Wednesday, June 3, 2026

Ludus Umbarum/Ascensus Cadentium/Darkside Records/2026 Full Length Review


  Ludus  Umbarum  are  a  solo  project  from  Serbia  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  a  very  raw,  epic,  atmospheric  and  symphonic  form  of  black  metal  and  this  is  a  review  of  his  2026  album  "Ascensus  Cadentium"  which  was  released  by  Darkside  Records.


  Atmospheric  sounding  synths  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast b eats  can  be  heard  which  also  gives  the  recording  more  of  a  raw  feeling  and  the  vocals  are  mostly  grim  sounding  black  metal s creams.


  At  times  the  music  also  gets  very  symphonic  sounding  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style,  a  lot  of  the  music  is  also  very  heavily  rooted  in the  mid  90's  era  of  the  genre.


  One  song  also  adding  in  a  brief  use  of  clean  playing  and  spoken  words  along  with  a  couple  of  the  tracks  also  being  long  and  epic  in  length  and  one  song  also  adds  in  session work  from  Alesha  Hurlock.  The  production  sounds  very  raw  and  heavy  while  the  lyrics  cover  the  darkness  of t he  human  psyche,  occult  philosophy  and  dreamlike  visions  beyond  mortal  perception.


  In  my  opinion  this  is  another  great  sounding  recording  from  Ludus  Umbrarum  and  if  you  are  a  fan  of  raw,  epic,  atmospheric  and  symphonic  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  'Severed  Will"  "Spectral  Dominion"  and  "Her  Screams  From  Depths".  8  out  of  10.


  https://ludusumbrarum.bandcamp.com/album/ascensus-cadentium.

Incinitor Interview

 




1. For those that have never heard of you before, can you tell us a little bit about the solo project?


There isn't much to tell about this solo project. At its core, it's simply about creating provocation through noise and spreading intimidation and chaos through music.


 


2. So far you have released an EP. Can you tell us a little bit more about the musical style that you went for on the recording?


Black Invocation Conquest was created as a first step to establish my presence in underground music. The EP was recorded gradually over the course of two months after the material had been prepared. The recording process was far from grand or luxurious. It relied on old amplifiers, basic effects, some software editing, and a bit of assistance from a friend. Because the recording was done in different stages and without a strict structure, the final result ended up sounding unstable at times, with fluctuating drum and guitar tones. But honestly, to hell with that. The original goal was always to create music that sounds chaotic, aggressive, and intimidating. Throughout the EP, that chaos can be heard clearly from the inconsistent sound levels to the mistakes in the drum tracks. This release was never meant for people looking for a polished and carefully crafted production. It's all about relentless blows, chaotic riffs, and overwhelming noise.


 


3. What are some of the lyrical topics and subjects you have explored so far with the music?


The lyrical themes revolve around misanthropy, occultism, death, and resistance. Most of the inspiration comes from what I see, experience, and feel in my own life.


 


4. What is the meaning and inspiration behind the name "Incinitor"?


The project was originally called Inicied Noise Executor. Personally, I wasn't a fan of such a long name, so I shortened it and eventually it became Incinitor.


 


5. Can you tell us a little bit more about the artwork that is presented on the EP cover?


The cover artwork was taken from the painting Purgatory by Cristóbal Rojas. Its meaning is quite profound because it doesn't only depict the concept of purgatory in Catholic teachings, but also serves as a reflection on human suffering and death. The painting was the last work he completed before dying of tuberculosis in 1890. We chose this artwork because it felt very relevant and accurately reflects the atmosphere and spirit of this EP.


 


6. With this project you record everything by yourself, are you open to working with other musicians or do you prefer to work solo? Yes, there will definitely be collaborations with other musicians in the future because I plan to bring this project to the live stage, hopefully by the end of this year. I just hope I find enough motivation within myself to finally perform these songs live.


 


7. Currently you are unsigned. Are you looking for a label or have you received any interest?


I believe physical releases are still very important, so I am completely open to working with any label that is interested in releasing this material in a physical format.


 


8. On a worldwide level, how has the reaction been to your music by fans of war and bestial black/death metal?


The response has been quite positive so far. Before the digital release, I created an Instagram account and started posting updates about the EP. I also connected with friends and people I knew within the underground scene, and from there the project slowly started gaining attention.


