Ilemauzar Interview

1.For those that have never heard of you before, can you tell us a little bit about the band?

We are from Singapore and we play black metal with a little element of death metal. We are formed in 1996 with members of now defunct bands. 

2.Recently the band released their first full length, how would you describe the musical sound that is presented on the recording and also how does it differ from the demos you have released in the past?

The sound on the album… that’s a tough one. Basically, we are very inspired by bands like Behemoth, Dark Funeral, Belphegor and even bands like Naglfar. We have many mixed reviews for this album and some said we sound a little thrash. As for the old demo, Pit of Despair, that was probably more influenced by the Greek style black metal in the vein of old Rotting Christ and Varathron. So you can see probably feel how the styles differ between the 90s till now.

3.From 1998 to 2014 there was no new material being released, can you tell us a little bit more about what was going on during that time span?

We did recorded a full length album in 1999 which was scheduled for released with the now defunct label, Dark Artz Releases. But the closure of the recording suite we were using caused us to loss all data done for the whole full length. No release and the band eventually split up in 2000 after 2 live shows supporting Chthonic (TW) and Sigh (JP). And that was during my (Bloodcurse) mandatory military service period. Right after I was done with the army, I decided to put the band back together but it wasn’t easy to get good musicians to commit. And we drifted for years till 2013. That’s the time we got a solid lineup to get things moving.   

4.What are some of the lyrical topics and subjects the band explores with the music?

Lyrical topics mainly involved with a little Goetic magic and anti-religion messages.

5.What is the meaning and inspiration behind the name 'Ilemauzar'?

Ilemauzar is the name of a familiar of one of the witches during Matthew Hopkins (Witchfinder General) time. During the 1600s, Matthew Hopkins went around hunting for witches and many innocence died during that period as suspected witches. The cause of all these was because Christians think that they are heretics towards Christianity. It’s not really an inspiration as the name was given by one of our ex band member who used to play keyboard for the band before the Pit of Despair demo. And to honor that, we are continuing her legacy with the name. However, we might just write something on the next album regarding this old tale of the Witchfinder General. 


6.What are some of the best shows that the band has played over the years and alsohow would you describe your stage performance?

I guess the best show we ever played was in Surakarta, Indonesia. That was in February 2016. We were invited by our friends from the band Down for Life (Indo Metalcore). It was their annual celebration festival. There were about 15 bands playing. The crowd was totally awesome. About 2000 people. As for our stage performance, I really don’t know how to describe ourselves. You might wanna check out some of our Youtube videos.

7.Do you have any touring or show plans for the future?

We just did our “The Ascension Asia Tour 2016” between October and December 2016. As for future plans, we definitely will be looking at Northern China, Mongolia, Taiwan, Japan and Korea. But we’ll see whatever comes up in the near future.

8.The album was released on Sepsis Records, can you tell us a little bit more about this label?

The boss of Sepsis Records is a good friend of mine. They are a great label to work with and they own a recording suite which has pretty top notch amps and equipment. However, after discussing with the boss, we decided to move on with Transcending Obscurity after the launch of The Ascension to look for more distro opportunities and to reach out to wider audience. 

9.On a worldwide level how has the feedback been to your music by fans of black and death metal?

It’s been pretty mixed. There are always good and bad feedbacks. There is no way a band will be able to please all their audience at 100%

10.Where do you see the band heading into musically during the future?

I never really thought about this but let’s hope we can achieve an EU and US tour in the future and of course with our music going beyond our creativity.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Dark Funeral, Behemoth, Belphegor & Naglfar.

I mainly listen to bands like the above mentioned plus I’m going backward nowadays and listen to old albums from bands like Emperor, Throne of Ahaz, Mork Gryning, Zyklon and also Lord Belial.


12.How would you describe your views on Satanism and Occultism?

My views are always open towards both Satanism and occult. I do enjoy reading up on topics and books related to all these but I am definitely not a practitioner. Knowledge is gold.

13.Before we wrap up this interview, do you have any final words or thoughts?

Thanks for the interview and sorry for taking so long to answer them because we were on tour. Keep the flames of metal burning! Horns up! \m/

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Buioingola/Il Nuovo Mare/Sentinet Ruin Laboratories/2017 CD Review

  Buioingola  are  a  band  from  Italy  that  has  been  featured  before in  this  zine  and  on  this  recording  plays  a  mixture  of  atmospheric  black  metal,  post  doom,  neocrust  and  darkwave  and  this  is  a  review  of  their  2017  album  "Il  Nuovo  Mare'  which  will  be  released  in  March  by  Sentinent  Ruin  Laboratories.

  Spoken  word  parts  and  clean  post  rock  style  guitars  start  off  the  album  along  with  some  touches  of  darkwave  while  you  can  also h ear  all  of  the  musical  instruments  that  are  present  on  the  recording  and  some  of  the  vocals  also  add  in  a  touch  of  industrial  while  also  adding  growls  into  some  parts  of  the  songs.

  Tremolo  picking  can  be  heard  in  the  guitar  riffing  and  they  also  add  in  a touch  of  black  metal  while  high  pitched  screams  and  blast  beats  are  also  used  at  times  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts and  some  tracks  also  add  in  a  small  amount  of  clean  vocals  and  as  the  album  progresses  the  music  gets  more  experimental  while  also  mixing  in  influences  of  crust,  doom  and  sludge while  a  later  track  brings  in  ambient  style  synths  while  also  being  an  instrumental.

  Buioingola   creates  a  recording  that  remains  true  to  the  black  metal,  sludge  and  post  metal  mixture  of  previous  recordings  while  also  adding  in  more  crust  and  experimental  elements  to  take  their  style  to  another  level,  the  production  sounds  very  dark  and  heavy  while  the  lyrics  are  written  in  Italian  and  cover  dark  themes.

  In  my  opinion  this  is  another  great  sounding  album  from  Buioingola   and  if  you  are  a  fan  of  black,  sludge,  and  post  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Latenza"  and  "Silenzio".  8  out  of  10.  

