Tuesday, June 30, 2009

BAL-SAGOTH INTERVIEW


Answers: Byron Roberts (vocals)

1. Can you give us a brief history of the band!

BYRON: To briefly summarize the band's history, I came up with the idea for Bal-Sagoth way back in the late 1980's. The plan was to form a symphonic black/death metal band based on an epic fantasy/mythological lyrical concept. Early attempts to get the project up and running were unsuccessful because I couldn't find musicians who were willing to commit to the band. In 1993, I was introduced to Jonny and Chris (who would become the keyboardist and guitarist), who were jamming cover versions in their bedroom with some friends. They were looking to start up a serious band too, but they didn't have any focus or direction. Anyway, even though they weren't initially familiar with the kind of music I wanted to play, they eventually agreed to take up the challenge of Bal-Sagoth with me, and so 16 years and 6 albums later, here we are.

2. How would you describe your music to someone who has never heard you before!

BYRON: The music is very epic, symphonic extreme metal, combining key elements of black & death metal with other metal forms and even classical music, with a mythological/occult/fantasy lyrical concept at its core. Keyboards play a very prominent role in our music, so if you don't like synths, I'd advise you to avoid Bal-Sagoth. The vocal style combines harsh vocals with spoken word narrative parts. People often have trouble categorizing the band, but black metal is basically the original foundation of the sound.

3. From listening to all of your albums I have noticed that with each album your music seems to get more symphonic without losing the heaviness, is this going to continue on future releases!

BYRON: Retaining the heaviness and extremity of the band has always been of the utmost importance to me. When I originally came up with the idea for the band, it was always supposed to be a brutal symphonic black/death metal outfit. I hope we've retained that core element to a large extent even though the music has become ever more intricate and symphonic over the years. To be honest, I would ideally have preferred to stay far more extreme than we have, but things don't always work out exactly the way you plan. Still, I guess we have at least kept a fair percentage of our heavy and extreme roots over the course of our discography.

4. Are there any plans for a full scale U.S tour, so far the only show I have ever heard about was the one in Minnesota at the Heathen Crusade Festival!

BYRON: We'd very much like to get back over to the USA for some shows. Promoters generally don't take the risk of organizing shows for us over there due to the massive costs involved in getting an obscure British band on the road in the USA! The Heathen Crusade II festival was a great event, and it was certainly cool to finally get the chance to play for some of our American supporters.

5. What are some of the best live shows that you have played and which crowds were the best or craziest!

BYRON: We've played shows in many countries over the years, and the responses have generally been very good. Some of the best crowd responses have been in Finland, Holland, southern France and the UK.

6. When can we expect new material!

BYRON: It has not yet been decided whether or not we will continue making further albums. The first hexalogy of the band is complete, and it may well be time to leave the world with that glorious, untainted legacy.Obviously all the core members of the band would have to agree to proceed with any further albums, and the reasons for proceeding would have to be right. There would have to be a really good record deal in place. A licensing deal which was truly beneficial to the band, and made all the hard work worthwhile. A great distribution and publishing agreement would also have to be sorted out. Formal agreements between the various band members would also have to be finalized. In short, everything would have to be done thoroughly and properly. Record sales are currently at an all time low, as the "something for nothing" culture proliferates. But we'd never take the self-releasing route, as that would be a retrograde step, and would cheapen the legend of Bal-Sagoth, which of course is something I'm sure the fans would not want. And of course merely releasing another album simply for the sake of it would clearly not be the right approach. Just because we can, does not necessarily mean we should. The reasons for continuing the legend would have to be right, and compelling, and the material would have to be phenomenal. There would simply be no point releasing another album unless it was by far the best material that the band had ever produced. And that, is a fact. You might even see side projects by some of the members, too. Who knows? Ultimately, a seventh album might happen, it might not. The world will just have to wait and see!

7. When I have read your lyrics I have seen many different references Germanic, Celtic, Sumerian, Egyptian, Atlantean, Mu , Lemuria, Aztec etc. do you have any interested in the occult aspects of those areas!