 


9. When can we expect a full-length, and where do you see yourself heading as a musician in the future?


The full-length album is already scheduled for release at the end of next year. Like the EP, it will be recorded gradually, but this time there will be some changes in the recording approach to achieve a more professional result. That being said, I have no intention of abandoning the raw identity and chaotic riffing that define this project.


 


10. What are some of the bands or musical styles that have had an influence on your music, and what are you listening to nowadays?


It almost feels illegal to play bestial black/death metal without mentioning Blasphemy as an influence. Personally, though, I draw inspiration from both black metal and death metal in general. Some of the albums that heavily influenced this project include War.Cult.Supremacy by Conqueror, Upheaval of Satanic Might by Black Witchery, Seven Chalices by Teitanblood, Vengeance War 'Till Death by Bestial Warlust, Angelcunt (Tales of Desecration) by Archgoat, Messiah of Darkness and Impurity by Proclamation and Drawing Down the Moon by Beherit.



11. Does Occultism play any role in your music?


Absolutely. I see occultism as a path toward spiritual enlightenment and a way of exploring the hidden knowledge of the universe. It serves as an important foundation for many of the lyrics I write. It is also a subject that remains mysterious and highly debated, which makes it even more fascinating to explore through music.


 


12. Before we wrap up this interview, do you have any final words or thoughts?


First of all, thank you for taking the time to interview me, for listening to Black Invocation Conquest, and for giving your honest thoughts on the release. Recently, I came across a webzine that reviewed the EP, and do you know what they concluded? They claimed that this project was AI-generated. I found that both ridiculous and amusing at the same time. I don't really know how to explain every detail of the process or convince people that this chaos was created by dirty human hands rather than a machine. Then again, I don't think it's important to explain every aspect of how this EP was made. Still, since that damned webzine questioned the authenticity of the release, it actually delayed my response to this interview because I couldn't stop thinking about it. That's why I felt the need to mention it here. That's all from me. Thanks again for the support, and hail chaos!


EP :
https://incinitor.bandcamp.com/album/black-invocation-conquest

Instagram:
https://www.instagram.com/incinitor.cult


Enevelde/Gjendod/Elegier fra avgrunnen/Terratur Possessions/2026 Split Album Review

 

  This  is  a  review  of  a  split  album  between  Norway's  Enevelde  and  Gjendod  called  "Elegier  fra  avgrunnen"  which  will  be  released on   June  6,  2026  by  Terratur  Possessions  and  we  will  start  off  the  review  with  Enevelde  who  returns  with  a  raw  and  atmospheric  style of  black  metal.


  His  side  of  the  split  starts  out  with  some  clear  chants  and  clean  playing  before  going  into  a  heavier  direction.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  while  the  harsh  vocals  are  mostly  angry  sounding  black  metal  screams  mixed  in  with  a  few  growls  and  blast  beats  are  added  into  the  faster  sections  of  the  songs.


  When  tremolo  picking  is  added  into  the  faster  riffing  they  also  give  the  music  more  of  a  raw  feeling  while  the  riffs  also  bring  in a  decent  amount  of  melody.  A  lot  of  the  recording  is  very  heavily  rooted  in  the  2000's  era  of  the  genre  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  the  tracks  also  have  their  atmospheric  moments,  when  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  and  synths  are  added  towards  the  end.  The  production  sounds  very  dark  and  raw  and  the  lyrics  are  written  in  Norwegian  and  cover  nature,  folklore,  darkness  and  evil  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Enevelde  and  if  you  are  a  fan  of  raw  and  atmospheric  black  metal,  you  should  check  out  their  side  of  the  split.  RECOMMENDED  TRACKS  INCLUDE  "Ut  av  deg  selv"  and  "Fodselsdefekt".


  Next  up  is  Gjendod  who  return  with  their  raw  and  old  school  style  of  black  metal.


  Their  side  of  the  split  starts  out  with  a  very  dark  yet  heavy  sound  while  the  vocals  are  mostly  high  pitched  black  metal  screams.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  when  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast  beats  can  be  heard  which  also  gives  their  side  of  the  recording  more  of  a  raw  feeling.