CVLT Nation

  

   

Carpatus/Malus Ascendant/Black Lion Productions/2-17 CD Review

  Carpatus  are  a  band  from  Brazil  that  plays  a  very  raw  and  melodic  form  of  black  metal  and  this  is  a  review  of  their  2017  album  "Malus  Ascendant" which  was  released  by  Black  Lion  Productions.

  A  very  fast  and  raw  sound  along  with  a  great  amount  of  tremolo  picking  and  blast  beats  start  off  the  album  along  with  some  high  pitched  black  metal  screams  while  also  mixing  in  atmospheric  elements  in  the  heavier  sections  of  the  songs and  the  songs  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts.

  A  decent  amount  of  melody  can  be  heard  in  the  guitar  riffing  and  the  music  also  brings  in  a  great  amount  of  90's  second  wave  influences  and  when guitar  leads  are  utilized  they  are  also  done  in  a  very  melodic  fashion  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  along  with  some  of  the  tracks  being  very  long  and  epic  in  length  and  some  songs  also bring  in  a  small  amount  of  classical  guitars  and  melodic  singing  and  chants.

  Carpatus  plays  a  style  of  black  metal  that  is  very  raw  and  melodic  in  the  mid  90's  tradition  along  with some  Swedish  and  Norwegian  influences,  the  production  sounds  very  professional  while  the  lyrics  cover  desolation  and  pain  themes.

  In  my  opinion  Carpatus  are  a  very  great  sounding  raw  and  melodic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Cold  Autumn  Sunrise"  and  "From  A  Deadful  Past".  8  out  of  10.

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Temple Of Nihil Interview

1.For those that have never heard of you before, can you tell us a little bit about the band?

Our music will tell about us much better. In a few words Temple of Nihil is a black metal band from Kaluga (Russia) that was formed in 2015 by two musicians who had a long experience in other bands. At this moment we have released EP «Soul Extremist» and working on a full length album.



2.In December you had released an ep, how would you describe the musical sound that is presented on the recording?

We represent EP «Soul Extremist» as our first declaration. For it we chose the most expressive and not very intricate songs. So the EP sounds heavy, flamingly and aggressive. That’s what we wanted in the very beginning as a result of our work.



3.What are some of the lyrical topics and subjects the band explores with the music?

The lyrics are grim and figurative. It affects the themes of nihilism and obsession by evil. In many ways it is inspired by philosophy and texts of Nietzsche. There are anti-religious and misanthropic statements and images in our texts. Special place in lyrics of EP is dedicated to Lucifer as the image of first rebel and eternal antagonist.



4.What is the meaning and inspiration behind the name 'Temple Of Nihil'?

On a one hand it’s an ascertaining of nihilism as the basis of our life philosophy, world view and our main inspiration. We define nihilism as perception and understanding of a failure of all kinds of idealism whether it is religious, political or humanitarian; it is understanding of objective inanity of any life and denial of all absolute categories. On the other hand, there is some satire in this name, because for us all religions, cults and every object of worship is fiction. So every temple in the world is a temple of nihil, because «Nihil» it is absence and void.



5.Currently there are only 2 members in the band, are you open to expanding the line up or do you prefer to remain a duo?

We are looking for musicians to play live shows. But we will be always the only leaders of the band, and all necessary decisions about the band and its music we will make as a duo.



6.The ep was released through both 'Symbol Of Domination' and 'Narcoleptica Productions', are you happy with the support both labels have given you so far?

Yes, it is very nice. Hope to work with them in future.



7.On a worldwide level how has the feedback been to your music by fans of black metal?

In general we are satisfied with the reaction. We have received good reviews on EP from web-zines and ordinary bm fans from all over the world. It is a good start.



8.When can we expect a full length and also where do you see the band heading into musically during the future?

Now we have a stuff for the LP and it is ready for recording on 90%. During this spring we are planning to make a record. So I hope it will be out this year. On LP there will be more space to express ourselves and it will be more deep and dark as in music so in lyrics. Also we have some experimental ideas which will be realized. You can check out it on LP.

 We have chosen the musical direction and will go on it as Temple of Nihil. But we will not stay at one place and our music will evolve with us.



9.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

We listen to different music and it will be fairly to say that anything could inspire us and have influence on our music. But our aim is to create music in our unique sound. There is no reason and sense to copy the sound of other bands. Many young bands sound  like one of the famous bands and It is as funny as irritating.

 We are interested in different musical genres and black metal is about 30% of what we listen to. Our tastes spread wide out not only extreme metal but even rock music. There are no borders for interesting stuff and we don’t have any preconceptions about music genres. But in general it should be something dark, atmospheric and original. In black metal our favorites: Inquisition, Burzum, Behemoth, Peste Noire, Carpathian Forest, Gorgoroth… Besides there are many interesting bands on post soviet area such as: Sect, Stielas Storhett, Beyond the Grave, Pseudogod, Nocturnal Amentia, Balance Interruption, Drudkh etc.



10.How would you describe your views on Occultism?

We don’t do any occult practices. As I said before we don’t have any object of worship. But Lucifer for us is a very strong cultural and philosophical image that reflects our world view and direction of our creation. For us black metal is Darkness and Evil incarnated in music. The process of performing it or even creating new music is like a ritual in which we contact inner and outer darkness and channeling it in a music form. For us there is no objective darkness or evil. It is all just human perception. But if we live and create in space of human culture we should use images and concepts which will be understandable.



11.What are some of your non musical interests?

There many. Different kinds of art, politics, history, science, traveling, some extreme sports and other joys of life))



12.Before we wrap up this interview, do you have any final words or thoughts?

Thanks for the interview! Follow the news about Temple of Nihil and be ready to check out our full length album soon.