BYRON: Yes, that's right. Various world myths and legends are a primary inspiration for the lyrics, such as Northern European and British myths, as well as other myth cycles like ancient Sumerian and Mesopotamian lore, Aztec and Mayan, etc. Global legends such as Atlantis, Mu, Hyperborea, etc. have always fascinated me greatly, and the occult significance of those legends and their relevance to the ancient antediluvian world is a key element. But essentially the whole lyrical cycle is a large work of occult fantasy and sci-fi, using those mythological elements to add various dimensions and resonances. Pretty much all the Bal-Sagoth lyrics are part of the same overall grand saga. The universe in which the lyrics take place spans countless millennia, from the beginning of time to the cataclysmic end of all creation. The lyrical world is roughly divided into three different eras; the "antediluvian" fantasy era, the "recorded history" period, and the "sci-fi" future era. All the stories which take place within this world and these periods are linked and all are part of the same overall chronology and canon. To learn more of the "antediluvian" era of the lyrics, check out my map of the Ancient World at www. bal-sagoth. com, and look out for the expanded and revised A-Z Glossary, which will soon be uploaded at www. bal-sagoth. net.

8. What are some of your main influences music wise or non music wise!

BYRON: All the band members have quite varied musical tastes and inspirations. I'm strictly into extreme metal, particularly the great bands such as Bathory, Celtic Frost, Sabbat, Slayer, Morbid Angel, Deicide, Emperor, etc.Jonny our keyboard player has influences which are mostly non-metal, such as Vangelis, The Police, Tangerine Dream, Pat Metheny and Queen. Chris our guitarist really like stuff like Napalm Death, Metallica, Kreator, Slayer, etc. And of course we're all into classical music and movie soundtracks. It's a strange mixture of influences, but I think it's one of the primary aspects that's helped shape our unique sound over the years.As for non musical influences, I'm very much inspired by the pulp sci-fi, fantasy and horror of the 1930's such as the works of Robert E. Howard and H.P. Lovecraft, as well as writers such as Edgar Rice Burroughs, and also comic books, sci-fi & fantasy movies, ancient myths and legends, etc. The other guys in the band don't really read much, but they're into similar kinds of movies, too.

9. What are you listening to these days and what are some new good bands that you would recommend!

BYRON: I still basically listen to my old favourite bands such as Bathory, Celtic frost, Slayer, Morbid Angel, etc. I guess I'm pretty set in my ways in that I generally only listen to the old classic stuff.

10. What are some good books or films that you would recommend!

BYRON: Just some of the great literary works I would advise everyone to check out are the writings of Robert E. Howard, H.P. Lovecraft, David Gemmell, Clark Ashton Smith, Edgar Rice Burroughs, Frank Herbert, and classic Marvel comics by Stan Lee and Jack Kirby. Great movies I would recommend include Star Wars, Jaws, Conan the Barbarian, Mad Max 2, Alien, Robocop, Predator, The Thing, The Evil Dead, Re-Animator, Fire & Ice, The Sword & the Sorcerer, the original Dawn of the Dead, the original King Kong, the original Frankenstein, the original Planet of the Apes, the original Godzilla, the Golden Voyage of Sinbad, Jason and the Argonauts, Dune, 300, and lots of others too.

11. How would you describe the metal scene in the United Kingdom and what are some good bands to be on the lookout for!

BYRON: Well, the UK extreme metal scene is still pretty varied, with a lot of good new bands coming up as well as the already established acts. For two cool British bands, I would recommend that people check out Mithras and Dyscaphia.

12. Any final words!

BYRON: Many thanks for this interview, and thanks also to all the supporters of Bal-Sagoth who are reading this. Be sure to visit the band MySpace page (www. myspace. com/balsagoth) as well as the official website (www. bal-sagoth. com) for news and features. The six album discography of Bal-Sagoth is still available, and we hope to see as many of our supporters as possible at our various gigs in 2009 and beyond. Blodu Ok Jarna!
BYRON

13.Thanks for the interview!

