Sunday, September 20, 2026

Heimdalls Wacht/Sphärenschänder: Echoes of an Old Belief – Part I/Talheim Records/2026 Full Length Review


  Germany's  Heimdalls  Wacht  have  returned  with  a  n ew  recording  which  shows  the  music  going  for  a  neo  romantic  form  of  black  metal  and  this  is  a  review  of  their  2025  album  "Sphärenschänder: Echoes  Of  An  Old  Belief  –  Part  I"  which  will b e  released  on  Halloween  by  Talheim  Records.


  Synths  start  off  the  album  before  adding  in  some  melodic  guitar  solos  and  leads while  the  riffs  also  add  in  a  decent  amount  of  melody.  Spoken  words  can  also  be  heard  at  times  while  the  recording  also  has  its  atmospheric  moments  along  with  some  clear  pagan  vocals  also  being  added  on  some  of  the  tracks.


  Harsh  vocals  are  mostly  high  pitched  black  metal  screams  while  the  faster  sections  of  the  album  also  add  in  a  great  amount  of  tremolo  picking  and  blast  beats  which  also  gives  the  music  more  of  a  raw  feeling  along  with  the  recording  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.


  Whispered  vocals  can  also  be  heard  briefly  along  with  some  of  the  tracks  also  adding  in  elements  of  doom,  death  and  thrash  metal.  When  clean  playing  is  utilized  at   takes  the  music  into  more  of a  progressive  direction  as  well  as  some  of  the  songs  also  being  very  long  and  epic  in  length,  one  song  is  also  an  instrumental  and  a  later  track  also  adds  folk  music  influences  into  the  music.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  German  and  cover  nature,  lost  cultures,  paganism,  cross  culture  spirituality  and  spiritual  alienation.


  In  my  opinion  this  is  another  great  sounding  recording  from  Heimdalls  Wacht  and  if  you  are  a  fan  of  neo  romantic  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Flight  Eternal"  "Runes  To  Heal"  and  "Horn  gebrochen".  8  out  of  10.


   https://heimdallswacht.de/  


  
 

Urna/The Great Jihad/ATMF/2026 Full Length Review


  Urna  are  a  band  from  Italy  that  plays  an  esoteric  mixture  of  black  and  funeral  doom  metal  and  this  is  a  review  of  their  2026  album  "The  Great  Jihad"  which  will  be  released  in  October  by  ATMF.

  
  A  very  slow,  dark  and  heavy  doom  metal  sound  starts  off  the  album  while  atmospheric  sounding  synths  are  also  used  at  times.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  which  also  gives  the  recording  more  of  a  raw  feeling  and  the  vocals  add  in  a  mixture  of  black  metal  screams  and  death  metal  growls.

  
  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  album  also  adds  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Clean  playing  can  also  be  heard  at  times  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  and  when  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  dark  yet  melodic  style.

 
  Urna  plays  a  musical  style  that  takes  an  occult  form  of  black  metal  and  mixes  it  with  funeral  doom  metal  to  create  a  sound  of t heir  own.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  Occultism,  Hermeticism  and  Esoteric  themes.


   In  my  opinion  Urna  are  a  very  great  sounding  occult  mixture  of  black  and  funeral  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "First  Of  Three"  "Four  Levels  Of  Infinite  Splendour".  8  out  of  10.

  https://atmfsssdtp.bandcamp.com/album/the-great-jihad    


 

Громгор/Земля сделанная из льда/2026 Full Length Review

 

  Громгор  are  a  solo  project  from  Russia  that  plays  a  very  atmospheric  and  depressive  form  of  black  metal  and  this  is  a  review  of  his  self  released  2026  album  "Земля  сделанная  из  льда".


  Clean  playing  starts  off  the  before  before  introducing  some  depressive  black  metal  screams which  takes  the  music  into  a  heavier  direction.  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  faster  sections  of  the  songs  also  add  in a   decent  amount  of  tremolo  picking  and  blast b eats  which  also  gives  the  recording  more  of  a  raw  feeling.


  Most  of  the  album  focuses  more  on  a  slower  and  mid  tempo  direction  with  some  faster  sections  while  a  great  portion  of  the  songs  are  also  very  long  and  epic  in  length.  The  music  also  has  its  atmospheric  moments  along  with  the  guitar  leads  also  being  done  in  a  melodic  style  when  they  are  utilized.


