Showing posts with label Nyctopia. Show all posts
Showing posts with label Nyctopia. Show all posts

Friday, March 18, 2022

Nyctopia Interview

 



Can you give us an update on what has been going on with the band since the recording and release of the new album?


Well since the recording we lost Radocunt and Pan2 who disappeared during the pandemic, so we replaced him with Big Chris on the bass, I fired myself from playing guitar as I wanted to focus on vocals so we got a new guy Lex on the guitar too. As well as rehearsals and getting pure mad with it, we have a few new tunes in the pipeline..some acoustic stuff with Scottish Gaelic lyrics that we’ve been working on and some more Nyctopian occult metal songs.


2.Recently you have released your first full length, musically how does it differ from your previous demo?

Well, I was really pissed off with the first demo…In fact that was meant to be released under our earlier incarnation as Moonrape, but we were thrown out the studio in Edinburgh which was upstairs in some church. Apparently, there were too many complaints. Our band members had allegedly threatened the churchgoers as well as allegedly desecrated some items in the church. I do remember Jaan from black metal brewery making drunken speeches from the pulpit. I don’t know what the guy was expected by inviting Moonrape there to record our demo. Anyway we were thrown out and the guy gave me everything on one reel so I couldn’t mix any of it. My vocals were all in one take, I did not have the chance to do them again as we spent 2 days recording the bass. Jaan was hallucinating on some drugs that Pan1 had given him and couldn’t play, so me and Luigi played his parts. At least some band guys robbed the wine from the church before we left. I decided eventually to baptize that demo under the banner of Nyctopia as Moonrape was dead already and we play some of the old songs.


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3.Thius is also your first release in 4 years, can you tell us a little bit more about what has been going on during that time frame?


Well we played only 2 shows as there were a few cancelations including a show I was looking forward to with Satarial..I was also banned from some venues then the pandemic hit. We played one private gig in the crypt under my house to a handfull of people and a bigger show ”Full moon gathering“ with our friends from Sturmtiger and Rancor Profundo. Christophe Szpajdel was also there showcasing an exhibition on his art as well as Black Metal Brewery (our old Moonrape bassist) who was doing a “tap take over“ of the pub. It went down great. Our guitarist Barrat managed to lock himself in the toilets before the show then got himself thrown out of the venue, at least after we had played. We had a boa constrictor on stage and some heavy metal pole dancing ladies, good times.


Band wise it was a struggle to record the album which started at least 2 years ago. Our recording engineer disappeared for a year and when we did meet up we were that drunk and high that it was difficult to get anything done.




4.Some of your lyrics cover Occult themes, can you tell us a little bit more about your interest in  this topic?


I don’t write the lyrics, they come to me. Some of the lyrics can be interpreted as occult but it is subject to interpretation there is a lot going on with the vocals, different people/entities are talking in some songs like the Oracle of Deception. I like to think I have a scientific mind, if not I would go insane for if you invoke the supernatural you are vulnerable to the self destructive madness of your own thoughts, in fact many of the songs are about these tormented horrors of the mind such as in Foray into Madness. For some people these delusions are a reality, if it’s just one person’s delusions you get locked in a mental health hospital, if it’s a group of people sharing these beliefs, it’s called religion. It’s a reoccurring theme in the songs actually.


5.What are some of the other lyrical topics and subjects the band has explored so far with the music?

I don’t really set out to say hey let’s write a song about going ice fishing or anything like that. I or someone else plays a riff and I visualise the vocal melody, and the lyrics just come sometimes quickly sometimes slowly, but if I’m feeling it, the lyrics will come. The new lyrics came to me in Gaelic. 


6.What is the meaning and inspiration behind the name 'Nyctopia'?


Well after the demise of Moonrape and I started creating dark atmospheric music in my crypt, I needed a name that would not only encapsulate the essence of Moonrape but which covered a wider spiritual spectrum of darkness. We all live for the night and hate getting up in the morning. Nyct comes from the Greek “nyx” meaning night and utopia blended together forms Nyctopia; a utopian world of total darkness.


7.Can you tell us a little bit more about the artwork that is presented on the new album cover?