Monday, June 29, 2009

Bahimiron-Southern Nihilizm/ Moribund Records 2008 CD Review


  Bahimiron are a four piece band from Houston, Texas and I would describe their music as brutal satanic black/war metal and this is their first full length album for Moribund Records.

Drums on this recording are very savage and brutal sounding with a lot of really fast blast beats, while the bass player utilizes a dark tone and plays a lot of fast riffs that match up to the guitars.

Rhythm guitars on this cd are tuned down really low and there are a lot of fast riffs mixed in with some slower riffs that are very raw sounding and you can hear the brutality, while the guitar leads when they are utilized sound very noisy and chaotic.

Vocals on this unholy cd are mostly high pitched black growls mixed with some black/death growls that remind me of early 90's black metal before Norway and Sweden started dominating the scene and there was a short use of clean vocals praising the dark lord Satan.

As for the lyrics they cover a lot of Anti-Christian as well as Satanic themes mixed with virgin rapping, necrophilia and alcohol, while the production on this recording which was recorded during 2007-8 at Big Door Studios in Webster, Texas and produced as well as engineered by Mike BBQ/Grimlord sounds really good and you can hear all of the brutality coming out of all of the instruments and vocals very well. This is probably one of the most brutal albums that came out in 2008. In my opinion this is a really good cd and this band puts on a great live show as well which I saw when I was in Los Angeles this summer. Recommend tracks are "Amongst The Filth" and "Halo Of Fliez". HIGHLY RECOMMENDED.

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Nightbringer/Death And the Black Work/FullMoonProductions/2008 CD Review


  Nightbringer are a black metal band from Colorado Springs, Colorado consisting of current and past members of Bellum, Rhune, Bestia Arcana, Mydwinter, Excommunion, Temple Of Not and Crypyic Harvest and this is their first full length after a couple of ep's and splits with Serpentium and I would describe their music as ritualistic and occultic Black metal.

Drums on this recording are very fast with a lot of blast beats and primal drumming mixed with some occasional slow parts that sound very doomy and the drummer utilizes a lot of variety, while the bass playing utilizes a lot of darkness to add to the music with it's down tuned pitch.

Guitars on this dark masterpiece are mostly rhythms that cover a lot of ground with  a lot of influences from a variety of different styles of black metal as well as doom metal which includes fast riffs along with a lot of slow and mid paced parts, while the leads sound very dark, droning and mysterious which makes the music sound very dark, melodic and occultic.

Keyboards when they are utilized are very dark and have a very ritualistic and atmospheric sound which gives the music a very dark ambient edge especially in the intros.

Vocals are mostly deep black metal grows with some occasional high pitched screams, as for the production on this recording it has an excellent sound and all of the instruments along with the atmosphere comes out sounding really good.

Lyrics on this recording deal with The Left Hand Path, Alchemy, Occultism and the darker side of the Qabala and I can hear inspiration from such great occultists as Michael W. Ford, Aliester Crowley, Kenneth Grant and Julius Evolva. In my opinion this is a really great album and one of the best I have heard from a Colorado band and this band also puts on a good live show when they do concerts out here. HIGHLY RECOMMENDED.

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Avsky/Malignant/Moribund Records 2008 CD Review


 Avsky are a 2 piece band hailing from Sweden and I would describe their music as Depressive Black Metal but more faster and energetic than most bands that specialize in that genre.

Drums on this recording are really fast at times with a lot of blast beats that were really crushing and at times they slow down to give the pace of the music an even edge, while the bass playing which was mixed down really low in the mix seems really heavy and dark with its tone.

Guitars on this recording are mostly rhythms with a lot of fast riffs mixed with a lot of mid paced parts that utilize influences from black'n'roll and thrash, as for the guitar leads they were mostly absent on this recording except for one song and it was really slow, doomy and melodic.

Vocals on this recording are mostly high pitched black metal screams mixed in with some suicidal cries and you can feel a lot of pain in the vocalist, as for the production on this recording which was recorded at Kaken during late 2007 it has a real dark and raw sound which makes the musical instruments sound really good.

