Showing posts with label Snogg. Show all posts
Showing posts with label Snogg. Show all posts

Wednesday, November 9, 2022

Snøgg/Meltdown/Terraformer Research Facilities/2022 Full Length Review

 


  Slovenia's  duo  Snøgg  has  returned  with  a  new  recording  which  shows  the  music  going  fore  more  of  an  experimental  style  of  black  metal  and  this  is  a  review  of  their  2022  album  "Meltdown"  which  will  be  released  on  November  18th  by  Terraformer  Research  Facilities  and  consists  mostly  of  re-mixed  songs  from  previous  releases.


  A  very  distorted  yet  heavy  sound  starts  off  the  album  while  the  riffs  also  add  in  a  decent  amount  of  melody.  Vocals  are  mostly  grim  sounding  black  metal  screams  along  with  some  power  electronics  and  noise  also  being  added  in  the  background  at  times  and  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard.


  When  tremolo  picking  is  added  into  the  faster  riffing  they  also  give  the  songs  more  of  a  raw  feeling  while  the  music  also  has  its  atmospheric  moments.  At  times  the  album  also  gets  very  experimental  sounding  along  with  all  of  the  tracks  also  being  very  long  and  epic  in  length  and  spoken  word  parts  are  also  utilized  briefly.    


  Clean  playing  can  also  be  heard  in  certain  sections  of  the  recording  along  with  the  songs  also adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  Ambient  style  synths  are  also  added  on  some  of  the  tracks  as  well  as  some  growls  also  being  utilized  at  times  and  melodic  chants  are  also  added  on  the  closing  track.  The  production  sounds  very  dark,  raw  and  lo-fi  while  the  lyrics  cover  the  6  areas  of  the  Earth  that  are  mostly  covered  in  snow.

  In  my  opinion  this  is  another  great  sounding  recording  from  Snøgg  and  if  you  are  a  fan  of  experimental  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Artica' and  "Antarctica".  8  out  of  10.


  https://www.facebook.com/Snoggband

https://www.instagram.com/snoggband

https://snogg.bandcamp.com/album/meltdown-remixes-by-s0n667 

 “Arctica”      

Sunday, February 20, 2022

Snøgg/Dan, ko je Vrag šalo/2022 Full Length Review

 


  Slovenia's  Snøgg  have  returned  with  a  new  recording  which  shows  the  music  going  for  an  avant  garde  form  of  post  black  metal  with  elements  of  noise  and  this  is  a  review  of  their  self  released  2022  album  "Dan,  ko  je  Vrag  šalo"  which  will  be  released  in  March.


  A  very  dark  and  heavy  sound  starts  off  the  album  while  the  vocals  are  mostly  angry  yet  high  pitched  sounding  black  metal  screams.  The  only  track  that  is  presented  on  the  recording  is  also  over  20  minutes  in  length  along  with  some  clean  playing  also  being  added  into  certain  sections  of  the  album.


  The  music  also  adds  in  a  great  amount  of  avant  garde  and  jazz  elements  while  death  metal  growls  can  also  be  heard  at  times.  Folk  and  stringed  instruments  can  also b e  heard  at  times  and  when  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast b eats  can  be  heard  which  also  gives  the  album  more  of  a  raw  feeling.


  Touches  of  post  metal  can  also  be  heard  at  times  along  with  the  album  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  some  spoken  word  parts  also  being  utilized  briefly  and  as  the  album  progresses  noises  are  also  added  into  the  music.  The  production  sounds  very  dark  and  raw  while  the  lyrics  are  based  upon  'Deseti  brat'  by  Josip  Jurcic.


