Showing posts with label Galvornhathol. Show all posts
Showing posts with label Galvornhathol. Show all posts

Monday, January 20, 2025

Galvornhathol/III/2025 Full Length Review

 


  Galvornhathol  are  a  solo  project  from  Germany  that h as  been  featured  before  in  this  zine  and  on  this  recording  plays  an  atmospheric  mixture  of  post  black  metal  and  shoegaze  and  this  is  a  review  of  his  self  released  2025  album  "III"  which  will  be  released  in  march.


  Clean  playing  and  ambient  style  synths  start  off  the  album  before  going  into  a  heavier  direction  while  the  music  also  has  its  atmospheric  moments.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  the  vocals  also  being  mostly  high  pitched  black  metal  screams  and  elements  of  shoegaze  can  also  be  heard  at  times.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  post  metal  style  while  angry  shouts  can  also  be  heard  at  times.  Clean  playing  is  also  added  on  some  of  the  tracks  along  with  some  spoken  words  also  being  used  briefly  as  well  as  one  song  also  introducing  death  metal  growls  onto  the  album.  


  One  song  also  adds  in  a  brief  use  of  clear  vocals  and  when  the  music  finally  speeds  up  a  small  amount  of  tremolo  picking  and  blast  beats  can  be  heard  which  also  gives  the  recording  more  of  a  raw  feeling  and  most  of  the  recording  sticks  to  either  a  slow  or  mid  tempo  direction and  a  couple  of  tracks  are  also  instrumentals.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  a  mixture  of  English  and  German  and  cover  cover  nature  and  life  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Galvornhathol  and  if  you  are  a  fan  of  atmospheric  post  black  metal  and  shoegaze,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Voids"  "Sternentanz"  "Andromeda"  and  "Laniakea".  8  out  of  10.  


https://www.facebook.com/galvornhathol/

Tuesday, February 8, 2022

Galvornhathol Interview


 1.Can you give us an update on what has been going on with the musical project since the recording and release of the new album?

-Sure! Aside from having the pleasure to do this, I consider the current album cycle as good as done and ventured on to do some writing for "III".  Other than that, I have since moved on to another band/Project of mine and did some recording and production work for an experimental project that I have with buddies of mine. Basically just letting it flow!


2.So far you have released 2 albums with this project, musically how do they both differ from each other? 

-"II" is way more focused in every aspect. Not that this would make it any better in any regard, that's just how it is.  Shorter tracks, no keyboards (synths, yes, but those are guitar-synths). "I" wasn't supposed to have a successor at first, but "II" is at least partly made up from tracks from the "I" session. That made it easy to look at what I wrote for "I" and then see where to go from there. And it made sense. If it doesn't to the listener then that's no big deal. Both records can stand on their own, even if one may not see it as a part in the same journey. Maybe it makes more sense when the third part is out. 


3.The project has been around since 2003 but you waited until 2020 to release any music, can you tell us a little bit more about the earlier years?

-I didn't wait! I wrote tons of songs over the course of the first 2-3 years before I actually started recording (back then it was a Boss BR recorder, later a PC). I couldn't make up my mind in which direction I wanted the whole thing to go at first. The first couple of demos sounded like "Paradise Lost" slowed down. The next demos like the recent "Alcest" on acid. I remember that the HDD on my PC then decided to go bye bye and took all the material with it. So I  re-recorded the guitars and they became the base for those you can hear on the first record. But before I could finish that, life happened and I was in and out of making music for a good 6 years. I didn't take it back up until 2013. From there, I  was involved in a plethora of musical projects. Albeit mostly crap, I invested a lot of imt ein them. Was a good learning process. In regards to life and making music in general. In the end, it's a hobby and supposed to be an enjoyable process. And the process is what interests me the most about making music. Not having it done. And that process can take a crapload of time. I'm glad it did. I became a better musician over the years (believe it or not, haha).


4.What are some of the lyrical topics and subjects you have explored with both of the releases and also how would you describe your progress as a songwriter over the years?

-For clarification: I = Nature/ground/earth focused, II = More ethereal, focused on the individual and personal growth. It's going "up" so to say. There's always at least one track that strays from the path. On "II", that could be several. "Ynntal" for example is simply about an area in Austria that I really like and how great it feels to be there. That song could have been on "I" too, as it is a "nature song" but I didn't write this one back when I did the "I" sessions.

As far as progress in songwriting goes; I really can't say that I made any. Since all Galv-records are mostly German, my limited English vocabulary didn't hinder my songwriting that much. Basically it's on the same level as it was when I wrote the first track for "I". If at all, then I managed to write material that's less cheesy. Lyrics change with their respective subjects. They're just different than they were before as they will be on upcoming records.


5.The know that the band name was inspired by the writings of J.R.R Tolkien, can you tell us a little bit more about your interest in his work? 

-Hate me, but I didn't even read the books. Not sure if I ever will either. No disrespect to the work of the man, but I wouldn't know anything about Tolkien's work, if it wasn't for Peter Jackson's movies. Since I saw those, I indulged myself in all Lotr games and artworks I could gather. That is what I find inspiring about it. The lore he created. Fascinating. It's not the story itself, or any of its characters. I'm just totally fascinated by the world/universe of  Lotr. But that is not because of what I read from the material, but more of what came out of it. Drawings, pictures, movies. To quote Bruce Lee; "Absorb what is useful, reject what is useless...". I didn't take much, but I took what I liked about the works of Tolkien. And that was a fascinating world, which sometimes seems awfully close to ours. 