  Громгор  plays  a  style  of  black  metal  that  is  very  atmospheric,  depressive  and  mid  tempo  sounding.  The  production  sounds  very  dark  and  raw  while  the  lyrics  are  written  in  Russian  and  cover  winter  themes.


  In  my  opinion  Громгор  are  a  very  great  sounding  atmospheric  and  depressive  black  metal solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Земля  сделанная  из  льда" "Крепость  из  камня  и льда"  and  "Дубины  в  небеса".  8  out  of  10.


  


Yandex Music: https://music.yandex.ru/artist/22853232


VK: https://vk.ru/gromgorbm

      


  


  

Saturday, September 19, 2026

Bokkerijders/Crush Kill Destroy/Personal Records/2026 Full Length Review


  Bokkerijders  are  a  band  from  Belgium  that  plays  a  very  raw  form  of  black  metal  with  elements  of  thrash  metal  and  this  is  a  review  of  their  2026  album  "Crush  Kill  Destroy"  which  will  be  released  in  October  by  Personal  Records.


  A  very  heavy  thrash  metal  influenced  sound  starts  off  the  album  while  the  faster  sections  of  the  songs  also  add  in  a  decent  amount  of  blast  beats.  Vocals  are  mostly  high  pitched  black  metal  screams  along  with  the  tremolo  picking  in  the  fast  riffing  also  giving  the  music  more  of  a  raw  feeling  and  you  can  also  hear  all  of  the  musical instruments  that  are  present  on  the  recording.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  solos  and  leads  also  stick  to  more  of  an  old  school  yet  melodic  style.  A  great  portion  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  a  couple  of  songs  also  adding  in  a  small  amount  of  clean  playing  and  synths.


  Bokkerijders  plays  a  musical  style  that  takes  a  very  raw  form  of  black  metal  and  mixes  it  with  thrash  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  dark  and  violent  themes.


  In  my  opinion  Bokkerijders  are  a  very  great  sounding  raw  mixture  of  black  and  thrash  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Ashen  Scream"  "Primordial  Phosphorus  Eclipse"  and  "Fire  Chaser".  8  out  of  10.


http://personal-records.bandcamp.com/album/crush-kill-destroy

bokkerijders.bandcamp.com         


     

Sepulchre By The Sea/Godseeker/2026 EP Review


  United  Kingdom's  solo  project  Sepulchre  By  The  Sea  has  returned  with  a  new  recording  which  shows  the  music  going  for  an  atmospheric  and  melodic  mixture  of  post  black,  doom,  death  metal,  hardcore  and  shoegaze  and  this  is  a  review  of  his  self  released  2026  ep  "Godseeker"  which  will  be  released  in  November.


  Nature  sounds  start  off  the  ep  before  adding  in  some  melodic  guitar  solos  and  leads  before  going  into  a  very  fast  and  raw  musical  direction  which  also  adds  in  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  mostly  high  pitched  black  metal  screams  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  all  of  the  tracks  are  also  very  long  and  epic  in  length.  Some  of  the  music  also  mixes  in  the  heaviness  of  death  metal  along  with  the  recording  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  the  clean  sections  show  an  influence  of  shoegaze  and  post  rock.


  At  times  the  music  also  gets  very  atmospheric  sounding  along  with  the  slower  sections  of  the  songs  also  adding  in  elements  of  doom  metal,  growls  are  also  utilized  at  times  as  well  as  some  synths  also  being  utilized  briefly  and  the   mid  tempo  sections  of  the  songs.  The  production  sounds  very  professional  while  the  lyrics  cover  the  writings  of  Edgar  Allan 
Poe.  


  In  my  opinion  this  is  another  great  sounding  recording  from  Sepulchre  By  The  Sea  and  if  you  are  a  fan  of  atmospheric  post  black  metal,  you  should c heck  out  this  ep.  RECOMMENDED  TRACK  "Godseeker".  8  out  of  10.


  https://www.facebook.com/sepulchrebytheseamusic      


Vendanges Interview

 

1.For those that have never heard of you before, can you tell s a little bit about the solo project?