In my opinion this is a really good album and I well be tracking down their past releases and I am looking forward to hearing new material in the future. My favorite tracks on this recording include "Fuck Your Values, Fuck Your Beliefs" "Like Poison" and "Maligant". HIGHLY RECOMMENDED.

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Beheaded Lamb Interview


1. Can you give us a brief history of your band?.

Everything started somewhere in the end of the 80’s when Nazgûl was playing guitar in a band making covers of the famous ‘thrash’ bands of the moment. I was used to hang around with him and annoy the rest of the guys during the rehearsals, although I was more on the noisier and more punkish kind of stuff. One day of boredom I offered them my services as a singer due to the fact that I could not afford to pay for a real instrument, but only for a microphone. They declined my offering with the argument that, according to my musical taste, I was just going to scream like a tortured pig and it would not fit with their ‘technical thrash metal’ “style”. One day, Nazgûl and I went to the rehearsal room with the intention to play some noise of our own and we did, ending the session with the smashing to pieces of the drum kit, after which we left and never appeared again. This seminal act was called Political Demise and we had a logo!. After it, we recruited another drummer, another guitarist and rented another rehearsal room. With this line-up and waiting for someone to buy for me a bass, we started playing some slow stuff with, now yes, tortured pig vocals. This second act was called Gothic Autumn and we had a logo, too!. Must to say that the term “gothic” had not the same meaning then than today it has. Actually it was related to some tribes that settled on the area after the falling of the Roman Empire and set the basis of Catalonia (yes, Switzerland had Celtic Frost, so we had Gothic Autumn!). But the guitarist had not a clue about anything and the drummer was stubborn to show his technical skills, so we left the rehearsal room one day (this time without breaking anyone else’s property) and we did not come back anymore. So then we formed Beheaded lamb. On those days I knew a guy who just bought a little 4-tracks mixer and I managed to convince him to welcome us to his flat to try to record something. I wrote some lyrics and Nazgûl some riffs and we recorded few songs without bass-guitar. We did not have drums nor rehearsal place so Nazgûl convinced some friend of him who had a big keyboard of those that can make all kind of sounds and with it we faked the drums. The result was a bunch of songs with really bad sound that people seemed to like. Then the guy got bored and told us to don’t appear anymore so we occupied the rehearsal room of some another band and found a drummer while someone else borrowed me a bass guitar. We rehearsed and wrote new songs and recorded some for what was supposed to be our debut demo but Nazgûl was never happy with the result so the demo was delayed and delayed and then never “officially” out although flyers where sent and contacts were made. It pissed me off. In my opinion the stuff was enough good for a demo. Then new drummer and new rehearsal place, new songs and no demo. Then I got really pissed. I thank the line-up was the best possible with de adding of Katu-Marus and the songs were even too good. The atmosphere during the rehearsals was worse each day ‘till one day Nazgûl and I arrived earlier to rehearse and he started to tell he wants keyboards here and there and choruses and stuff. The discussion ended with me banging the door and leaving Beheaded Lamb. Then I went to form Gorthaur with katu-Marus and an ex-member from El Kaso Urkijo who took the name of Lord Todmir. We never rehearsed together. just few times Katu-Marus and me but Lord Todmir one day called me that he recorded the demo and that I must go to put the vocals singing the lyrics he wrote (???!!!?!?!?!?!?). I did. So this and the writing of my “special thanks” was all my contribution to Gorthaur. It ended badly. After it we had Katu-Marus and I had some talking about reforming Beheaded Lamb, but nothing happened. He took his own way and I took mine, that drove me to end my studies, spend very long times in the Pyrenees and practicing mountain-climbing. Then I went to the army and when I came back I got a job and then I bought my own bass-guitar finally! Then, one day Akerbeltz and Lilith told me that if I want to make Beheaded Lamb again they are willing to help, so that was it! They have their own rehearsal room, they had the contacts and the will, and they were the perfect members for the band. Everything went really fast. Almost without rehearsing Akerbeltz received the offer to do the split with Azaghal, so we wrote the stuff in record time and just with few rehearsal sessions went to studio. Akerbeltz played the bass on this record due to the fact my skills were few rusty and I was working at 120 km from the studio. Few later we got the offer of the debut album and we did it (again in a hurry), but this time I recorded the bass (what a torment for my and the engineer..s patience!). Then it happened that I moved few thousands of km far from the place so we had to put Beheaded Lamb to sleep again ‘till the next time. But one thing is for sure, the line-up is and will always be the one with Akerbeltz and Lilith.

