have any touring or show plans once the new album is released?  

Eric: 

There is an upcoming show following the release date and plans for touring.  


10.The new album is going to be self released, are you interested in working with a label or do you feel in the modern era it is not necessary any more?  

Eric: 

Although times have changed, we wouldn't exclude the option of working with a label.   


Stephen:

Absolutely


11.Where do you see the band heading into musically during the future?  

Eric: 

I think the next album will be different from this release but remain within the foundational elements. Most of the songs on here already had a formula sketched out when our new drummer and guitarist joined. I think bringing in their artistic approaches on top of the guitar ideas I’ve recently been writing will give the next album a bit of a twist.  


12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?  

Eric: 

I’ve always loved Enslaved, Blut Aus Nord, Emperor, Summoning. 

I’ve surely been inspired a lot by those bands. I listen to a wide range of music, but recently within the metal realm and while I'm answering these questions, I am listening to Dodheimsgard album ‘Black Medium Current’. The latest album by Selbst ‘Despondency Chord Progressions’, and Invunche ‘Atavismo’ are on my rotation currently.  


Stephen:

I've been listening to Emperor, Blut Aus Nord, Enslaved, Der Weg Einer Freiheit, Thantifaxath, Mgla, 


13.Before we wrap up this  interview, do you have any final words or thoughts? 

Eric: 

Thank you for taking the time to listen to the album and your added support. Looking forward to releasing it into the world soon.


Stephen:

Thanks for taking the time to get to know us through these questions. Hopefully you've enjoyed the record.

Mother Augusta/Labyrinths Of Pain/Talheim Records/2026 Full Length Review


  Mother  Augusta  are  a  band  from  Italy  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  very  atmospheric  form  of  black  metal  and  this  is  a  review  of  their  2026  album  "Labyrinths  Of  Pain"  which  will  be  released  in  November by   Talheim  Records.


  A  very  heavy  and  melodic  sound  starts  off  the  album  while  most  of  the  tracks  are  also  very  long  and  epic  in  length.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  the  vocals  being  mostly  high  pitched  black  metal  screams  and when t he  music  speeds  up  a  lot  of  blast b eats  can  be  heard.


  When  tremolo  picking  is  added  into  the  fast  riffing  they  also  give  the  music  more  of  a  raw  feeling  while  a  couploe  of  songs  also  adds  in a   good  mixture  of  slow,  mid  paced  and  fast  parts.  At  times  the  recording  also  goes  into  more  of  an  atmospheric  direction  as  well  as  the  solos  and  leads  also  being  done  in  a  very  melodic  style ,  clean  playing  is  also  added  on  some  of  the  tracks  and  they  also  add  in  an  instrumental.


  On  this  recording  Mother  Augusta  brings  out  a  very  modern,  melancholic  and  atmospheric  style  of  black  metal.  The  production  sounds  very  professional  while  the  lyrics  cover  reflections,  introspection,  suffering  and  memories.


  In  my  opinion  this  is  another  great  sounding  recording  from  Mother  Augusta  and  if  you  are  a  fan  of  atmospheric  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Deep,  Dark,  Silent"  and  "Labyrinths  Of  Pain".  8  out  of  10.


  

https://linktr.ee/motheraugusta  



   

Elfor/Hyver/Erroiak/Roi des Forêts - Basoen Jauna/Antiq/2026 3 Way Split Album Review


  This  is  a  review  of  a  3  way  split  album  between  France's  Elfor,  Hyver  and  Erroiak  called  "Roi des  Forêts  -  Basoen  Jauna"  which  will  be  released  in  November  by  Antiq  and  we  will  start  off  the  review  with  Elfor  a  solo  project  that  plays  a  very  epic,  atmospheric  and  ambient  form  of  black  metal.


  His  side  of  the  split  starts  out  with  a  very  dark,  heavy  and  atmospheric  sound  while  the  track  is  over  19  minutes  in  length.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  the  faster  sections  of  the  track  also  adding  in as   great  amount  of  tremolo  picking  and  blast  beats  which  also  gives  the  music  more  of  a  raw  feeling.


  Vocals  are mostly  grim  sounding  black  metal  screams  along  with  the  solos  and  leads  also being  done  in  a  very  melodic  style.  The  song  also  adds  in a   good  mixture  of  slow,  mid  paced  and  fast  parts,  melodies  are  also  added  into  some  of  the  guitar  riffing  and  the  synths  also  add  in  elements  of  ambient,  whispers  can  also  be  heard  briefly.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  the  memory  of  the  great  Urkhul.