So, Vendanges is a project that was born a few months ago—July 2026, to be exact—in Claix, the French village where I grew up. I put it together in a single evening while listening back to the tracks from my first solo project. I felt that project was really lacking in soul and meaning. I had an inner need to put into words what I experienced during my childhood and adolescence in Burgundy.


I eded to talk about the "terroir", the walks, the family meals, and the childhood memories.


That’s what Vendanges is about.


2.So far you have released a full length and a demo with this project, musically how do they differ from each other?


What sets them apart is basically the mix, you could say. The concepts for the album and the demo came at the same time. I recorded one long, 35-minute demo that served as the blueprint for both the first demo and the debut album. Of course, I had time to come up with other ideas to develop the album, but the core material comes from that first demo!


So, the two are very closely related, and I didn't really feel the need to make them different from one another. I attach just as much importance to a demo as I do to an album!


3.You also have another solo project under the name of 'Espor', how does the music of 'Vendanges' differ from your other project?


As I mentioned in the first question, Espoir is really just a test project. That might be a strong way to put it, but I’ve come to realize that’s what it is. I use it to get out whatever crosses my mind—strictly Doom, Dungeon Synth, and Black Metal.


As for Vendanges, I found a sound I like, and it’s going to stay that way for a long time. I’m not going to do too much experimentation with this project. I’m keeping the story in mind.


What really sets them apart, actually, is the level of seriousness and rigor I bring to each one!




4.The lyrics on the new album is the  first chapter of a trilogy, can you tell us a little bit more about the lyrics you have written so far with this project and the concept behind the trilogy?


The lyrics have always played an important role, even though they are inaudible on the album. I wrote them before composing the music. That’s usually how it works: I figure out what I want to talk about, write verses, simple sentences, or even just words, and then start finding riffs that match the atmosphere of the lyrics.


On this upcoming debut release, I talk about things like the time spent playing in a shack at my grandfather’s place, walks taken while listening to black metal albums, life in the village center, and sunsets over the vineyards. I’ll probably release the lyrics shortly after the album comes out. I really want people to immerse themselves in the world I grew up in.


As for the trilogy, it helps strengthen the story while also allowing me to make an album that is a little shorter than usual, but more complete. It gives me room to breathe and take my time composing between each part.


5.I know that the projects name means 'grape harvests' in French, how does this name fit in with the musical style that you play?


In Vendanges, the music is really just there as an accompaniment. It’s a project designed to make the listener think, imagine, and feel.


In terms of composition, I absolutely didn't want to create a black metal record packed with riff after riff, endless blast beats, and 200 BPM tremolo picking for 45 minutes straight. Sure, there are elements of that, but not throughout the entire album. I wanted to leave room for other instruments and different sides of musical composition.


I want this trilogy to be rich in variety! Vendanges simply serves to give an idea of where the listener is about to be taken.


6.Can you tell us a little bit more about the artwork that is presented on the new album cover?


The artwork is a photo I took at sunset in the village where I used to spend my childhood holidays. Nothing too complex, admittedly, but it works really well. It was taken from the spot I always go to whenever I visit my childhood home.


The view from up there is stunning—you can really feel the sense of calm.  I’ve included two other photos of the village in the CD version, if you're interested! It’s a typical Burgundy village with a very strong medieval feel.


7


7.With both of your projects you record everything by yourself, are you open to working with other musicians or do you prefer to work solo?


That’s something I’ve been thinking about for a while now! The answer varies quite a bit depending on the project.


For Vendanges, I prefer to handle the composition side of things on my own; it’s a project deeply rooted in my personal memories and feelings. That said, I’m open to putting together a live lineup—provided the venues resonate with me and the shows stay within France. It’s hard to imagine Vendanges music being performed live, but I wouldn't rule it out if the right opportunity came along.


As for Espoir, I recently released an album titled OKVLTVS, which leans into occult death-doom. For this project, I’d love to find musicians to help me compose a follow-up album and eventually perform the material live.That’s something I’ve been thinking about for a while now! The answer varies quite a bit depending on the project.