2. I have the split you have done with Azazghal and the full length "a Grave To The World' have you put out any other releases and where could I find those additional songs you have on the Myspace playlist.No other releases".
The ones on Myspace are from the two only official records. I don’t have myself any of the older stuff anymore and Im having problems to find it, so if you do, let me know!

3. According to your bio you have split up, are there any plans for a reunion?.The band is in “deep sleep” only.
Who knows what the future brings. Right now I’m having another project in my head, but no hurry.

4. Have you played any live shows and if so what were some of the best live shows you have played?.
Beheaded Lamb never played any show rather than rehearsal sessions for some friends. Nazgûl and I played a couple of gigs under other monikers. The first one was in the very first times in Barcelona’s pub La Dolce Vita, with Obeja from el Kaso Urkijo and another guy under the moniker Pepito Black (Obeja’s sense of humor…) on a festival featuring local bands. The second one with Katu-Marus, Lord Todmir and Adams (El Kaso Urkijo, Ork) on a central square in Barcelona in another festival of many bands under the moniker Sacrum Sacrificationis. There was a tape and photos of this one, but everything got lost...

5. I know the band members over the years have played in a variety of different bands, can you explain what those bands are and how they differ from Beheaded Lamb"?.
About the rest of the members, better ask straight from them because they’ve been really active through the years and I don’t know everything. Mostly Akerbeltz. This guy is a machine!

6. What are some of the biggest musical influences for Beheaded Lamb?.
I was afraid you were going to make this question … I prefer to don’t name bands, nowadays it sounds really cheesy, topic and repeated … sorry.

7. How would you describe the lyrical content of the band?.
On the first times it was about cheap Satanism taken from cheap books and in the same way than old Bathory, Venom, Possessed, Sodom, … Later it became more cryptic and in the end (on the two records) almost alchemistic. I’ve been thinking to put them on the page when I can get them that anyone can make its own interpretation. I can tell there’s no random lyrics, each word has a meaning and many topics are treated. Big part of them are related to the Pyrenees in many ways, many are full of hidden sarcasm, some are about traditional tales, pieces of history, certain places, … there is anagrams, double meanings, few philosophy here and there, few of prophecy… and I don’t tell more…

8. What rule does Satanism, Left Hand Path, Occult, or Anti Christianity play in the bands music and lifestyle?
In the music there are a lot of references to the Occult topics, treated from my particular point of view and used in many forms and for many meanings. Anti Christianity is a must, but its encrypted. Satanism appears in little portions as vehicle to express other kind of messages. Nothing else rules more my lifestyle than common sense. No Gods, no masters, no dogmas. About the other members, better ask from them …