  In  my  opinion  Elfor  are  a  very  great  sounding  epic, atmospheric  and  ambient  black  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  his  side  of t he  split.


  Next  up  is  Hyver  who  returns  with  a  folk  influenced  and  symphonic  style  of  atmospheric  black  metal.


  Their  side  of  the  split  starts  out  with  some  medieval  style  synths  that  also  adds  in  elements  of  dungeon  synth  and  mixes  in  with  the  heavier  sections  of  the  music.  A  couple  of  the  tracks  are  also  long  and  epic  in  length  while  the  riffs  also  add  in  a  decent  amount  of  melody  and  the  vocals  are  mostly  high  pitched  black  metal  screams..


  Influences  of  folk  music   can  also  be  heard  at  times  along  with  the  music  also  having  its  symphonic  moments.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them,  during t he  faster  sections  of  the  tracks  a  small  amount  of  blast  beats  can  also  be  heard  and  spoken  words  are  also  added  towards  the  end.  The  production  sounds  very  dark  and  raw  while  the  lyrics  are  written  in  French  and  cover  ancestral  bear-cults.


  In  my  opinion  this  is  another  great  sounding  recording  from  Hyver  and  if  you  are  a  fan  of  folk  influenced  symphonic  and  atmospheric  black  metal,  you  should  check  out  their  side  of  the  split.  RECOMMENDED  TRACK  "Cannelle".


  Next  up  is  Erroiak  a  solo  project  that  plays  a  mixture  of  black  metal  and  dungeon  synth.


  His  side  of  the  split  starts  out  with a  dungeon  synth  orientated  style  which  also  mixes  in  with  the  heavier  sections  of  the  music.  Vocals  are  mostly  grim  sounding  black  metal  while  the  riffs  also  add  in  a  decent  amount  of  melody  and  most  of  his  tracks  are  also  very  long  and  epic  in  length.


  At  times  the  music  also  gets  very  atmospheric  sounding  along  with  all  of  the  drum  beats  also  being  programmed,  when  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  and  all  of  the  tracks  stick  to  a  slower  direction,  female  vocals  are  also  added  towards  the  end.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  ancient  bear-cults.


  In  my  opinion  Erroiak  is  a  very  great  sounding  mixture  of  black  metal  and  dungeon  synth  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACK  "Azken  Eniza".  8  out  of  10.


  In  conclusion  I  feel  this  is  a  very  great  sounding  split  and  I  would  recommend  it  to  all  fans  of  epic,  atmospheric  black  emtal  and  dungeon  synth.  8  out  of  10.


http://antiqofficial.bandcamp.com/album/roi-des-for-ts-basoen-jauna


  


        


     

Monday, October 12, 2026

Nobody/The Birds Know/Inverse Records/2026 EP Review


  Finland's  solo  project  Nobody  has  returned  with  a  new  recording  which  shows  the  music  going  for  an  acoustic  dark  folk  direction  and  this  is  a  review  of  his  2026  ep  "The  Birds  know"  which  will  be  released  in  November  by  Inverse  Records.


  Acoustic  guitars  start  off  the  ep  while  also  adding  in  some  full  chords  and  finger  picking  along with  some  elements  of  folk  music.  Bass  guitars  also  add  in  a  very  powerful  sound  as  well  as  the  vocals  being  done  in  a clear  singing  direction.


 Percussion  can  also  be  heard  at  times  mixed  in  with  some  psychedelic  touches  while  each  song  also  sounds  very  different  from  each  other.  Some  of t he  music  also  shows  a  60's  influence  and  the  whole  recording  sticks  to  an  acoustic  direction,  guitar  solos  and  leads  are  also  added  towards  the  end.


  On  this  recording  Nobody  continues  to  expand  on  the  acoustic  dark  folk  style  he  has  introduced  on  previous  releases.  The  production  sounds  very  dark  while  the  lyrics  cover  xenophobia  and  Mali  and  the  ancient  Mandinka  kingdom.