6.Can you tell us a little bit more about the artwork that is presented on the new album cover? 

-Those are prayer flags in tibetan language. I took that photo on an analogue E6 film on a mountain top near where I live. I found it transports the transition from earth/ground to the sky that will continue.  The flags usually contain prayers for prosperity, peace and so on. Something positive. That reminded me of what I wanted to express with this album. The original was in colour, but I desaturated it. That just felt right. I guess it symbolizes that one can find the positive aspects in a picture of tristesse. The original with colours is up on bandcamp though.


7.With this project you record everything by yourself but have experience working with other musicians, how would you compare the two?

-In my humble experience, working by yourself is simpler, more streamlined and faster. 


8.You also have experience working with other genres of music in your other projects, do you feel this has made you a better musician?

-Definitely! I could NEVER limit myself to one genre of music. That would be the death of all my creativity. I'm glad I had the chance to experience a multitude of different styles, even bits of jazz. That was amazing! I hope to be able to explore more. 


9.Currently you are unsigned, are you looking for a label or have received any interest?

-No. I didn't bother to look. This project doesn't have any commercial potential from what I see. Besides, two albums are not a track record that can convince a label to pump any amount of cash into it. And without that it's going pretty much nowhere.


10.On a worldwide level how has the reaction been to your music by fans of post black metal?

-I have read a couple of good comments and some reviews. Some folks seemed to enjoy it. That's more than I could ever ask for and the sole reason why I even bother to share any of it. It was worth putting in the time and effort, that's for sure!


11.What is going on with your other musical projects these days?

-I'm in the great position to be involved in more bands/projects than ever before. it's all easy-going stuff, by hobbyists like me and it doesn't eat me up. I have "Rodtgod", another solo project of mine, then there is a sludge band I co-founded in 2013 and two musical collectives I play bass in. One isn't out yet, the other just released a live record and another one of those is coming out soon. Lot's of great times with great people. I honestly never felt better than now. The world can be pretty shit at times but it is also what you make with, and out of it. It's not easy and it ain't guaranteed. But doing the work and setting your mind straight can get you places. I stoically made/make music without caring about the outcome and now I can share that in several projects of which I couldn't be more proud to be a part in. That is, among others, also one of the core beliefs you can extract from the album "II".


12.Where do you see yourself heading into as a musician during the future?

-I don't care. I don't have any ambitions other than making music and releasing it if it turns out somewhat good. I don't care about looking too much into the future just as I don't care about the past. Doesn't help the present too much. I like being in the moment, seeing what comes up in my mind around me and then grabbing it by the tail. I hope we get the chance to talk about that in the future, but I can't tell for sure if the sounds I will come up with will suit you. That being said; whatever may come, I let it happen and see!


13.What are you listening to nowadays?

-I'm currently not listening to that much music. Mostly podcasts of a lot of different kinds. But one new album I liked was the latest "Wilderun" album. As fast as Black Metal goes, I only listened to the latest "Funeral Mist". Then there was the new "Wiegedood", but I'm still trying to wrap my head around that one. The new "Voivod" album seems promising. But I haven't checked that out yet. 


14.Before we wrap up this interview, do you have any final words or thoughts?

-When I try to get myself to share either of the above, I usually can't get anything out of me. Therefore, to say it in the words of Wim Hof; "Just be in the moment." 

Aside from that, thanks for taking the time and I hope it was as interesting for you, as it was for me. Thank you and take care! 

Friday, February 4, 2022

Galvornhathol/II/2022 Full Length Review

 


  Galvornhathol  are  a  solo  project  from  Germany  that  plays  a  mixture  of  ambient,  shoegaze,  atmospheric  black  and  melodic  death  metal  and  this  is  a  review  of  his  self  released  2022  album  "II".


  Atmospheric  sounds  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  vocals  are  mostly  high  pitched  black  metal  screams  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast  beats  can  be  heard  which  also  gives  the  songs  more  of  a raw  feeling.  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow, mid  paced  and  fast  parts  along  with  some  death  metal  growls  also  being  added  into  certain  sections  of  the  album.


  Synths  are  also  utilized  quite  a  bit  throughout  the  recording  and  also  add  in  touches  of  ambient  along  with  some  tracks  also  showing  an  influence  of  shoegaze  as  well  as  the  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are  utilized,  clean  playing  is  also  added  on  a  couple  of  songs  and  as  the  album  progresses  a  brief  use  of  melodic  vocals  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  a  mixture  of  German  and  English  and  cover  poetry,  spiritualism  and  nature  themes.


  In  my  opinion  Galvornhathol  are  a  very  great  sounding  mixture  of  ambient,  shoegaze,  atmospheric  black  and  melodic  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Eudaimonia"  "Before  the  Fall"  "Sword  Of  The  Sun"  and  "Gipfelmeditation".  8  out  of  10.


Bandcamp
Deezer
Facebook
Instagram
YouTube