  In  my  opinion  this  is  another  great  sounding  album  from  Snøgg  and  if  you  are  a  fan  of  avant  garde  post  black  metal  with  elements  of  doom  metal,  you  should  check  out  this  recording.  8  out  of  10.


https://snogg.bandcamp.com/album/dan-ko-je-vrag-vzel-alo 


https://www.facebook.com/Snoggband 

https://www.instagram.com/snoggband      

Thursday, July 2, 2020

Snogg/Ritual Of The Sun/2020 Full Length Review


  Slovenia's  Snogg  has  returned  with  a  new  recording  which  shows  the  music  going  into  more  of  an  ambient  and  experimental  black  metal  direction  and  this  is  a  review  of  their  self  released  2020  album  "Ritual  Of  The  Sun"  which  will  be  released  on  July  17th.

Field  recordings  and  drones  start  off  the  album  while  the  music  also  brings  in  a  great  amount  of  ambient  and  drone  elements.  The  only  track  that  is  presented  on  the  recording  is  also  37  minutes  in  length  along  with  some  acoustic  guitars  also  being  added  into  some  parts  of  the  album.

  As  the  track  progresses  a  brief  use  of  ritualistic  spoken  word  parts  can  also  be  heard  before  going  into  a  heavier  musical  direction.  Vocals  are  mostly  deep  yet  grim  sounding  black  metal  screams  along  with  some  violins  also  being  used  briefly,  guitar  leads  are  also  used  in  the  background  for  a  few  seconds  as  well  as  the  track  always  sticking  to  a  slower  musical  direction.

  On  this  recording  Snogg  gets  more  experimental  and  ritualistic  as  well  as  cutting  back  on  the  black  metal  elements  of  previous  releases.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  the  myths  and  legends  of  many  different  sun  worshiping  religions.

  In  my  opinion  this  is  another  great  sounding  recording  from  Snogg  and  if  you  are  a  fan  of  experimental  and  ambient  black  metal,  you  should  check  out  this  album.  8  out  of  10.

https://www.facebook.com/Snoggband
https://snogg.bandcamp.com

      

Thursday, May 2, 2019

Snogg/Chhinnamasta/2019 Full Length Review


  Slovenia's  duo  Snogg  have  returned  with  a  new  recording  which  continues  the  experimental  black  metal  style  of  previous  releases  and  this  is  a  review  of  their  self  released  2019  album  "Chhimmamasta"  which  will  be  released  in  June.

  Spoken  word  parts  start  off  the  album  before  going  into  a  heavier  musical  direction  while  the  riffs  also  bring  in  a  decent  amount  of  melody.  Vocals  are  mostly  grim  black  metal  screams  along  with  all  of  the  musical  instruments  having  a  very  powerful  sound  to  them  and  when  the  music  speeds  up  a  great  amount  of  blast beats  can  be  heard.

  When  tremolo  picking  is  used  during  the  faster  sections  of  the  songs  it  gives  the  music  more  of  a  raw  feeling.  Throughout  the  recording  you  can  also  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  music  also getting  very  experimental  and  avant  garde  sounding  at  times.

  Clean  playing  can  also  be  heard  in  certain  sections  of  the  recording  along  with  the  solos  and  leads  being  done  in  a  very  melodic  style.  Spoken  word  parts  and  clean  vocals  can  also  be  heard  in  certain  sections  of  the  recording  along  with  most  of  the  tracks  being  very  long  and  epic  in  length.  The  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  are  a  concept  album  covering  the  Hindu  Goddess  Chhimmamasta  along  with  some  comparisons  from  other  religions  and  mythologies.

  In  my  opinion  this  is  another  great  sounding  recording  from  Snogg  and  if  you  are  a  fan  of  experimental  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Stream  Of  Blood"  and  "Fear  Beyond  Death".  8  out  of  10.

https://www.youtube.com/watch?v=c-nSSIYFtcU 

  

Wednesday, January 3, 2018

Snogg/Abeloth/2017 EP Review


  Slovenia's  duo  Snogg  have  returned  with  a  new  recording  which  continues  the  experimental  style  of  black  metal  from  previous  releases  and  this  is  a  review  of  his  self  released  2017  ep  "Abeloth".

  Ambient  style  drones  start  off  the  ep  along  with  some  water  sounds  while  spoken  word  parts  can  also  be  heard  briefly  as  well  as  some  clean  guitars  also  being  added  into  certain  sections  of  the  recording  and  there  is  also  a  brief  use  of  stringed  instruments  and all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.