  Dark  sounding  melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  A  lot  of  the  music  is  very  heavily  rooted  in  the  mid  90's  era  of  the  genre,  synths  can  also  be  heard  at  times  along  with  the  recording  also  having  its  atmospheric  moments  and  acoustic  guitars  can  also  be  heard  briefly,  when  guitar  leads  are  utilized  they  are  also  done  in  a  melodic  style.   The  production  sounds  very  raw  and  old  school  and  the  lyrics  are  written  in  Norwegian  and  cover  nature,  folklore,  darkness  and  evil  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Gjendod  and  if  you  are  a  fan  of  raw,  atmospheric  and  old  school  black  metal,  you  should  check  out  their  side  of  the  split.  RECOMMENDED  TRACKS  INCLUDE  'Verden  vakner"  and  "Utslettelsen".  8  out  of  10.


  In  conclusion  I  feel  this  is  a  very  great  sounding  split  and  I  would  recommend  it  to  all  fans  of  Norwegian  black  metal,  8  out  of  10.


  terraturpossessions.com   

Tuesday, June 2, 2026

Intrinseco/Dreadwood/2026 Full length Review

  

  Intrinseco  are  a  solo  project  from  Brazil  that  plays  a  very  atmospheric  form  of  post  black  metal  and  this  is  a  review  of  his  self  released  2026  album  "Dreadwood".


 Dark  soundscapes,  synths  and  nature  sounds  start  off  the  album  before  going  into  a  very  fast  and r aw  musical  direction  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats. Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  and  the  solos  and  leads  are  also  done  in  a  very  melodic  post  metal  style.  


  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  album  also  adds  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  At  times  the  music  also  gets  very  atmospheric  sounding  along  with  some  of  the  tracks  also  being  very  long  and  epic  in  length  and  a  couple  of  songs  also  add  in  a  small  amount  of  clean  playing,  the  closing  track  is  also  an  instrumental.


  Intrinseco  plays  a  style  of  post  black  metal  that  is  very  modern,  aggressive  and  atmospheric  sounding.  The  production  sounds  very  professional  while  the  lyrics  cover  nature,  introspection  and  melancholy  themes.


  In  my  opinion  Intrinseco  are  a  very  great  sounding  atmospheric  post  black  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Dreadwood"  and  "Nightgrove".  8  out  of  10.


  Bandcamp:

https://intrnseco.bandcamp.com/album/dreadwood

Spotify:
https://open.spotify.com/artist/2dDrn1J2eL00jZ1oywcJUk

YouTube:

https://youtu.be/ltRAn98w2K4     

Akhoth/Of Might And Hierarchy/Signal Rex/2026 Album Re-Issue Review


  Akhoth  are  a  band  from  Australia  that  plays  a  very  raw,  old  school and  medieval  form  of  black  metal  and  this  is  a  review  of  their  2025  album  "Of  Might  And  Hierarchy"  which  will b e  re-issued  on  June  6,  2026  by  Signal  Rex.


  A  very  dark  yet  heavy  sound  starts  off  the  album  while  the  faster  sections  of  the  recording  also  add  in  a  great  amount  of  tremolo  picking  and  blast  beats  which  also  gives  the  music  more  of  a  raw  feeling..  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  songs  also  add  in a  lot  of  old  school  influences. 


  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  melodies  are  also  added  into  some  of  the  guitar  riffing.  One  of  the  tracks  is  also  an  acoustic  instrumental  which  also  adds  some  medieval  touches  to  the  recording  before  returning  back  to  a  heavier  direction. 


  Akhoth  plays  a  style  of  black  metal  that  is  very  raw  in t he  90's  tradition  mixed  in  with  some  medieval  touches.  The  production  sounds  very  professional  while  the  lyrics  cover  hatred,  misanthropy,  philosophy,  evil  and  darkness  themes.


  In  my  opinion  Akhoth  are  a  very  great  sounding  raw,  old  school  and  medieval  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  re-issue.  RECOMMENDED  TRACKS  INCLUDE  "Veil  Of  The  Cosmic  Might"  and  "The  Ancient  Betrayal  (Mendacious  Lord)'.  8  out  of  10.


  akhoth.bandcamp.com

Astral Alchemy Interview

1.For those that have never heard of you before, can you tell us a little bit about the band?