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ROSK Interview

1. For those that have never heard of you before, can you tell us a little bit about the band?

'We should play music to which people would want to hang themselves' - these words were said when we first decided to start a band. It happened in April 2014, after Amenra and Cult of Luna played their shows in Warsaw, Poland. The same words were repeated many times during long evenings spent in the basements of local Warsaw pubs, where ROSK was being created and shaped. The sole reason for starting this band was a need for creating music that we ourselves would enjoy, music that would stand no compromise and would be completely honest. It is dark. And quite sad.



2. So far you have released one ep and one full length, how would you describe the musical sound that is presented on both of the recordings?

We are not really capable of describing the sound of the records. It had been such a long process with various inspirations crossing our way that the final outcome is just what it is. We started off inspired by post-metal music, but that is not what we would call it nowadays, it was more of an impulse. The aim was always to create a dense atmosphere, to go on a musical journey and to lose ourselves in the ritual.

What can be said about the two records, however, is that they already show a change of the sound. We had been working on the DEMO EP remotely, recording everything separately at homes, and meeting only to talk and discuss the themes and ideas. Three out of four tracks on our full-length album MIASMA are the same tracks that were on the demo, but with the influence of rehearsing and modifying them together with the full band. The music immediately started to evolve, mature and improve. The final track, over 20-minute-long Beneath the Light was almost entirely created while jamming in our rehearsal place.

3. What are some of the lyrical topics and subjects the band explores with the music?

The concept of the album is based on the theme of the Black Death. It follows the journey of a plague doctor, both the physical journey through the empty and dead world and the journey within his own mind. However, the lyrics are also filled with emotional, personal elements. We do not want to explain it in much detail and want to leave some space for private interpretation. It should be a personal journey for the listener as well.

4. What is the meaning and inspiration behind the name 'Rosk'?

The name should actually be spelled with capital letters: ROSK, and it has no meaning at all. We consider ROSK a being of its own and didn’t want the name to represent anything other than what the band is. It is always a struggle -  creating a band and choosing a word or a couple of words that will describe the band and its whole idea. We didn’t want this.

5. What are some of the best shows that the band has played so far and also how would you describe your stage performance?

Our first show was an extraordinary experience, since it was the first opportunity to share our ritual with others. It took place in a club called Chmury (Clouds) in Warsaw  and the other bands - Gnoza and Cétieu - helped to create an exceptional atmosphere. We also really enjoyed our gigs as supporting acts for Djevel and for Obscure Sphinx.

When it comes to the stage performance, we really feel it as a ritual. The most important things are probably the unity and the atmosphere. On the one hand in the very beginning we decided to perform with visuals played behind us as a form of a setting for the performance. On the other hand we are definitely not keen on performing statically, if everything feels right we experience the freedom to break our fears and leave our comfort zones. Our vocalists prefer to be offstage, close to the audience (if it’s possible). It blurs the division between the performers and the spectators.

6. Do you have any touring or show plans for the future?

We are constantly looking for opportunities to play live. We already have a couple of shows in Poland scheduled for this spring, and there are definitely more to come. However, we can’t wait to start playing shows abroad as well. Hopefully it will happen this year.

7. Currently you are unsigned, are you looking for a label or have received any interest?

We would very much appreciate the possibility of releasing our album on a vinyl or  on a cassette. Apart from that we are not very fond of losing any control over our music both in the rights and in the distribution. We are quite happy releasing it on our own.

8. On a worldwide level how has the feedback been to your music by fans of post black metal?

The feedback has been surprisingly positive! We get messages from people all around the world saying that the music resonates with them. We did not see it coming and it feels great to know that someone, somewhere spent the time to listen to an unknown band from Poland and the music truly affected them in some way.

9. Where do you see the band heading into musically during the future?

We don’t know and we have no way of planning that, really. We have MIASMA - the album which is a closed, complete concept. When the time comes, we will try to create something better and different in some way. We will use any means to make something that feels right and that we are happy with.

10. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

There is six of us, so obviously there is a huge amount of different inspirations. Providing the names of the bands would be almost impossible, since while creating our music we never really focused on what it might resemble or be inspired by. Post- metal or black metal are the more obvious musical styles which influenced the sound on MIASMA, but so did ambient music or nordic folk music. And quite possibly everything that we ever heard in our lives. We never had a style or a genre in mind, we simply knew what we wanted to feel while playing our music.

If we were to mention what all of us are listening to nowadays, you would probably get almost the whole spectrum of music. But some of the common elements at this point would be Amenra, Cult of Luna, which affected us to create this band and definitely polish Furia.

11. What are some of your non musical interests?

As with previous question the answer is pretty obvious - there is six of us. Each one has his own hobbies, interests and stuff he does in his free time and we try to keep it separate from the band. ROSK is strictly about music and art.

12.Before we wrap up this interview, do you have any final words or thoughts?

We would like to thank you very much for the interest in our music and for this interview. Take care!



Visit us on Facebook and Bandcamp:
https://www.facebook.com/roskband
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Plagues/The Great Dark Devotion/2017 Cassette Review

  Plagues  are  a  band  from  Massachusetts  that  has  been  featured  before  in  this  zine  and  plays  a  very  raw  and  misanthropic  form  of  black  metal  and  this  is  a  review  of  their  self  released  2017  album  "The  great  Dark  Devotion"  which  will  be  released  in  March.

  A  very  distorted  sound  starts  off  the  album  along  with  some  ritualistic  soundscapes  and  chants and  after  awhile  the  music  starts  going  into  more  of  a  heavy  and  melodic  direction  along  with  some  high  pitched  black  metal  screams  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard.

  During  the  faster  sections  of  the  songs  the  riffs  use  a  great  amount  of  tremolo  picking  which  also  gives  the  tracks  more  of  a  raw  black  metal  feeling  along  with  the  music  also  bringing  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  when  guitar  leads  are  utilized  they  are  done  in  a  very  raw  yet  melodic  fashion.

 You  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording  and  spoken  word  parts  are  also  used  briefly  along  with  some  of  the  tracks  being  very  long  and  epic  in  length  and  as  the  album  progresses  some  of  the  vocals  also  start  getting  deeper  and  one  track  also  brings  in  a  brief  use  of  acoustic  guitars  and  spoken  word  samples.