  Vocals  are  mostly  high  pitched  black  metal  screams  which  also  get  very  deep  at  times  while  the  music  gets  very  experimental  and  avant  garde  at  times  along  with  the  solos  and  leads  being  done  in  a  very  distorted  yet  melodic  fashion  as  well  as  all  of  the  tracks  being  very  long  and  epic  in length  and  when  tremolo  picking  is  utilized  it  gives  the  music  a  raw  feeling,  melodic  vocals  can  also  be  heard  briefly  and  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard.

  Snogg  creates  another  recording  that  remains  true  to  the  experimental  black  metal  style  of  previous  releases,  the  production  sounds  very  dark  and  raw  while  the  lyrics  cover  dark  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Snogg  and  if  you  are  a  fan  of  experimental  black  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "Beloved  Queen  of  The  Stars".  8  out  of  10.

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Wednesday, November 30, 2016

Snogg/Qivitoq/2016 EP Review


  Snogg  are a  duo from  Slovenia  that has  been  featured  before in  this  zine  and  plays  an  experimental  form  of  black  metal  and  this  is  a  review  of  their  self  released  2016  ep  "Qivitoq".

  Sci  fi  sounds  start  off  the  ep  along  with  some  elements  of  noise and  after  awhile  grim  black  metal  screams  are  added  onto  the  recording  along  with  some  melodic  riffing  and  death  metal  growls  can  also  be  heard  at  times  and  blast  beats  can  also  be  heard  in  the  faster  sections  of  the  songs  and  violins  can  also be  heard  at  times.

  Some  of the  tracks a re  very  long  and  epic in  length  and  the  music  can  also g et  very  experimental at  times  and  when  tremolo  picking  is  utilized  it  gives  the  songs  more  of  a  raw  black  metal  feeling  and while  most  of  the  music  is  either  slow  or  mid  paced  one  of  the  songs  is done  in  more  of  a  fast  and  old  school  style  and  spoken  word  parts  are  added  onto  the  last  track.

  Snogg  creates  another  recording  that  remains  true  to  the  raw  and  experimental  style  of  black  metal  from  previous  releases,  the  production  sounds  very  dark  and  raw  while  the  lyrics  cover  dark  and  sci  fi  orientated  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Snogg  and  if  you  are  a  fan  of experimental black  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Alien  Nation"  "In  Death,  Erection!".  8  out  of  10.

www.facebook.com/pages/Snøgg/426176524127093

 

Sunday, January 31, 2016

Snogg Interview


1.For those that have never heard of you before, can you tell us a little bit about the band?

Ulv: Snøgg is based on experimentation in improvisation within the dark genres such as black metal, drone, death metal, post metal… We are a duo and you never know what exactly to expect from us. We freeride through the wast musical fields not knowing the conditions of the weather and the snow, racing from the avalanches and jumping over cliffs. 


2.How would you describe the musical sound that is presented on the ep?

Ulv: As I have said Snøgg is an experiment. This EP was also created in this manner. Firstly we recorded the drums, without knowing what the exact melodies and arrangement would be. Than I composed and recorded the guitars and most of the synths and Køzhl composed and recorded the bass guitar. At the end I added additional synths and vocals. The melodies and arrangement kinda represented my personal feelings, or should I say I recorded the melodies that felt right at the time. I think the main influences on that EP are early Ulver, late Darkthrone and Myrkur. The production is kept dark and dirty as we believe our music should be.


3.What are some of the themes you bring out with your musical style?