Astral Alchemy is a two man band located in upstate New York at the foot of the Adirondacks. The band was formed in 2024 when we were both working (believe it or not) on a Pop Punk cover side project called Dude Noodle. Both members come from very different styles of music and interests, but we have both shared a love for Black Metal since our teens. We have been friends since we were in sixth grade where we sat next to each other in homeroom every morning before classes started. This was during the Limewire and no smartphone days. We used to come in each day and show each other what sick Black or Death Metal band each of us found or how far we had gotten in Resident Evil 4 the night before. After high school, we lost touch for several years until one of us reached out around 2021 to record a Pop Punk/Emo album for a band called Playoffs. Since that album, we were always talking about going back to our roots and recording a Black Metal album. Well, we finally got to it. We did not take this record seriously until we sat down and wrote out the bones to Bathing in the Sap of the Moonflower… right then we knew we were on to something. Over the course of over a year we finished the album and the rest is history. We sent some emails out to some labels to see if anyone was interested, and Naturmacht picked us up. Now, our first record is releasing on June 26th and we are already most of the way through our second full length.


2.You have your first full length coming out in June, can you tell us a little bit more about the musical style that you went for on the recording?


To be completely honest, we both sat down with zero expectations and no musical style in mind, at first. I believe that is why this project just works. What came out was an amalgamation of many different styles, whether its Atmospheric/Symphonic/Melodic/DS/Post Black Metal, Pop Punk, Hardcore, Emo, Death Metal, Deathcore, it all funnelled towards what genre this album is. We believe that both of us, coming from different backgrounds and interests, helped keep ideas fresh. One of us has been a part of the Metal scene for well over a decade with interests that go along with that, and the other is on the other side of the spectrum with interests in sports and the Emo/Punk scene. However, we are both nerds at heart, which may come with the Black Metal territory. Once we finished Bathing in the Sap of the Moonflower, we knew our calling was definitely the realm of Melodic and Atmospheric Black Metal.


3.On one of the tracks you also added  in  some brutal death metal elements with a symphonic black metal style, do any of the band members have a background in playing in death metal bands?


One of us has zero experience writing Black Metal and the other has a plethora of experience writing/recording/mixing/mastering many different Metal genres but focusing mainly on Black and Death Metal. The member with no experience is actually the one who wrote most of the music on the album and the experienced member fine tuned, put together, and reeled everything in. We think the inexperience of writing Black Metal for one of us brought a fresh perspective and ideas to the table, which is why the album incorporates little bits of different musical styles. It keeps the project fun to include other influences and genres so that the music doesn’t go stale.


4.What are some of the lyrical topics and subjects the band has explored so far with the music?


This is actually a concept album that tells a tale of longing and attempting to end the world by using mystical alchemy to summon a Greek Titan to destroy the world by bringing down the stars. There also may be a bit of a twist at the end. The story incorporates a bit of mythology, alchemical processes, all sprinkled with a bit of mysticism. One of us has an engineering background, so writing a concept album seemed more natural given a single plot as a focused canvas to write around.


5.What is the meaning and inspiration behind the name 'Astral Alchemy'?


We did not have a band name when we started writing this record. When Bathing in the Sap of the Moonflower was mostly finished, we brainstormed exhaustively to finally come up with Astral Alchemy. We think it vibes well with our musical style as we include mystical, alchemical, nature, and cosmological themes throughout our music. That’s it. Nothing more, nothing less.


6.Can you tell us a little bit more about the artwork that is presented on the new album cover?


The artwork actually takes place in a swamp deep in the woods of our parents’ property. We thought it fit well given the setting of the first two tracks on the record. Plus, what’s better than some hooded figures in the swamp/woods for a black metal album.


7.Can you tell us a little bit more about the masks and cloaks the band members wear in the promo pictures?


At first we wanted to be completely anonymous to give off a more mysterious persona and one of us wanted to separate himself from his other bodies of work so that no one would compare. However, we decided to not be completely anonymous as it would help us get the album out there for more people to enjoy. Joining Naturmacht also helped with this tremendously. So cloaks and face coverings were decided on to give a bit of that sinister and mysterious touch and at least keep our faces anonymous. The blank face coverings were chosen as we wanted to seem faceless and we didn’t want to just go with corpse paint (not that corpse paint is a bad thing, at all). We just wanted something simple, yet effective. 