  Plagues  creates  another  recording  that  remains  true  to  the  raw  and  misanthropic  style  of  black  metal  from  previous  releases  while  also  sounding  more  modern  and  melodic  this  time  around,  the  production  sounds  very  raw  and  heavy  while  the  lyrics  cover  darkness  and  misanthropic  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Plagues  and  if  you  are  a  fan  of  raw  and  misanthropic  black  metal,  you  should  check  out  this  cassette.  RECOMMENDED  TRACKS  INCLUDE  "Abyss" "Hell"  and  "Devotion".  8  out  of  10.

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Beorn's Hall/Mountain Hymns/Naturmacht Productions/2017 CD Review

  Beorn's  Hall  are  a  band  from  New  Hampshire  that  plays  a  pagan  form  of  black  metal  and  this  is  a  review  of  their  2017  album  "Mountain  Hymns"  which  was  released  by  Naturmacht Productions.

  Melodic  yet  ritualistic  pagan  chanting  starts  off  the  album  and  after  awhile  rain  and  thunder  sounds  are  added  onto the  recording  along  with  some  acoustic  guitars  and  stringed  instruments  which  also  adds  in  a  touch  of  folk  music  before  adding  in  a  heavier  yet  melodic  musical   style  and  a  couple  of  the  tracks  are  very  long  and  epic  in  length.

  Most  of  the  vocals  are  high  pitched  black  metal  screams  and  when  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  which  also  gives  the  songs  more  of  a  raw  feeling  and  the  music  also  brings  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  mixing  the  heavier  and  atmospheric  parts  together.

  When  guitar  leads  are  utilized  they  are  done  in  a  very  melodic  fashion  and  the  music  also  brings  in  a  lot  of  influences  from  the  mid  80's  to  early  90's  while  also  sounding  very  modern  at  the  same  times  and  spoken  word  parts  are  also  added  onto  some  of  the  tracks  and  acoustic  guitars  also  return   on  later  tracks  along  with  a  brief  use  of  whispered  vocals  and  a  later  track  also  brings  in  clean  pagan  singing.

  Beorn's  Hall  plays  a  style  of  pagan/black  metal  that  is  very  atmospheric  with  a  touch  of  folk  while  also  having  a  raw  and  old  school  edge  at  times,  the  production  sounds  very  powerful  while  the  lyrics  cover  Nature  and  Paganism  themes.

  In  my  opinion  Beorn's  Hall  are  a  very  great  sounding  pagan/black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Black  Foe  Of  The  Earth"  "The  Accused  Wind"  and  "Lord  Of  Silver  Fountains".  8  out  of  10.

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Grima/Tales Of The Enchanted Woods/Naturmacht Productions/2017 CD Review

  Grima  are  a  duo from  the  Siberian  part  of  Russia  that  has  been  featured  before  in  this  zine  and  plays  an  atmospheric  form  of  black  metal  and  this  is  a  review  of  their  2017  album  "Tales  Of  the  Enchanted  Woods"  which  was  released  by  Naturmacht  Productions.

  A  very  dark  and  heavy  sound  starts  off  the  album  along  with  some  melodic  guitar  leads  and  clean  playing  can  also  be  heard  in  some  of  the  songs  and  after  awhile  grim  yet  high  pitched  black  metal  screams  are  added  onto  the  recording  along  with  some  deep  growls  also  being  utilized  at  times and  atmospheric  synths  are  also  used  on  some  of t he  tracks.

  Melodic  vocals  are  also  added  onto  the  recording  in  some  of  the  tracks  along  with  all  of  the  musical  instruments  having  a  very  powerful  sound  to  them  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  and  the  songs  also  bring  in  a  great mixture  of  slow,  mid  paced  and  fast  parts.

  A  great  portion  of  the  tracks  are  very  long  and  epic in  length  and  there  is  also  a  brief  use  of  stringed  instruments  and  the  tremolo  picking  during  the  faster  sections  of  the  songs  gives  the  music  more  of  a  raw  black  metal  feeling  along  with  the  riffs  also  using a  great  amount  of  melody  and  as  the  album  progresses  female  vocals  can  also  be  heard  in  certain  sections  of  the  recording  and  they  also  bring  in  acoustic  guitars  at  times  along  with  a copule  of  the  tracks  being  all  instrumental  and  the  music  also  adds  in  progressive  rock  and  post  black  metal  touches  in  some  parts  of  the  recording  as  well  as  some  Cascadian  influences.

  Grima  creates  another  recording  that  remains  true  to  the  atmospheric  style of  black  metal  that  was  established  on  their  previous  release,  the  production  sounds  very  professional  while  the  lyrics  cover  Nature  and  Paganism  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Grima  and  if  you  are  a  fan  of  atmospheric  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Moon  And  Its  Shadows"  "The  Ritual"  and  "The  Shephards  of  the  Mountains  And Plains".  8  out  of  10.

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Verwesung Interview

1.For those that have never heard of you before, can you tell us a little bit about the musical project?
Verwesung is a black metal project that I founded in 2015. The only member is me, Paha Henki, although I sometimes get help by guest musicians. Even if this project basically is my second solo-BM-project (I already founded Todesnacht a year before), I had the visions for this project long before and so e.g. the lyrics of the first demo already got written in 2013 and I sadly just wasn't able to record them until late 2015.. But this project for sure is something like the center of my art, meaning that I got much more plans with it than with any other project I'm involved in and so spend the most of my time and energy into Verwesung...

2.In 2016 you had released 4 demos with this project, how would you describe the musical sound that is presented on the recording?
Well, it really depends. I got some recording problems at every demo and also each one got a different concept. The first demo was a nihilistic tribute to the norwegian necro sound of bands like the almighty Sort Vokter, the second demo more was a chaotic hate-filled massacre of raw black metal and was the most inspired from bands like early Absurd, Goatmoon and Satanic Warmaster..although I also experimented with some Noise elements and got a guest part by a Horrorcore rapper; the third demo is a story of vampyric suffering and also much influenced by Satanic Warmaster/The True Werwolf but even more through mighty LLN bands like Mütiilation; the fourth demo still is depressive vampyric black metal but this time I was more influenced by Saatkrähe/Sale Freux. And of course you can't play vampyric black metal without a obvious Darkthrone (Transilvanian Hunger-era) influence, haha!