Ulv: Our musical style is very open. On the concerts we mostly improvise, using the themes from our released songs, videos and EP-s but never in the same manner, so practically our every show is different. I also experiment with my onstage equipment. That way we have a lot of room to fill with our personal feelings and reflections on the momentary situations. I don’t have the lyrics for the shows. I only wrote lyrics for the released songs, but on stage I sing what comes into my mind. So I sing about mythology, troubles of the modern world (politics, religion, the direction where we as a society are heading), my private life or sometimes I don’t even bother and just scream in anger or chant like a monk. Practically you and even us don’t know what to expect from next show. But nevertheless we mainly stay in traditional black metal with a lot of jumping into other styles of extreme music particularly drone/noise which in my opinion represents the duality more and more witnessed in today’s world (poor-rich, good-evil, capitalism-socialism, etc).


4.originally the band had a different name, what was the cause of the name change and also the meaning and inspiration behind the name 'Snogg'?

Ulv: The first few songs were released under the name Black Trail, which was written with 11 black boxes  - █████████████ .It was what you could see, a black trail. That was when I was still a one man band. Then I decided to make a multi person band out of it and during that process someone pointed to me that there already exist a black metal band representing itself with black boxes. To avoid being mistaken for that band and due to change in the functioning of Black Trail, we decided to change our name. Right at that time I went on a mountaineering trip in Norway, where I noticed a sign for a soccer club called Snøgg. The name immediately got my attention, because phonetically it sounds like slovenian word ‘sneg’ which means snow. When I googled it, I found out, this is a icelanding (and also, I believe old norsk) word for being swift. All the references seemed just right and when I came home I discussed about that name with Mørke and Køzhl (who was a full time member at the time) and they agreed with the idea, so we became Snøgg.


5.Currently the band is a duo, are open to bringing in other musicians again in the future or do you prefer to remain a duo?

Ulv: After one-man-band period I wanted to have a full line-up band with 5, 6 members. I had problems with finding the right people, but I found Mørke and Køzhl, so we were functioning as a trio for a while. When Køzhl had to leave the band due to lack of available time, Mørke and I decided to remain a duo and that opened the doors to experimentation. For the time being we like it that way, because it is easier to improvise with less people. However new ideas are always coming and we are open for collaboration. We already had Bagot from Cvinger featured as a theatrical performer on some of our mutual concerts. We also had Køzhl rejoining the band to record the bass lines for the ep and in beginning wanted to have some featured vocals there, but in the end decided not to.


6.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

Ulv: I guess our best performance was at Vratolom festival in our hometown Velenje last june, which was actually our first open air show and it was a blast. The show in Postojna last february was also really good, as I was really satisfied with the keyboard settings I used. Of course I must also mention the tour of Snøgg & Cvinger in december 2014, where the last show in Belgrade where we joined forces with two serbian black metal groups in a packed underground club Blue Moon was really exceptional.
On the stage we are both pretty much on the same spot throughout the gig, Mørke behind the drums and I on my workstation, where I have keyboards, computer, pedals, microphones… But we use other theatrical things, such as corpse paintings, candles, featured theatrical performances etc.


7.Do you have any touring or show plans for the future?

Ulv: For now we have booked the ep presentation which will be held in club eMCe place in our hometown Velenje together with another local black metal band Kholn on february 27. and a spot on Noise festival in Trbovlje, Slovenia in beginning of June. We are looking for more shows to represent this ep, there is an option of a balkan tour in the summer. However Mørke is just before releasing an album with his death metal band Carnifliate and they are having and planning quite a lot of concerts and I am currently working on the new album of my industrial band The Stroj, beside that we both play in a punk band Mr. Van Punk, that also has some shows booked in the summer, so we will see how much time will be left for Snøgg.


8.Currently you are unsigned, are you looking for a label or have received any interest?

Ulv: Yes we are looking but not really actively. In Slovenia most of the underground bands are unsigned or we have labels that put you on their list with all the work left for you to do it. All our work is available for free on the internet, although we appreciate donations if you like the music.


9.On a worldwide level how has the feedback been to your music by fans of black metal?

Ulv: I must say that it was better than I expected. I felt like many black metal listeners would find this mixing of genres not ‘trve’ because we are not a typical black metal band. I think in every city we have been to there were some people extremely excited with our music and the way we are performing it. The ep hasn’t had much of a feedback yet, but thus far it has been mainly positive, but I have heard criticism about quality of production, about which I don’t care much about, because dark, dirty production was what I was aiming at while producing this ep.


