Showing posts with label Deafest. Show all posts
Showing posts with label Deafest. Show all posts

Tuesday, July 2, 2013

Deafest/Evergreen Refuge/Grey Rock, Red Earth/Red River Family Tapes/2013 Split Cassette Review


  This  is  a  review  of  a  split  album  between  Colorado's  Deafest  and  Evergreen  Refuge  called  "Grey Rock,  Red  Earth"  which  was  released  by  Red  River  Family  Tapes  in  2013  and  we  will  of  the  review  with  Deafest  a  band  that h as  been  featured  before  in  this  zine  with  their  musical  style  being  an  instrumental  form  of  atmospheric  black  metal.

  Drums  range  from  slow,  mid  paced  to  fast  playing  with  some  blast  beats  being  utilized  at  times,  while  the  bass  playing  has  a  very  dark  tone  with  riffs  that  follow  the  riffing  that  are  coming  out  of the  guitars  and  at  times  they  have  a  very  powerful  sound  to  them.

  Rhythm  guitars  range  from  slow,  mid  paced  to  fast  atmospheric  black  metal  riffs  that  utilize  some r aw  and  primitive  elements  as  well  as  melody  and  clean  playing,  while  the  lead  guitars  are  very  atmospheric  and  melodic  post  black  metal  guitar  solos  and  leads,  as  for t he  acoustic  guitars  they  use  finger  picking  and  full  chords  to  enhance  the  post  rock  elements  present  on  their  side  o f the  split.

  Vocals  and  song  writing  are  absent  from  this  recording  with t he  music  being  all  instrumental,  while  the  song  themes  cover  Nature  and  The  Rocky  Mountains,  as  for  the  production  it  has  a  very  dark, r aw  and  primitive  sound  with  most  of t he  songs  being  long  and  epic  in  length.

  In  my  opinion  this  is  another  great  sounding  recording  from  Deafest  and  if  you  are  a  fan  of  this  band,  you  should  check  out  their  side  of  the  split.  RECOMMENDED  TRACK  "Rising  From  The  Ridgeline".  RECOMMENDED.

  Next  up  is  Evergreen  Refuge  with  their  musical  style  this  time  being  instrumental,  atmospheric,  post  black  metal.

  Drums  range  from  slow,  mid  paced  to  fast  drumming  with  some  blast  beats  being  utilized  at  times,  while  the  bass  playing  has  a  very  dark  tone  with  riffs  that  follow  the  riffing  that  are  coming  out  of  the  guitars.

  Rhythm  guitars  range  from  slow,  mid  paced  to  fast  atmospheric  black  metal  riffs  that  are  very  raw  and  primitive  sounding  at  times  along  with  some  melody  being  thrown  into  the  riffing  at  times,  while  the  lead  guitars  are  very  melodic  sounding  post  black  metal  guitar  solos  and  leads,  as  for  the  acoustic  guitars  they  use  finger  picking  and  full  chords  to  add  folk  music  elements  to  their  side  of  the  split.

  Vocals  and  song  writing  are  all  absent  from  their  side  of  the  recording  with  the  music  being  all  instrumental,  while  the  song  themes  cover  Nature  and  The  Rocky  Mountains,  as  for  the  production  it  has  a  very  dark  raw  and  primitive  sound  with  most  of  the  songs  being  long  and  epic  in  length.

  In  my  opinion  this  is  another  great  sounding  recording  from  Evergreen  Refuge  with  the  best  music  on  this  album  and  if  you  are  a  fan  of  instrumental,  atmospheric,  post  black  metal,  you should  check  out  their  side  of  the  split.  RECOMMENDED  TRACK  "Taking  Refuge  Among  River  Valleys".  RECOMMENDED.

  In  conclusion  I  feel t his  is  a  very  great  sounding  split  and  if  you  are  a  fan  of  instrumental  and  atmospheric,  post  rock  metal,  you  should  add  this  album  to  your  collection.  RECOMMENDED  BUY.

https://www.metal-archives.com/bands/Deafest/3540260272
https://www.metal-archives.com/bands/Evergreen_Refuge/3540361062

  

Friday, December 10, 2010

Deafest/Dunkelheit/Split Album/2008 CD Review


 Deafest are a band that my readers should be familiar with right now, Dunkelheit are also a band from Colorado with a more cold and depressive take on black metal, and this is is a review of their self released 2008 split album, and we will start out with Deafest.

Drum programming ranges from slow, mid paced to fast beats, while the bass playing is mixed down low in the mix and seems to follow the riffing that is coming out of the guitars.

Rhythm guitars range from slow, mid paced to fast raw black metal riffs with the softer playing having an ambient feel to it that is very dark, while the lead guitar are very primitive sounding ambient black metal guitar leads mixed in with a doomy edge with not much in the way of solos.

Vocals are all high pitched black metal screams while the lyrics touch on nature orientated themes, as for the production it has a very dark and raw feel to it.

Now we will review Dunkelheit which also happens to be a one man project.

Drums are mostly mid paced to fast drumming with some blast beats being used at times , while the bass playing has a very dark tone which is mixed down low in the mix and seems to follow the riffing that is coming out of the guitars.