3.You refer to this project as being 'raw vampyric black metal', can you tell us a little bit more about your interest in vampirism?
Blood is life, so consuming blood is a act of anti-life worship for me. Especially if it is human blood then it can be very misantrophic, I mean just think about how many Vampyres killed humans just to drink their blood. If this isn't a total act of misantrophic death worship then what is? Also, who could suffer more than someone who is condemned to live eternally?

4.What are some of the other lyrical topics and subjects you explore with this project?
My hatred for mankind and religions & my interest in nature, nihilism, death and dark art. And all the suffering of my soul...

5.What is the meaning and inspiration behind the name 'Verwesung'?
It's German for "putrefaction" and I guess this name just fitted the best to describe the sound of the style of black metal I play. Rotten, melancholic, raw, depressive,... With lyrics about death and similiar topics...

6.With your projects you release a lot of material, do you spend most of your time creating and writing music?
Yes. I think that, beside listening, I spend the most time with creating music and other forms of art.
7.With this project what are some of the things you are able to bring out musically that you have not been able to with your other musical projects?
I guess I have projects for every thing that goes with me in my life, haha..
Depression (Per La Lumon, Todesnacht)
Anger/Misantrophy (Teufelskopfstreitkolben, Per La Lumon, Todesnacht)
Vampirism/occultism (Per La Lumon, Verialttari)
Experiments with other genres (Kindstod, Enbilulugugal)
Verwesung just units it's all as my main-project.

8.PahaHenki Productions recently re-issued one of your demos on cassette, can you tell us a little bit more about this label?
That is a wrong information. There is no label called "PahaHenkiProductions" (yet), that's just the name of my bandcamp page..so if any you could call it a netlabel. And all my demo tapes of this project got released by different labels yet, I only self-released the third demo as a CDr limited to 16 copies. The following other demos got released by this labels: Narcotic Necro Nihilism - Narbentage Produktionen
Crushing Thy Existence - Barbatos & Wulfrune Worxx
Tiefschwarze Todessucht - Wulfrune Worxx (also as CDr on Deadly Maelstrom Records)

9.How have black metal fans worldwide reacted to the musical style of 'Verwesung'?
Mostly positive if they are familiar with my influences and like them. Of course if you don't like rotten underground black metal and only listen to plastic commercial metal that is made by and for posers then you will hate Verwesung..and I welcome that!
I only produce art for myself and the very few true worshippers of darkness out there...

10.Where would you like to see this music hea1d into musically during the future?
It depends, the 2 upcoming splits will have the sound of my last 2 demos. The next, fifth, demo is finished to 33% and for now the sound is very fucked-up and the most similiar to the second demo..filled with more hatred than vampirim; but who knows how the finished release will look like, haha. Other planned upcoming releases are some EP's that could end up very different but I don't wanna reveal too much information to them now.

11.Are there any musical influences that are able able to bring into this musical project that you are not able to do with the other groups you are a part of?
Yes, I have or play in some other projects, but only with Verwesung I reach the rotten, vampyric, suffering, melancholic sound that I love so much. Last year I released a demo of my side-project Verialttari and that also has a very similiar sound but I did some experiments with the vocals, drums, etc and so even there the sound is different from Verwesung. I mean, even the sound of every of Verwesung's demos is different but I must say that it got better and more like I intended from release to release..so it just can get better in this way I guess and seriously hope with my whole ghoulish heart...

12.Before we wrap up this interview, do you have any final words or thoughts?
Visit my dungeon at pahahenkiproductions.bandcamp.com and await more stuff soon! Some splits are planned and also a fifth demo and a promo tape!
Also thank you for the interview and I hope I reached some rotten souls with it.
Hail DarkneSS! Hail Death! Hail Nihil!
-Paha Henki, MMXVII

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Orm/Self Titled/Indisciplnarian/2017 CD Review

  Orm  are  a  band  from  Denmark  that  plays  a  very  melancholic  and  melodic  form  of  black  metal  and  this  is  a  review  of  their  self  titled  2017  album  which  will  be  released  in  March  by  Indisciplnarian.

  A  very  fast  and  raw  black  metal  sound  starts  off  the  album  along  with  a  great  amount  of  tremolo  picking  and  blast  beats  while  the  vocals  bring  in  a  mixture  of  growls  and  screams  along  with  the  solos  and  leads  being  done  in  a  very  melodic  fashion  and  the  riffs  also  use  a  great  amount  of  melody.

  Throughout  the  recording  there  is  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  all  of  the  tracks  being  very  long  and  epic  in  length  and  female  vocals  are  also added  into  certain  sections  of  the  recording  and  ritualistic  and  melodic  chants  are  also used  at  times  and  the  last  two  tracks  also  introduces  acoustic  guitars  onto  the  album  along  with  a  small  amount  of  folk  instruments  towards  the  end.

  Orm  plays  a  style  of  black  metal  that  is  very  raw,  melancholic  and  melodic  sounding,  the  production  sounds  very  professional  while  the  lyrics  cover  Nordic  Paganism,  Magick,  Ancient  Times,  and  Supernatural  Creatures  themes.

  In  my  opinion  Orm  are  a  very  great  sounding  raw,  melancholic  and  melodic  black  metal  band  and  if  you  are  a  fan  of t his  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Blood  Of  Your  Blood"  and  "Apotheosis".  8  out  of  10.

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Gra/Ramsvarta Tankar/Carnal Records/2017 Single Review

  Gra  are  a  band  from  Sweden  that  plays  a  very  raw  and  melodic  form  of  black  metal  and  this  is  a  review  of  their  2017  single  "Ramsvarta  Tankar"  which  will  be  released  in  March  by  Carnal  Records.