9. What are you listening to today music wise and what bands would you recommend?.
Hmmmmm…. I’m listening exactly to the same stuff I was listening to 20 years ago … no progress. A must to recommend is Körgull The Exterminator, my fave right now … the perfect party-spoiler. For fans of raw black metal check Akerbeltz, for fans of “necro unholy black metal” check Harridan (Lilith’s own band). I would also recommend Força Macabra and Kuolema from Finland, for fans of crust, grind, hard core
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10. Are there any good books or movies that you would recommend?.
I always change my opinions depending on the mood, but a good book could be “The Catalan Expedition To The East: from the Chronicle of Ramon Muntaner” Tamesis, ISBN 1 85566 131 4, for those who want to read about one of the most epic chapters of the history, ignored and silenced intentionally during long, long time. A movie? I think John Boorman’s Excalibur still stays the best. Others can be The Godfather I,II & III, Goodfellas, 2001: A Space Odyssey, Taxi Driver, Conan The Barbarian, all from Monthy Python, Brazil, Det Sjunde Inseglet, Blade Runner, Bad Lieutenant, The Good, The Bad and The Ugly, Star Wars Episode IV (old version without stupid funny computer made addings), The Thing, In The Name Of The Father, The Shinning, Easy Rider, Schrei aus Stein (Cerro Torre: Schrei aus Stein), Ran, Alien (only the first one), Dawn Of The Dead, The Lord Of The Rings I, II & III (yes, I must accept it, they are good), State Of Grace, Mad Max (the first one only), Fargo, Dune, For a Fist Full Of Dollars, For a Few Dollars More, Braveheart (cheesy but still good), Silverado, Dersu Uzala, Apocalypto, Apocalypse Now, Bronenósets Potyomkin, Aleksandr Nevskiy, the first Indiana Jones, Poltergeist (only the first one), This is Spinal Tap, The Omega Man, The Others, Los Sin Nombre, The Exorcist (only the first one), The Omen I,II & III, Rosemary’s Baby, … They are films I like to watch many times.

11. How would you describe the metal scene in Spain and what are some good bands that you would recommend from there?.
I’ve been for 5 years living out of Spain so I don’t know too much about the scene today, anyway I’m Catalan, so I never considered I was living in Spain. To be honest I don’t like the word ‘scene’. I think I’ve never been a member of any scene. But in my opinion Spain has arrived always really late to everything which I think is fine compared to other countries where “metal”, “punk” or other kinds of subcultures are more popular and more product of consume than any pop-star from Hollywood. Anyway to discuss about it would give enough material for a book or two, but is it worth? More products of consume? One thing is for sure, all the scenes in all countries are full of business-men ready to suck the blood of all those consumers who think they are rebellious, true or underground or whatever … So don’t trust too much in any scene, there’s no medal of honor at the end of the road for all the ones who gave everything for the ‘scene’, there’s no “paradise of the truest ones” of the ‘scene’, not even for the ones who own the biggest amount of records or know all the idiotic details of the ‘who’, ‘when’, ‘what’, ‘how’, … of the ‘scene’. Nowadays to support the scene is to spend infinite amounts of money in records, merchandising, gigs, … in the end the more money you have to spend the more “true” you are, so honestly fuck off any scene. For the bands I recommend read answer to q.8. (endogamic recommendations hahahaha).

12. Any Final words?.
Support yourself and your friends, enjoy what you like and fuck off idolatries, dogmas and scene-business. Be yourself, then you’ll be “true”.13. Thanks for the interview.Yes, thanks for the interview.

https://www.metal-archives.com/bands/Beheaded_Lamb/3311

Namtaru Interview


1. Can you tell us when the band was formed and give us a brief history of the band.

1. the band was formed in 1996 by myself(namtar),teloc coroxo, shaitan, and azale at the time we were also doing perverseraph we did our 1st recording in 1997 which was called plagues of namtar, which was 1st released on gothic records, at the same time we recorded perverseraph's 1st recording which was also released on gothic records. shortly after the releases the band was put on hold because i was asked to join blood storm where i remained a member until 2002,and went under the alias axarcuth and released quite a few releases with them. after leaving blood storm i joined back up with perverseraph for a few years and then moved on to do blood wings with daemon and nemisis. after some time i felt it was time to get out of philly and daemon and i moved to the mountains and thats when i decided to go back to my roots and begin the rebirth of namtaru.

2. How would you describe your music to someone who has never heard you.

2.the most evil black, death, thrash metal possible.

3. According to the information on Encyclopedia Metallum you changed your name to Perverseraph in 1997, how would you describe the difference between Perverseeaph and Namaturu.

3.like i said we did both bands at the same time namtaru was mostly my writings and perverseraph was mostly shaitan's writing.when we got back together in 2002 we decided to just make it all one thing.