Rhythm guitars are mostly mid paced to fast black metal riffs , and there are no guitar solos or leads present on their side of the split.

Vocals are all high pitched black metal screams, while the lyrics cover despair, cold and solitude, as for the production it has a very dark and raw feel to it.

In my opinion this is a good split and Deafest have the best songs on this split. RECOMMENDED TRACK  from Deafest "Embedded" and Dunkelheit "In Shadows". RECOMMENDED BUY.

https://www.metal-archives.com/bands/Deafest/3540260272
https://www.metal-archives.com/bands/Dunkelheit/3540260273

Deafest/Cynd Split/Mountain Draught/2009 CD Review


 Deafest are a band from Littleton Colorado that has been interviewed as well as had previous material reviewed by this zine, and Cynd is also from the same area, with both of their musical styles being nature orientated black metal, and this is a review of their 2009 split, we will start of the review with Deafest.

Drum programming ranges from slow, mid paced to fast beats, while the bass playing is kind of mixed down low in the mix and seems to follow the riffing that is coming out of the guitars.

Rhythm guitars range from slow, mid paced to fast raw black metal riffs with some doom metal influences that also have a progressive edge to the softer parts, while the lead guitars have a shoegaze black metal style feel to them.

Vocals are mostly high pitched depressive black metal screams, while the lyrics are very nature orientated, as for the production it has a very dark and raw sound to it.

Now we will review the half from Cynd.

Drums range from slow, mid paced to fast with a good amount of blast beats, while the bass playing seems to be mixed down low in the mix and follows the riffing that is coming out of the guitars.

Rhythm guitars range from slow, mid paced to fast raw black metal riffs and there are no guitar solos or leads present on any of Cynd's songs, as for the acoustic guitars when they are used on the outro they have a very dark sound to it.

Vocals are all high pitched black metal screams, while the lyrics touch on nature orientated subjects, as for the production it is very dark and raw sounding.

In my opinion this is a great split album from Deafest and Cynd, with the songs from Cynd being the best since they have a more faster raw and primitive approach. Recomended song from Deafest is "Coniferous" and from Cynd "Wweorpan".

https://www.metal-archives.com/bands/Deafest/3540260272
https://www.metal-archives.com/bands/Cynd/3540273762

Wednesday, October 13, 2010

Deafest/Eroding Peaks/2009 CD Review



  Deafest are a band from Littleton, Colorado that has been interviewed and all has had music that been reviewed in this zine who also play play a nature orientated form of black metal and this is a review of their 2009 album "Eroding Peaks".

Drums alternate between slow, mid paced to fast drumming with some blast beats being thrown in at times, while the bass playing has a dark tone which follows the riffing that is coming out of the guitars with a great amount of power.

Rhythm guitars are a mixture of slow, mid paced to fast raw ambient black metal riffs that also have a shoegaze feel to them and some slower soft playing, while the lead guitars when they are utilized are very primal sounding ambient black metal guitar solos with a small amount of melody, as for the classical guitars when they are utilized they bring a dark and emotional atmosphere to the music.

Just like with the new release, this album also contains no vocals making the music purely instrumental, while the themes of the music concentrate on nature, as for the production it sounds very dark and raw.

In my opinion this was another good release from Deafest and if you enjoy nature orientated black metal you should give this album a listen. RECOMMENDED TRACKS INCLUDE "Where Gnarled Bark Still Stands" and "Continental Divide". RECOMMENDED BUY.

Bandcamp
Deafest Site
Facebook
Myspace
New Deafest Site

Deafest/Earth Turned Skyward/Ninth Meridian Records/2010 CD Review


  Deafest are a band from Littleton, Colorado that has also been interviewed by this zine with a nature orientated form of black metal and this is a review of their 2010 album "Earth Turned Skyward" which was released by Ninth Meridian Records.

Drums alternate between slow to mid paced drumming with only a small amount of fast playing and blast beats, while the bass playing has a dark tone that follows the riffing out of the guitars.

Rhythm guitars are mostly slow to mid paced black metal riffs that have an ambient and shoegaze feel to them and at times along with some slow soft playing the riffing gets doomy, while the lead guitars sound very primal and depressive, as for the acoustic guitars when they are utilized it brings a dark and depressive atmosphere to the music.

Vocals are absent from this recording, while the music concentrates on nature orientated themes, as for the production it sounds very dark and raw.

In my opinion Deafest are a very good band that should appeal to black metal fans that want something that is a little bit different. RECOMMENDED TRACKS INCLUDE "Bighorn Slopes" and "Red Sandstone Cliffs". RECOMMENDED BUY.

Bandcamp
Deafest Site
Facebook
Myspace
New Deafest Site

Tuesday, September 7, 2010

Deafest Interview


1. Can you introduce the band to our readers for those that have never heard of you before?

Deafest is a two-man, instrumental, black metal band from Denver, Colorado. I play all the guitars and bass, and Brett plays the drums. Deafest is a recording band only; I refuse to play live, for various reasons, so sorry if we have any fans that would have liked to see us live.