The artwork was important to me, I had the vision that every song should be reflected by an image which could also tell the story. I worked with a few artists trying explain what was going on. I think they did a great job. Hassan Grim the wizard of Azerbajan and Andrzej Kuziola


8.Has the band done any live shows or open to the idea?

Yes as mentioned before we don’t play often, but our next gig will be the album release show on the 21st May at Audio Lounge in Glasgow together with Ziegenhorn from Estonia, and including support from Glasgow bands Brainbath and Nightfighter. It’s a great venue with no security and no bar so you can bring as much booze and spiritual refreshments as you want.


9.On the album you also did a 'Grand Belial's Key' cover, what was the decision behind doing your own version of one of their songs?

This was a song that Absolute bastard the (co founding guitarist of Moonrape )now in Rancor Profundo brought to the band we used to play this live as well as Graveyard shuffle form The Devilsblood. It was Pan2 that blasted the hell out of that song, making it sound even more chaotic. My solo is pretty good too on that one.


10.On the new album you also had a guest appearance from Hoest from 'Taake', can you tell us a little bit more about his contribution to the recording?

I sent him a message hey you wanna do this part and he said he liked the song and yes. So we sent the track over, he went to his studio in Bergen and recorded it. We’re actually working on a video for that song.


11.On a worldwide level how has the reaction been to your music by fans of black metal?

I have no idea!


12.Where do you see the band heading into musically during the future?

Well I’m hell bent on releasing some acoustic stuff in Scottish Gaelic! We’re also looking for a new drummer so if you’re reading this and live in Glasgow get in touch!


13.What are some of the bands or musical styles that the band members are currently listening to nowadays?

I listen to tavern music when I come home and drink ale. Sometimes I go to the opera at night. It depends where I am or what I’m doing. If I’m speeding at 100mph I listen to Marty Friedman’s Dragon Kiss or something like that. In my crypt I love listening to Goblin. Never get bored of it. Big Chris listens to Warduna, Barrat to a lot of obscure black metal and Lex mostly thrash I think.


14.Before we wrap up this interview, do you have any final words or thoughts? 

Don’t put toothpaste in your eyes.

Tuesday, March 8, 2022

Nyctopia/Full Moon Calling/Warhorn Records/2022 CD Review

 


  Nyctopia  are  a  band  from  Scotland  that  plays  an  old  school  form  of  black  metal  with  some  gothic  and  melodic  death  metal  elements  and  this  is  a  review  of  their  2022  album  "Full  Moon  Calling"  which  was  released  by  Warhorn  Records.


  Dark  sounding  synths  start  off  the  album  before  going  into  more  of  a  heavier  and  melodic  musical  direction.  Vocals  are  mostly  grim  sounding  black  metal  screams  while  the  faster  sections  of  the  songs  also  add  in  a  great  amount  of  blast  beats  and  the  music  is  also  very  heavily  rooted  in  the  90's  era.


  When  tremolo  picking  is  utilized  they  also  give  the  songs  more  of  a  raw  feeling  while  the  keyboards  also  give  the  music  more  of  a  gothic  touch.  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  and  some  tracks  also  add  in  a  small  amount  of  spoken  word  parts  and  clean  singing.


  Elements  of  melodic  death  metal  can  also  be  heard  quite  a  bit  throughout  the  recording  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  as  well  as  one  of  the  songs  also  being  a  Grand  Belial's  Key  cover,  some  of  the  tracks  are  also  very  long  and  epic  in  length.  As  the  album  progresses  a  brief  use  of  female  vocals  can  also  be  heard  and  one  song  also  adds  in  session  work  from  Hoest  of  Taake.  The  production  sounds  very  old  school  while  the  lyrics  cover  Occultism,  Darkness  and  Evil  themes.


  In  my  opinion  Nyctopia  are  a  very  great  sounding  old  school  black  metal  with  some  elements  of  gothic  and  melodic  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "In  The  Dead  Of  The  Night"  "Malleus  Maleficarum"  and  "Evil  Be  Thou  My  Good".  8/5  out  of  10.


https://warhorn.bandcamp.com/album/full-moon-calling