For Vendanges, I prefer to handle the composition side of things on my own; it’s a project deeply rooted in my personal memories and feelings. That said, I’m open to putting together a live lineup—provided the venues resonate with me and the shows stay within France. It’s hard to imagine Vendanges music being performed live, but I wouldn't rule it out if the right opportunity came along.


As for Espoir, I recently released an album titled OKVLTVS, which leans into occult death-doom. For this project, I’d love to find musicians to help me compose a follow-up album and eventually perform the material live.




8.Currently you are unsigned, are you looking for a label or have received any interest?


If the opportunity arises, why not? But I’ve only found one label that really fits the Vendanges style, and they didn't want the album. I’m in no rush to find one.


9.On a worldwide level how has the reaction been to your music by fans of black metal?


So far, I’ve only received feedback from a few people—in Japan, America, and England. The reviews have been very good, but it’s only when the album comes out that I’ll really see whether the project is well received or not!


10.Where do you see yourself heading into as a musician during the future?


Personally, I dream of being able to make a living from my music, like any musician in the black metal scene. It’s a complex challenge, and unlikely to happen. I’m going to keep working hard on my music and try to find musicians to collaborate with—we’ll see what the future holds!


11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


My journey into metal actually started with hard rock. The first band I heard was AC/DC in my dad's car—I must have been about eight or ten years old. That kicked off a progression where I discovered the biggest names in the metal scene on my own: Motörhead, Maiden, Judas Priest, Sabbath... the classic path for a metal kid.


That’s where I diverge a bit, though: my dad always played other things for me besides metal—Peter Gabriel, Simple Minds, Pink Floyd. All those prog bands that "true" black metal fans hate—well, I found them really interesting! They had groove, well-crafted synths, and atmosphere. I discovered all that around age eleven.


When I was about fifteen, I discovered Gojira—it blew me away. From that point on, I started looking for darker bands, ones focused on the Middle Ages and fantasy (a period I love). That’s how I discovered black metal and Dungeon Synth.


Right now, I’m listening to a lot of Hyver, Véhémence, Ulk, Marduk, Peste Noire, Dark Funeral, Seth...


I also became obsessed with one specific album—like nothing else before it: Dopethrone by Electric Wizard. To me, it’s a masterpiece. I just can't get enough of it!


12.Before we wrap up this interview, do you have any final words or thoughts?


Don't hesitate to go listen to OKVLTVS, my latest album with Espoir!


Thanks, for this interview!




https://www.instagram.com/vendangesblackmetal/

Friday, September 18, 2026

Antania/The Unholy 33/Argonauta Records/2026 Full Length Review

 

  Antania  are  a  duo  from  California  that  plays  a  very  experimental,  avant  garde  and  industrial  style  of  black  metal  and  this  is  a  review  of  their  2026  album  "The  Unholy  333"  which  will  be  released  in october  by  Argonauta  Records.


  Industrial  style  beats  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  while  the  bass  guitars  are  used  as  a  lead  instrument.  Vocals  are  mostly  high  pitched  black  metal  screams  along  with  the  music  also  adding  in  elements  of  doom  and  death  metal  at  times  and  blast  beats  are  also  added  into  faster  sections  of  the  recording.


  At  times  the  music  also  gets  very  experimental  and  avant  garde  sounding  while  the  album  also  adds  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Synths  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  some  tracks  also  adding  in  a  small  amount  of  samples  and  all  of  the  drum  beats  are  also  programmed,  one  song  is  also  an  instrumental  as  well  as  a  later  track  also  introducing  spoken  words  into  the  music.


  On  this  recording  Antania  focuses  more  on  an  avant  garde,  experimental  and  industrial  style  of  black  metal  which  is  also  very  different  from t heir  previous  releases.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  true  crime,  psychological  horror  and  real  life violence.   


  In  my  opinion  this  is  another  great  sounding  recording  from  Antania  and  if  you  are  a  fan  of  avant  grade,  experimental  and  industrial  black  metal,  you  should  check  our  this  album.  RECOMMENDED  TRACKS  INCLUDE  "33"  "Gloomzday"  "AntVniV"  and  "HEarSE".  8  out  of  10.


  https://www.facebook.com/OFFICIAL.ANTANIA

https://www.instagram.com/antaniaofficial