2. How would you describe your musical sound and what is it that you are trying to achieve with your music?

Deafest plays slightly raw, naturesque black metal with some post-rock influences. The whole point of Deafest has become to hail the beauty of the state of Colorado, and I hope that the music does the land justice.


3. What are some of the lyrics that you explore with your music?

Deafest has always been my release for all the awe that I have for the natural world around me. With that admiration of nature, always comes the sadness that I feel when I think about what humans have done to our landscapes with our ugly steel, concrete, and asphalt.


4. What is the meaning and inspiration behind the name Deafest?

I’ve always felt that most species know how to live with the land, except humans. There’s a disconnection when it comes to our relationship with the earth. It’s as if we can’t hear the planet’s needs over our own desires, hence the name Deafest.


5. The band started out as a one man project and now has expanded to 2 members, what was the motive behind the change?



Deafest started out as a three-man band, but the other two got caught up with other projects, so I kept the band going by myself. The main reason that I added Brett was that I could not drum, and I was getting sick of the fake sounding drum machine that I was using. I really feel that his drumming brings the music to a new level that was unattainable with fake drums.


6. I have noticed that you can download a lot of the albums for free, is there going to be a time where the stuff comes out on a paid cd instead of downloading for free?

My philosophy for Deafest was that as long as I record the music for free, then it should be available to others for free. That’s why all my releases so far can be downloaded off of deafest.net. The only thing that costs money is printing CDs, and so that’s the only thing that we charge for. All the earlier albums were available through Mountain Drought Distro (now defunct), and everything from Eroding Peaks and on is available through 9th Meridian Records in CD format.


7. I have also noticed that some albums are instrumental while others have vocals, are you going to keep recording music in this way, shape or form?

Deafest’s earlier albums had lyrics and vocals, but as I was always disappointed in my vocals, I started liking my instrumentals more and more. Writing instrumental music became more fascinating to me because the focus was entirely on keeping interest through the riffs/melodies. There aren’t that many completely instrumental black metal bands out there that I know of, so I decided that I was going to try it. Now that I’ve fallen in love with writing music without words I doubt that I’ll ever return to vocals. In a way it makes sense that Deafest has no vocals, because I always wrote the music first and the lyrics came as an afterthought.


8. What is going on with the Denver Metal Examiner and Meridan 9 these days and what is your goal for both?

In addition to playing metal, I also love to write about it. I write CD reviews for a local magazine called Meridian 9, run by Owen—who also runs the record label Deafest is on: 9th Meridian Records. For Examiner.com, I write reviews of metal bands from Colorado exclusively. It’s a great struggle for me to turn an audio experience into a written one, but a rewarding one in the end—especially if it helps people find new bands, or new albums, to enjoy.


9. Are there any current side projects besides Deafest?

I was helping my friends in the grindcore band No Thought play live shows a while back but not anymore. So as of now, Deafest is the only project that I have, but Brett also drums in a power-violence band that has yet to be named.


10. Out off all the albums the band has recorded so far, which one are you the most satisfied with?

While each of them holds a special place with me, Eroding Peaks is the one that I listen to the most. It marked the transformation into complete instrumental music, and Brett joined the band for that album. That being said, the full-length we are recording right now is one that I am very proud of.


11. How would you describe your musical progress over the years and what direction do you see the music heading into on future releases?

It’s hard to say really, but I guess I started out writing more traditional black metal riffs, and maybe with slightly more straightforward song structures. Now I tend to use a more progressive type of structure with riffs that are influenced by some post-rock bands. For the future, only time will tell. But I’m always trying to fit different types of moods into my music while still accurately portraying my experience with Colorado.


12. How has your music been received so far from black metal fans worldwide?

The feed-back that I get is mixed. Some people seem to really enjoy the music, whereas it doesn’t strike others. Deafest has always been about my expression, and as long as I enjoy the process of making the music then that’s all that really matters.


13. What are some of the bands or musical styles that have influenced your music, do you have any influences outside of black metal, also what are you listening to nowadays?

A lot of black metal bands from all over have influenced Deafest, but most especially U.S. and Swedish black metal. I love a lot of post-rock bands like Mono, Pelican, and Sigur Ros, and that probably comes out in my music to some extent. I also listen to a lot of old school Swedish death metal, melodic death metal, and I have a soft spot for bands from Asia, since I grew up there, though my family is from Colorado.


14. Does Satanism, Paganism or Occultism play any role in your music and how would you describe your views on these topics?

None of those really play a role in my music at all, because Deafest is solely concerned with nature. Personally, I am not really religious or anti-religious. I can see what people get out of them but it’s not for me.


15. Outside of music, what are some of your interests?

Some of my passions are soccer, skateboarding, hiking, writing, and videogames. My friend and I are also editors for a creative writing journal called Dark Fountain which is just starting up.


16. Any final words or thoughts before we close this interview?

I’d just like to thank you for the interview, thanks to all the great bands that have done splits with Deafest, Owen of 9th Meridian Records, and of course all the support from our fans. Don’t forget to spend some time away from the filth of cities, breath some real air, and admire a landscape that’s still wild.

Bandcamp
Deafest Site
Facebook
Myspace
New Deafest Site