  A  very  heavy  and  melodic  sound  starts  off  the  single  along  with  some  grim  black  metal  screams  a  few  seconds  later  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  and  the  music  also  remains  very  true  to  a  Swedish  style  of  the  genre  while  the  tremolo  picking  gives  the  songs  a  raw  feeling.

  Throughout  the  recording  you  can  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  when  guitar  solos  and  leads  are  utilized  they  stick  to  a  very  raw  yet  melodic  style  and  there  is  also  a  brief  use  of  tribal  style  percussion's  and  they  close  the  single  with  a  cover  of  Lord  Belial's  "Osculum  Obscenum".

  Gra  plays  a  style  of  black  metal  that  is  very  raw  and  melodic  in  the  Swedish  tradition,  the  production  sounds  very  powerful  while  the  lyrics  are  written  in  Icelandic  and  cover  the  darker  side  of  ancient  Scandinavian  Pagansim.

  In  my  opinion  Gra  are  very  great  sounding  raw  and  melodic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  single.  RECOMMENDED  TRACK  "Ramsvarta  Tankar".  8  out  of  10. 

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http://www.grahorde.com/

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http://grahorde.bandcamp.com/

Coldborn/Lingering Voidwards/Final Sacrifice Records/2016 CD Review

  Coldborn  are  a  solo  project  from  Belgium  that  plays  an  atmospheric  form  of  black  metal  and  this  is  a  review  of  his  2016  album  "Lingering  Voidwards"  which  was  released  by  Final  Sacrifice  Records.

  Atmospheric  soundscapes  start  off  the  album  along  with  some  touches  of  ambient  and  they  also  mix  in  with  both  the  heavier  and  melodic  sides  of  the  music  and  after  awhile  the  music  speeds  up  with  a  great  amount  of  tremolo  picking  and  blast  beats  which  also  gives  the  songs  more  of  a  raw  black  metal  feeling.

  Vocals  are  mostly  grim  yet  high  pitched  screams  while  deep  growls  are  also  used  at  times  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with melodic  vocals  and  spoken word  parts  also  being  used  briefly  while  clean  guitars  are  also  added  into  certain  sections  of t he  recording  and  all  of  the  tracks  are  very  long  and  epic  in  length  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts.

  Coldborn  plays  a  style  of  black  metal  that  is  very  raw  and  atmospheric  while  having  its  epic moments,  the  production  sounds  very  raw  and  heavy  while  the  lyrics  cover  death  themes.

  In  my  opinion  Coldborn  are  a  very  great  sounding  atmospheric  black  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Call  Of  Death's  Clarion"  and  "Withered".  8  out  of  10. 

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Animo Aeger Interview

1.Can you give us an update on what has been going on with the band since the recording and release of the new album?

After the recordings were done in December 2015 we immediately started working on new material or, putting it more precisely, on two rather different EPs, which will hopefully both be released within the next month.

2.In December you have released a new album, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?

For the "KotzeAdel"-Album we once again had decided to work together with Jan Oberg / Hidden Planet Studio, which explains the similarity of the "KotzeAdel" sound to the one presented on the "Fieber" EP.
Concerning the music itself, I would claim that it takes a rather different direction than everything we recorded before, especially when you compare it to the previous album "Storchenwahrheit,-wirklichkeit".
As you probably can see for yourself, there is a more furious aspect to the music, it's just not supposed to be as pleasant as before... sure, there still is a lot of sugar to it, melodic junk you know, but in general we've tried to emphasize the contempt and the disgust felt when writing the lyrics even more than on our earlier works.

3.What are some of the lyrical topics and subjects the band explores with the newer music?

Pus in all its dimensions. Roughly explained, the lyrics are dealing with being human and everything that is attached to this. There are a lot of negative feelings and thoughts which find their way onto these ragged note papers I hold in my shaky hands when writhing at the microphone. As mentioned before it's mostly scorn, disgust and pain... although there's no denying that there's also a bit of amusement about the seriousness of man when tackling the matter of life unthinkingly.

4.What is the meaning and inspiration behind the name 'Animo Aeger'?

Well, when we founded the band the lyrical focus mainly has been put on this lunacy thing, on where to draw the line between illusion and so-called reality, the cosmos that's meant for everybody.
Due to this semi-philosophical approach, the term animo aeger is supposed to mean "mad" or "lunatic", albeit you may have doubts about the grammatical correctness.

5.Currently there are only 2 members in the band, do you prefer working as a duo opposed to working with a full band?

Absolutely. After almost 15 years of playing and writing music together I can't imagine a more effective social combination in terms of creating music than Greis and me. There probably won't be a "full line-up" except maybe for live occasions, inshallah.

6.When the band still did live shows, what where some of the best shows that you played?

At that time, about 13-11 years ago, there hasn't been a single show where I wasn't too drunk to detect if I just shit my pants, so you probably imagine how low we set the bar of professionalism. We just were pretty lousy, yet devoted to this kind of spirit at that time.

7.The new album was released on 'Bleeding Heart Nihilist Productions' are you happy with the support they have given you so far?

Without exaggerating, I can say that I've never been so content with any other label/band cooperation, which hasn't been on a more private level as for example with Eternal Rabies Kult.
When I first checked out the BHN homepage and read the header "Record label for unconventional underground art" I was already sure this would work out.
Of course this isn't a major label, which means there are limits to its financial capabilities, but so far we've gotten more support on every level than I would have dreamed of.

8.On a worldwide level how has the feedback been to your music by fans of black metal?

To be honest, I don't really know nor do I care enough to be whoring around on Facebook or any other platform that hasn't primarily to do with what the music is about. I assume there are a lot of fans of pure Black Metal who resent our music, especially the vocal style it incorporates, and I totally understand that. On the other hand, there may probably be some people who the depressive aspect of our music and this whole self-destructive urban narcotic thing appeals to.
I haven't gotten any more feedback than some reviews which often created the impression of having been written by people rather astounded by our musical variety... mostly positively.