  In  my  opinion  this  is  another  great  sounding  recording  form  Nobody  and  if  you  are  a  fan  of  acoustic  dark  folk,  you  should  check  out t his  ep.  RECOMMENDED  TRACKS  INCLUDE  "You  Don't  Get  To  love"  and  "Incognito".  8  out  of  10.


  https://nobodymetal.bandcamp.com

https://www.facebook.com/nobodymetal 

https://www.instagram.com/nobodyofficial666


     

Gull Skull/My Favorite Season: Nuclear War/2026 Full Length Review

 


  Gull  Skull  are  a  solo  project  from t he  Appalachian  region  of  the  United  States  that  plays  an  avant  garde  mixture  of  black  metal  and  noise  and  this  is  a  review  of  his  self  released  2026  album  "My  Favorite  Season:  Nuclear  Winter".


  New  samples  start  off  the  album  along  with  some  acoustic  guitars  a  few  seconds  later  before  going  into  a  heavier  direction.  A  great  portion  of  the  tracks  are  also  very  long  and  epic  in  length  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and t he  vocals  are  mostly  high  pitched  black  metal  screams.


  At  times  the  music  also  captures  a  very  lo-fi  atmosphere  while  the  album  also  has  its  avant  garde  and  experimental  moments.  The  riffs  also  add  in  a  lot  of  dissonant  structures  along  with  some  elements  of  noise  also  being  added  into  certain  sections  of  the  recording  and  blast  beats  are  added  into  the  faster  parts  of  the  songs.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  tremolo  picking  in t he  fast  riffs  also  giving  the  music  more  of  a  raw  feeling  and  the  album  also  adds  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  when  guitar  solos  and  leads  are  finally  utilized  they  are  done  in  more  of  a  distorted  style  and  one  track  also  introduces  keyboards  onto  the  recording.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  nuclear  war  themes.


  In  my  opinion  Gull  Skull  is  a  very  great  sounding  avant  garde  mixture  of  black  metal  and  noise  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "My  Favorite  Season:  Nuclear  Winter"  "Execution  Until  Proven  Guilty"  and  "Safety  In  The  Confines  Of  Fur=ture  Catcombs".  8  out  of  10.



https://gullskull.bandcamp.com/album/my-favorite-season-nuclear-winter    

Aliore Interview

1.Can you give us an update on what has been going on with the band since the recording of the new album?

Aeter : Hey Occult Black Metal Zine! This is Aeter (guitarist/composer), and it's an honor to answer these questions for your webzine. Since the recording of our first album, things have been really overwhelming, as we've had the chance to reach a mostly very receptive audience from all over the world. We receive feedback on our YouTube channel, Instagram, and also from the professional press, which is very important to us. We also had the chance to catch the eye of the mighty cult French metal label Adipocere, and get signed by them. They have helped promote and discover huge metal bands such as Sacramentum, Moonspell, and Diabolical Masquerade. We feel very fortunate, and we are confident that the record will get all the attention it deserves. Another dream come true (at least for me) was when the French guitar brand Flamel Guitars endorsed me. I am thrilled to have gained the confidence of such an amazing manufacturer, and I feel very lucky and ready to hit stages everywhere with those beautiful axes.

2. You have a new album coming out in November. Musically, how does it differ from the material you released in the past?

Aeter : In the past, I was the sole member aboard Aliore, and back then it was an atmospheric, instrumental blackgaze and black metal project. Since I decided to form a real band with dedicated members, everyone involved has infused Aliore's musical framework with their own vision. We now have French lyrics, a whole lore surrounding the characters we portray, and most importantly, the music has become more aggressive while keeping that dreamy quality, as if you were stuck between two worlds—like a parallel universe hovering between life and death. Murmur, our lead singer, comes from a black metal and classical background. She brings that extra layer of interpretation and life, while Dolor, our bass player, has become our main orchestration composer, which is a massive part of Aliore's sound today. Last but not least, Abaddon, our drummer, writes all his parts with his own unique vision, which is also crucial to me. In 2026, Aliore is fully realized, and we are working very hard on our sound, our lore, and the emotions we want to share with people.

3. The band started out with instrumental music while the newer music has vocals and lyrics. What was the decision behind going in this direction?

Aeter : When I founded Aliore, it was during dark times worldwide due to the pandemic. I was alone at home, driven by an urge to compose something intense yet epic and dark. When humanity slowly regained some form of freedom back in 2023, I decided to resurrect the project, but this time with real band members. The goal for me was to share that music live and try to live the best possible experiences through it. As I mentioned above, every soul in Aliore is now fully integrated, bringing their own energy and vision.