10.Are any of the band members also involved with any other bands or musical projects these days?

Ulv: Yes, of course. We are both in a punk band Mr. Van Punk which is special because we arrive with the van, we start the generator, guitarist and bassist get out of the van, drummer stays inside and we begin to play. We can pack in less than 5 minutes and move to another location. This is great for performing on various locations in the summer, not so great in the winter. :)
Beside that Mørke plays in a death metal band Carnifliate that are about to release their first full album. They have won Natečaj Botečaj, a competition for young bands last may and are performing heavily since.
I am working on a new album of my industrial band The Stroj. It has been a very good year for this band, we had quite a few shows and a video that stayed on the top of video charts called Točka, held by Slovenian national television. I am also active in a dark electro group of djs called Sikk.ru. As a matter of fact, today Mørke plays with Carnifliate in Postojna, I play with The Stroj in Ljubljana and other members of Sikk.ru perform in Velenje, so yeah, we are pretty active.


11.When can we expect a full length album and also where do you see the band heading into musically during the future?

Ulv: Maybe next year. With Snøgg it is always a mystery. We wanted this to be full album, but we created an ep due to lack of time. When the stars will be right and when we will have enough time, we will release our next thing but I cannot tell if it will be a full album or just another ep. I think the amount of genres we experiment with is quite huge already so I think we will stay in this improvising direction. But it might happen that the next thing will be something completely different.


12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Ulv: As I mentioned before I guess early Ulver, late Darkthrone and Myrkur influenced the most on the ep. For the life performances, there are of course many other influences. Mørke has huge knowledge about death and black metal and I know a lot about experimental rock, sludge metal, drone, post rock/metal, so I guess our influences are somewhere around these boundaries. I am listening to many different genres not only in rock and metal but also in electronic music, hip-hop, ethno so it really depends on how I am feeling.


13.Before we wrap up this interview, do you have any final words or thoughts?

Ulv: Experimentation is a key to novelty.

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Tuesday, January 26, 2016

Snogg/Self Titled/2016 EP Review


  Snogg  are  a  duo  from  Slovenia  that  plays  a  free  ride  form  of  black  metal  and  this  is  a  review  of  their  self  released  and  self  titled  2016  ep.

  Natural  noises  along  with  programmed  beats  start  off  the  ep  along  with  some  weird  sounding  spoken  word  parts  which  also  leads  up  to  some  ambient  and  atmospheric  sounding  synths  being  added  into  the  recording  as  well  as  the  sounds  of  children  playing  and  the  music  is  very  avant  garde  and  experimental.

  After  awhile  distorted  guitars  make  their  presence  on  the  recording  and  also  mix  in  some  melodic  yet  depressing  guitar  leads  along  with  some  grim  black  metal  screams  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  while  blast  beats  can  also  be  heard  briefly  when  the  music  speeds  up.

   They  also  add  in  clean  singing  operatic  vocals  into  some  parts  of  the  song  which  is  over  26  minutes  in  length  as  well  a s going  into  many  different  directions  musically  ad  the  track  also  alternates  between  both  the avant  garde  and  metal  parts  while  the  faster  sections  of  the  music  bring  in  more  of  a  raw  style  of  black  metal  and  toward s the  end  melodic  guitar  leads  are  adde d into  the  music.

  Snogg  plays  an  improv  musical  style  that  is  mostly  rooted  in  raw  black  metal  while  also  bringing  in  more  of  an  original  avant  garde  and  experimental  approach  to  the  genre,  the  production  sound s very  dark  and  raw  while  the  lyrics  cover  philosophical  themes.

  In  my  opinion  Snogg  are  a  very  great  sounding  free  ride  black  metal  band  and if  you  are  looking  for  something  that  is  very  different,  you  should  check  out  this  ep.  8  out  of  10.

Facebook: www.facebook.com/pages/Snøgg/426176524127093