9.What is going on with some of the other bands or musical projects these days that the band members are a part of?

There a plenty of other bands and projects which are developing just great but I don't find this the fitting context for bragging about stuff which ain't related to Animo Aeger.

10.Where do you see the band heading into musically during the future?

No idea! As I said before, we are recording two new EPs, so right now I don't really care about what might come next. I'm definitely not expecting that we'll keep up this level of productivity after having finished the recordings. Both of us have a lot of business to attend outside of the AA-cosmos so there'll probably a longer time without new material.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

We are always compared to the same bands, such as Bethlehem, Dornenreich, Agrypnie, Goethes Erben and Grabnebelfürsten. In this list there's just one band who seriously have had an influence on what style we were keen to play back in 2003/2004 and if you have read some of the older interviews you know that I'm talking about Grabnebelfürsten.
At this time we have also been listening to lots of other stuff within the Black Metal genre but of course our musical horizon has expanded since then.

12.Does Satanism or Occultism play any role in your music?

No.

13.Before we wrap up this interview, do you have any final words or thoughts?

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Nocrul Interview

1. For those that have never heard of you before, can you tell us a little bit about the musical project?
Khrul: Noctis and me used to play in Hungary's most brutal and raw black metal band, Ater Tenebare, but we split up. Some years after we continued playing music together in a more melodic black metal band, Csejtey; split up as well. After this Noctis "retired" himself, but I stayed busy as always. Some years later I realized, however I'm still doing a lot of music, I miss to do something with him; something like in the old days, but on our way. After a non-gay romantic night, we created our own weapon in the end of 2012, as Nocrul. We entered into an other realm of darkness – the brutal world of Warhammer 40K, where chaos and dark gods rules. Nocrul's goal is to create simple and well arranged black metal songs, with dark melodies, smart drum fills, filled with atmospheric parts. Beyond this you can hear multiple influences, not only black metal. As a bonus, every of our releases contains a unique cover song, which is a cover indeed, not simply a copy as most bands do.

2. How would you describe the musical sound that is presented on the recordings?
Khrul: I always do the very best, as my knowledge and financial circumstance let me to do so. My goal is to create a massive, epic and powerful sound, with good balances, with the taste of threatening black metal sound, but avoid being "true" - where the meaning of "true" is a weak, dry, lawnmower-like, non-dynamic, noisy, poor produced sound. I do respect my music, there is a lot of effort in it, so the sound/production must be as good as it is possible.

3. Your lyrics are based upon 'Warhammer 40k', can you tell us a little bit more about your interest in this role playing game?
Noctis: The brutal, cruel, and hopeless atmosphere of this world catched me back in the days. The neverending battles and wars against the inevitable doom reflects a lot of the real world – it will be doomed, because the upcoming end is fuelld by the human race itself.
Khrul: So it's not just a random fantasy bullshit; we try to arrange the lyrics to have a real message – you can't find anything about lazer fights or spaceship wars. We are using the atmosphere of Warhammer's world rather than just singing about actual stories. Like if you read “Childrend Of Misrule”, you can find it on our second release, it has a dark, depressive, hopeless atmosphere but actually it is the daily life for many people in the real world!
Noctis: So we felt this kind of lyrics would be perfectly fit to the music. We didn't want any typical and predictable (black) metal stuff. The dark, infinitive and mystical space also a bonus we can use in the music.

4. What is the meaning and inspiration behind the name 'Nocrul'?
Khrul: There is nothing mystical beyond it. We wanted an unique name, and at the end the easiest way was the best: creating something from our own names.

5. Currently there are only 2 members in the band, are you open to expanding the line up or do you prefer to remain a duo?
Khrul:  As we live in two different countries, 2000 km far from each other, even if we would become a full line up band, it would be impossible to do it effectively. We are happy being a studio band. And on the other side it would be a shame not doing an epic show and not playing in professional costumes, as we have this Warhammer concept - and this is all about the money; a lot of money.

6. On the album you had also done a 'Summoning' cover, what was the decision behind doing one of your own version of their songs?
Khrul:  99% of the bands are doing a simple "playthrough" version instead of a real cover. This is pathetic; if you have no unique ideas, or you are not talented enough, just don't do it. Cover means, at least to me, building a new song from it's original parts, what represents your own style, but still let the original ones recognizable. And never cover a song what is already perfect on its own! Therefore the best choice to pick up one from the early carrier of a band - you can find there god songs, but with boring riffs as well, and bad structure. Doing a Summoning song was just an other random choice - the song itself is a mixture of the songs "Grey Heavens" and "Beyond Bloodred Horizons" from the album "Lugburz", using the albums titles as lyric.

7. On a worldwide level how has the feedback been to your music by fans of black metal?
Khrul:  Worldwide means for us Facebook and Youtube. Feedbacks on this sites was really good indeed, and since Neverheard Distro released "Khorne" on tapes, we had two reviews, were also great.

8. What is going on with some of the other bands or musical projects these days that the band members are a part of?
Khrul:  I was and I am extremely busy on music - the number of bands, session works, own projects I did or do is over 25. At the moment I'm the vocalist in the London-based Skullthrone - this is a full line up band and we do gigs as well. Besides this I'm still doing my own projects: Avar, Assur, Funebre, Militia, Nocrul, Shadowthrone.
Noctis:  I'm part of Nocrul only, and I don't have any plan to play in any other band. If Khrul would ask me to help him in his other projects, I would gladly do that.

9. Where do you see the band heading into musically during the future?
Khrul: The first release was focusing on the one guitar based songs. The second was about the twin guitar melodies. The third, which is the current one, is mixing the first two, adding more atmospheric elements. All these releases was written in different tunes. The upcoming fourth one, which is nearly done already, are going to continue Khorne's way, but focusing on being more dynamic, has more groove. After this I may will be get bored creating multiple melodies, and will do some one guitar based thing again. And I did a quite complex song, with lot of orchestra and effects, but it was too weird for Noctis; at least for now. So who knows, maybe later on Nocrul will do something like this as well.
Noctis: We are friends for a long time, we know each other very well. I trust Khrul 100% on musical way as well. I used to ask only slightly modifications but he always outperforms my expectations. The complex song he was mentiond before is really good, it was just a huge and sudden change to me; I need a little bit more time to get used to the new things. It is a “must listen it many times” one, but after I discovered its layers, I realised how great it is, so it can be a next step indeed.

10. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
Khrul: Most of the influences comes in the teenage area. My biggest ones was Metallica, Samael,  Gorgoroth and Cradle Of Filth. But this bands doesn't make any effects on my music anymore; I'm on my own way now. I mean, I don't want do music like this or that one, I don't want to be similar to anyone. Of course, when you are start playing music, you say "Let's do something like this and that!", but if you are really a musician, and music is not just a tool for pick up girls, you will find your own way. However influences always will be heard, and no one can be really unique in metal nowadays, you must follow your own heart instead of following someone else's success. So for the music itself I don't have any influences this days, but creating an atmosphere and arranging a song I do learn a lot of from classical soundtracks, like Hans Zimmer, and progressive bands. Actually I'm listening a lot of stuff I don't enjoy as a listener, but I can learn a lot of as a musician. And for me, this is the key being a slightly different, but I'm doing it not for a reason, I just realized I'm doing this. But it's important to know how far you can go to keep the music musically.
Noctis: My main influences are the early era of black metal, but it does not make any effects on Nocrul. Even if the music comes from Khrul, I didn't ask for being like any of the classical bands. That kind of music is already written by them, why would we do it again? In this days I really enjoy listening dark ambient musics, mostly from the label Cold Meat Industry; and Dark Space!

11. What are some of your non musical interests?
Khrul: Books (I even wrote one, but just for friends), mostly fantasy, and mostly Warhammer ones, riding my motorbike, and gym.
Noctis: I'm really interesting about astronomy and I'm a big fan of books: sci-fi, fantasy's, H. P. Lovecraft, Warhammer, and books about ancient cultures, mythologies.

12. Before we wrap up this interview, do you have any final words or thoughts?
Khrul: Thank you for your support! Check out some great hungarian bands: Aetherius Obscuritas, Ahriman,  Angerseed, Ater Tenebrae, Gutted, Kill With Hate, Lepra, Mörbid Carnage, Nadir, Nagaarum, Sin Of God, The Konstellation, Svoid, Thy Catafalque, Veér, Witchcraft and many more!
Noctis: Thank you for the interview! No one can hear you scream in the space...

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Croc Noir Interview

1.Can you give us an update on what is going on with the band these days?

After the release of our cassette tape at Corde Raide Productions in January, we are still in the promotion of our EP "Froid". Nevertheless, the biggest is done, and so we have resumed the process of composing new songs.


2.In November you had released an ep, how would you describe the musical sound that is presented on the recording?

The atmosphere of this EP is cold, dark and melancholic, without falling into absolute darkness.
It is a kind of clear / dark atmosphere. The main idea was to remain simple and effective, but still sincere, while still managing to feel emotions like loneliness, combativity or anger.


3.What are some of the lyrical topics and subjects that the band explores with the music?

Translating a certain misanthropy, our texts evoke human nature through themes such as depression, loneliness and the relationship of man to a wild and vengeful nature. More subtly it is also an introspective of our own feelings, evoked by what becomes our world under the evil influence of man.


4.Can you tell us a little bit more about the band name 'Croc Noir'?

Croc Noir means "Black Fang" and represents hostile and wild nature. We wanted to return the opposite image of the wolf "White Fang" which represents a docile nature and friend with man. It must not be forgotten that man has been on Earth for only a short time at the scale of the planet, and that nature will take up these rights one day or another.

Croc Noir is the name we have chosen because it represents at best this sweet anger that animates us in the casual and disrespectful behavior of the majority of human beings faced with a powerful nature that could sweep us in an instant.


5.Has the band done any live shows yet?

No, not for the moment !


6.Do you have any touring or show plans for the future?

We think about it seriously but before planning any concerts, we first want to compose additional tracks. So it probably will not be before 1 or 2 years.


7.The ep was released on cassette by 'Corde Raide Productions' are you happy with the support that they have given you so far?

Yes very ! François from Corde Raide Productions is a genius and passionate guy who has given himself to support us. Everything is done very simply and professionally.

The roaster of the label is currently getting bigger and there are a lot of good releases to come!


8.On a worldwide level how has the feedback been to your music by fans of black metal?

For the moment, the feedback we received was rather positive and encouraging for the future.
But we remain in a very underground sphere, so it would be presumptuous to talk about global scale!


9.When can we expect a full length and also where do you see the band heading into musically during the future?

No idea ! For now, we compose as it comes, according to our desires and our inspiration.
But there will surely be other EPs before a possible "full length".


10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

In terms of inspirations, we can mention groups such as Darkthrone, Drudkh, Monarque or Nargaroth or some more folk oriented groups such as Stille Volk.

Currently in Black Metal, Morgue listens to bands such as Deathspell Omega, Blut Aus Nord, Naðra, Misþyrming, Cantique Lépreux, Sanctuaire, Culte des Ghoules, Inquisition, Délétère, Batushka ...

Abyss is currently listening to bands such as Batushka, Mgla, Stille Volk, Orakle, Angantyr, Sorcier des Glaces ...

Geist travels in various musical spheres, he listens to a lot of black metal of course (Drudkh, Sorcier des Glaces, Windir, Sanctuaire,Véhémence, Horna, Nocturnal Depression ...).
It is also inspired by classical, medieval, folk and traditional music.


11.What are some of your non musical interests?

Many things! In bulk: walks in nature, science fiction and horror movies and books (Lovecraft, Asimov for example), role-playing games, computers or beer !


12.Before we wrap up this interview, do you have any final words or thoughts?

Thank you for this interview and good continuation for your webzine!

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