4. I know you have shared members with Blood Storm. What other bands have the band members been in.

4. perverseraph,blood wings we also helped out black Pentecost with one of there releases.

5. What direction is the new material going into.

5.i would say after all the different bands i have done over the years it has aspects of all of them.

6. Has this band done any live shows and if so what were some of the best places you played at.

6. we have done a few shows in the 90's but none as of recently we are focusing on new material for right now.

7. What are some of the band's main influences.

7.voivod, king crimson, venom, bathory, celtic frost, morbid angel, dark throne, slayer, enslaved, motorhead, kreator, death, autopsy, impaled nazarene, destroyer 666, i could go on all day.

8. What rule does Satanism, Left Hand Path, Occult or Anti-Christianity play in the bands music and personal lives.

8.satanism to me is a small minded reverse christianity,i get more into the cthulu mythos the necronomicon the writings of kenneth grant, the rh'ley text and things of that nature.

9. Are there any plans for a tour or any future live shows.

9. that's the plan for the not so far future, but for now we are working on new material.

10. When can we expect new material.

10. We are currently writing new material and hope to have a new release asap.

11. What are you listening to these days and what are some good bands that you would recommend.

11.i havent really been keeping up with alot of new bands but i recommend every thing i mentioned earlier in the interview.

12. What are some good books or movies that you would recommend.

12.good books, all of the writings of kenneth grant, both versions of the necronomicon, the rh'ley text any writings on enochion magik,the twelfth planet and all the books that follow. Daemon is into all the Occult books but would add A Song if Ice and Fire series by George R.R. Martin and The Wheel of time series by Robert Jordan.

13. Any final words.

13.just look forward to some really good new music coming up, and good luck with the Zine.(R.I.P. Azale)and hail to all my brothers in the metal scene that i have worked with and toured with.

14. Thanks for the interview.

14.Thanks for having us.

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Unholy Archangel Interview


1. Can you give us a brief history of the band.
UNHOLY ARCHANGEL FORMED BACK IN 1996 BY IAPETOS AND AGISILAOS THE FIRST RELEASE WAS UNHOLY ARCHANGEL SELF TITLED DEMO 1997 WITH DRUM MACHINE. IN THE SECOND DEMO 1998 ARCHGOAT INCANTATION PARMENION JOIN THE BAND TO PLAY THE DRUMS BUT SOON AFTER LEFT THE BAND. IN 2000 HYPERION AND KSENOFON JOIN THE BAND AND THE BAND RELEASE THE 7 EP BLESSED BY ARIS. THE THIRD DEMO COMES IN 2001 WITH LUST AND KULT BY THE LABEL OF IMPALER THE TRENDIES COMES OUT IN VERY FEW COPIES SINCE FUCKED UP MAD MAX COMMIT SUICIDE . 2002 IS THE YEAR THAT THE BAND RELEASE A CULT NOW SPLIT IN ONLY 500 COPIES WITH THORNSPAWN UNDER THE ITALIAN HELLFLAME PRODUCTIONS. 2003 WAS THE YEAR FOR THE WRATH OF KOSMOSITIS 10 EP UNDER THE FUDGE WORTHY RECORDS .THAT WAS THE LAST RELEASE SINCE KSENOFON LEFT THE BAND AND MANY HEALTH PROBLEMS THAT ENDED WITH HYPERION DEATH IN 20082.

2.How many releases have you put out and what are the plans for future releases.THE FUTURE PLANS SINCE WE HAVE JUST FINISHED REORDING THE OBESSED BY WAR LP IS TO FIND A LABEL TO RELEASED OUR NEW SONGS.AND MAYBE FIND A LINE UP SO WE CAN DO SOME LIVES

3. How would you describe your live shows.
WE HAVE DONE ONLY ONE LIVE SHOW,IN HELLAS BUT IT WAS LIKE HELL,ITS NICE TO PERFORM.BUTTHINGS ARE VERY DIFFICULT,ONLY VERY FEW BANDS LIKE ROTTING CHRIST CAN MAKE MONEY FROM THEIR MUSIC....SO THEY DONT HAVE THE NEED TO WORK