8.Currently there are only 2 members in the band, are you open to expanding the line up or do you prefer to remain a duo?


As of right now there are no plans to add anyone to the lineup. Right now, having only two members makes things like writing, balancing our wants/preferences, and juggling schedules so much easier. It’s not that we are against it, we are just rolling with what works so far.


9.On a worldwide level, how has the reaction been to your music by fans of black metal?


The reaction and reach of the first single has vastly exceeded our expectations. We were hoping to get maybe 500 views on our music video, and after just one week, we are at over 12,000 views! It is almost unfathomable to think that a little Black Metal album that was written in a basement by two regular dudes could reach that many people. The overwhelmingly positive feedback we have gotten has been amazing. We are just so grateful and stoked that other people, even around the world, enjoy and get something out of listening to our music as much as we do.


10.Where do you see the band heading into musically during the future?


We plan to make every record a concept album with a different story and a different vibe for each one. This record has a bit more mystical/magical vibe and undertone. The second album, which is well underway, is much darker and a bit more historical. The second record may also have a feature from another sick black metal band, so stay tuned. Since we believe the first record turned out well, we plan to keep the same trajectory of Melodic/Atmospheric Black Metal with some other genres slightly intertwining to hopefully create a unique experience. We think it has worked out so far.


11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


We have not really thought about influences until we just read this question. Thinking on the spot as we are writing this, we think our influences would be in the realms of Aara, Grima, MøL, Cân Bardd, Anorexia Nervosa, and Dimmu Borgir.


As for bands we have been listening to…


He Who Walks Under the Blood Moon: Lunar Spells, Sarastus, Aara, Tårfödd, Fief, AFI, Driveways, Casket Cassette, Tiny Voices, Ben Quad, and Colter Wall.


He Who Wields Twin Scepters of Malice: Bloodbark, Passeisme, Hum, Tigers Jaw, Moonsorrow, Warning, Moraš, Lunar Spells, Hot Mulligan, and Alcest.



12.Before we wrap up this interview, do you have any final words or thoughts?


We would just like to thank everyone who has given us a listen and shown us some love. Also, we would like to thank Naturmacht for giving us a shot.


We are just some regular dudes, having fun, and playing Black Metal in a basement for all to enjoy (hopefully). More Astral Alchemy to come in the future, so stay tuned! 

https://astralalchemybm.bandcamp.com/ 

Monday, June 1, 2026

I Proélefsi/Ypógeio Vasíleio/Depressive Illusions Records/2026 Full Length Review

 

  I  Proélefsi  are  a  solo  project  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  an  instrumental  form  of  atmospheric  black  metal  and  this  is  a  review  of  his  2026  album  "Ypógeio  Vasíleio"  which  will  be  released  in  July  by  Depressive  Illusions  Records.


  Atmospheric  soundscapes  start  off  the  album  before  introducing  melodic  guitar  riffing  onto  the  recording  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast b eats  can  be  heard  which  also  gives  the  recording  more  of  a  raw  feeling.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Elements  of  ambient  and  synths  are  also  utilized  at  times  along  with  some  orchestration  and  programming  and  all  of  the  tracks  avoid  the  use  of  any  vocals  mixed  in  with  some  avant  garde  touches  and  spoken  words  are  also  added  towards  the  end.


  On  this  recording  I Proélefsi  focuses  more  on  an  instrumental  and  atmospheric  form  of  ambient  black  metal  as  well  as  keeping  everything  instrumental.  The  production  sounds  very  professional  while  the  song  themes  focus  on  alchemy.    


  In  my  opinion  this  is  another  great  sounding  recording  from  I  Proélefsi  and  if  you  are  a  fan  of  instrumental  and  atmospheric  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Boatman"  and  "Tartarus".  8  out  of  10.


  https://www.instagram.com/iproelefsi/ 

https://iproelefsi.bandcamp.com/ https://depressiveillusions.com/

https://youtu.be/vsKQXlfoVZo?si=KZBy3SozbqefQUpJ