4. The lyrics on the new album have a concept to them. Can you tell us a little bit more about the songwriting on the current release?

Aeter : As we started to rehearse and get to know each other, we realized we shared a deep passion for esoteric subjects, history and black metal. Oraison Funèbre can be considered a concept album, featuring a continuous story running from the first track to the last. "Renaissance," which means "rebirth" in French, marks a turning point: Murmur is murdered by her husband—a World War I army general who completely lost his mind due to mental illness, compounded by heavy drug abuse, and returned home entirely dysfunctional, to the point of murdering his own wife and burying her in the fireplace. Marianne dies, but Murmur is born: an entity stranded in an in-between world, struggling to understand what happened to her. She goes from experiencing apprehension, to seeking answers from the Prince of Darkness (Entretien avec le diable / Interview with the Devil), to fully embracing what befell her, ultimately taking her revenge and—most importantly, by the end of the record—accepting the catalyst that turned her into Murmur. Dolor, Abaddon, and myself are directly connected to Murmur, as we were all killed by her husband during the war. Dolor was the medic who took his own life after witnessing too many horrors, driven to despair after Murmur's husband led thousands of men to their certain deaths. Abaddon was the apothecary who supplied the general with drugs and tried to poison him before getting caught in his own trap. As for myself, Aeter, I was the soldier who lost his life in an already lost battle.

5. Lyrically you have also covered esoteric themes. Can you tell us a little bit more about your interest in this topic?

Aeter : When I was a teenager, I was really into playing with the Ouija board, chasing ghosts, and reading dark authors like Lovecraft, Poe, and Baudelaire. These subjects deeply fascinate me and have helped shape my imagination. Beyond ghosts, it's more about trying to find the magic hidden in everyday life—unexplainable things, the energies you can feel when entering certain rooms or places, remaining deeply instinctive, and listening to your inner voice. I even visited Père Lachaise Cemetery to pay my respects to Allan Kardec, a Frenchman who pioneered early experiments with table-turning, Ouija, and esotericism in the 19th century. His grave is truly outstanding: a monument shaped like a rustic stone dolmen (a prehistoric megalithic structure) topped with a bronze bust of himself. Fascinating stuff.

6. What is the meaning and inspiration behind the name 'Aliore'?

Aeter : Aliore comes from Latin and means "Elsewhere" (Ailleurs in French). The inspiration stems directly from that craving to chase—and perhaps find—that "elsewhere" hiding somewhere out there, just waiting to be discovered.

7. Can you tell us a little bit more about the artwork presented on the new album cover?

Aeter : We are lucky to have Murmur in the band, and not just for her vocal talents—she is also a professional designer, and we are very fortunate that her skills match Aliore's visual universe. She painted the album cover entirely from scratch. The great thing is that we had full creative control, and she completely understood what we needed. I think she presented us with what would become the final version of the cover on her very first try, and we only had a few minor tweaks to make! You can see Murmur transitioning from human to entity, following all the adventures that await her on this musical journey—from misunderstanding to acceptance, and finally, escape.

8. Out of all the tours and shows the band has done so far, which one stands out the most?

Aeter : So far, Aliore has only been around for a year and a half. In such a short lifespan, we've been very fortunate to play amazing shows, like opening at the Opéra de Nice for Septicflesh, or sharing the stage with Houle, another thematic French black metal band. I think we love what we do so much that every single moment we spend on stage stands out for us. Playing live is a double-edged sword: it can be deeply rewarding, but it can also leave you with the greatest doubts and questions about yourself as an artist. We live for that!

9. Do you have any touring or show plans once the new album is released?

Aeter : We definitely have plans. As I mentioned, we are now signed with Adipocere, and they are actively helping us spread the word. We will be playing on various stages in the near future.

10. On a worldwide level, how has the reaction to your music been among black metal fans?

Aeter : So far, we are very satisfied with the feedback we've received. Lots of positive comments and support. People seem very curious about the band, and that's great. More than anything, we want to meet our audience—the people we can share stories and emotions with, and live a wonderful musical journey together.

11. Where do you see the band heading musically in the future?

Aeter : All I can say is that we are a hard-working band. Our second album is already being written, and it is taking a really interesting musical turn that we can't wait to share! Get ready for even more aggression and darkness as we head into even deeper, darker territories...


https://www.facebook.com/alioremetalnoir/