4. Do you ever plan on touring the U.S, and what tours do you have planned for Europe
THAT WILL BE GREAT,HOPE WE CAN MADE THIS ONE DAY

5. What are some of the band's influences, I hear a lot of mid 80's to early 90's black metal influences in your sound and you do'nt seem to sound trendy which is a good thing.
YES WE HAVE GROWN UP WITH THIS 80S MUSIC...YOU SEE I AM 35 IAPETOS 36. SO WE HAVE GROWN WITH BANDS LIKE SARCOFAGO,SODOM,PROTETOR (GODS FOR ME)SADUS,ALSO BLASPHEMY ...

6. What are you listening to these days and what new bands would you recommend.
I AM STILL LISTENING OLD 80S THRASH DEATH MUSIC BANDS LIKE ATROPHY DEMOLITION HAMMER PROTECTOR SADUS NOCTURNUS DEATHROW AT WAR...FROM NEW BANDS LOVE BANDS LIKE ANAL BLASPHEMY ANTAEUS,BELFEGOR AND MANY MORE ,TO MANY TO MENTION

7. What rule would you say the Greek gods and history play in your music and your life.
ANCIENT GODS AND HISTORY PLAY HUGE ROLE TO MY LIFE FROM GODS TO THE PHILOSPHERS...EVEN IF MORE THAN 1500 YEARS WHAT THEY SAY STILL IS A REALITY...

8. What rule does the Left Hand Path, Satanic, Occult or Anti-Christianity play in the band.
WE ARE BIG ANTICHRISTIANS,IN EVERY RELEASE WE HAVE A SONG TO SAY THIS....CHRISTIANITY IS THE WORST PLAGUE EVER HAPPEN DESTROY NOT ONLY MY COUNTRY BUT MANY MORE....

9. What are some of the best live shows the band played and from your experience which crowd was the best or craziest.
FOR THE ONE LIVE WE HAVE IT WAS SOMETHING SO GREAT...HOPE TO DO MORE IN THE FUTURE WHEN WE HAVE A STEADY LINE UP

10. What direction do you see the band's music going into over a period of the next couple of years.
WE HOPE FOR SOMETHING GOOD. WE ARE MORE THAN TEN YEAR AS BAND BUT IS 5 YEARS FROM OUR LAST RELEASE.GLAD THAT PEOPLE STILL REMEMBER US AND IN OUR MYSPACE PROFILE WE CAN SEE THIS EVERY DAY

11. What are some good books or films that you would recommend.BOOKS I READ MAINLY FOR THE WORLD WAR II SO NOT MUCH TO PROPOSE MY BEST IS IRON COFFINS THE TRUE STORY OF U-BOAT COMMANDER...MOVIES APOCALYPSE NOW(MAYBE THE BEST MOVIE EVER) DAS BOOT,DOPERMAN 21 GRAMS...

12. How would you describe the metal scene in Greece, I know avlot of great bands have came from there and what are some Greek bands that you would recommend.
AFTER SOME YEARS WE HAVE SOME GREAT BANDS LIKE NAERMATARON KAWIR THAT WELL KNOWN BUT ALSO GREAT BANDS LIKE WARGOAT,EMBRACE OF THORNS DARK MESSIAH WAR POSSESION ACHERONTAS DRUNKARD...

13. Any final thoughts.
I WANT PERSONALLY THANK YOU FOR THE SUPPORT AND THE INTERVIEW AND FOR YOUR LOVE TO THE UNDERGROUND SCENE,IT NICE TO FIND PEOPLE LIKE YOU STILL AROUND AND NOT MODERN CHILD'S THAT LIKE THESE ONLY FOR FASHION OR TO PISS OFF THE PARENTS

14. Thanks for the interview.
THANKS FOR THE SUPPORT,SORRY IF I DELAY THIS BUT I HAVE SO MANY WORK TO DO THANKS AGAIN

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