Wednesday, April 17, 2019

Calyx/Vientos Arcaicos/Iron Bonehead Productions/2019 CD Review


  Calyx are  a  band  from  Spain  that  plays  a  very  old  school  form  of  black  metal  and  this  is  a  review  of  their  2019  album  "Vientos  Arcaicos"  which  will  be  released  in  May  by  Iron  Bonehead  Productions.

  An  classical  guitar  intro  starts  off  the  album  before  going  into  a  heavier  musical  direction  while  the  faster sections  of  the  songs  also  bring  in  a  great  amount  of  tremolo  picking  and  blast  beats  which  also  gives  the  music  more  of  a  raw  feeling.  Vocals  are  mostly  grim  black  metal  screams  and  the  riffs  also  add  in  a  great  amount  of  melody.

  A lot  of  the  music  also  has  its  roots  in t he  mid  80's  and  90's  while  still  maintaining  a  very  modern  atmosphere.  Most  of  the  tracks  are  very  long  and  epic  in  length.  Throughout  the  recording  you  can  also  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  all  of  the  musical  instruments  having  a  very  powerful  sound  to  them.

  A  touch  of  first  wave  black  metal  and  thrash  can  also  be  heard  in  some  of  the  guitar  riffing  while  growls  can  also  be  heard  in  certain  sections  of  the  recording.  When  guitar  solos  and  leads  are utilized  true  remain  very  true  to  an  old  school  style  of  extreme  metal  as  well  as  having  their  melodic  moments  and  as  the  album  progresses  a  brief  use  of  Spanish  guitars  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Spanish  and  cover  the  Middle  Ages,  Native  Legends  Of  The  Iberian  Peninsula,  castles,  ruins,  Aragonese  Pyrenees,  and  decrepitude.

  In  my  opinion  Calyx  are  a  very  great  sounding  old  school  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "La  venganza  de  las  brujas"  "Bajo  el  firmamento  cocturno"  and  "Loarre".  8/5  out  of  10. 

http://soundcloud.com/iron-bonehead-productions/calyx-loarre/s-GBpOA     

Humanart/(Further)Into The Depths/Dark Age Works/2019 CD Review


  Humanart  are  a  band  from  Portugal  that  plays  a  traditional  form  of  black  metal  and  this  is  a  review  of  their  album  "(Further)Into  The  Depths"  which  will  be  released  in  June  bu  Dark  Age  Works.

  A  synth  orientated  intro  starts  off  the  album  along  with  some  spoken  word  and  war  samples  before  going  into  a  heavier  direction.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  also  be  heard  which  also  gives  the  songs  more  of  a  raw  feeling.

  Vocals  are  mostly  grim  sounding  black  metal  screams  while  the  music  also  adds  in  a  good  mixture  of  both  old  school  and  modern  influences.  The  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  solos  and  leads  are  done  in  a  very  melodic  style.

  A  small  amount  of  dark  sounding  melodies  can  also  be  heard  in  some  of  the  guitar  riffing  while  a  couple  of  the  tracks  are  long  and  epic  in  length  along  with  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  life,  death,  occultism  and  anti  religion  themes.

  In  my  opinion  Humanart  are  a  very  great  sounding  traditional  form  of  black  metal  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Underground  Slut"  "Invocation"  and  "Black  Crusade".  8  out  of  10.

https://www.facebook.com/Humanart/

Tuesday, April 16, 2019

Slaegt/Black Bombs/Van Records/2019 EP Review


  Slaegt  are  a  band  from  Denmark  that  has  had  music  reviewed  before  in  this  zine  and  plays  a  mixture  of  black  and  heavy  metal  and  this  is  a  review  of  their  2019  ep  "Black  Bombs"  which  was  released  on  April  12th  by  Van  Records.

  Synths  start  off  the  ep  and  also  gives  the  music  more  of  an  avant  garde  atmosphere  before  adding  in  some  melodic  guitar  leads.  All  of  the  musical  instruments  have  a  very  powerful  sound  to  them  while  the  riffs  also  use  a  great  amount  of  melody  and  the  vocals are  mostly  grim  black  metal  screams.

  Elements  of  NWOBHM  can  also  be  heard  quite  a  bit  throughout  the  recording  while  all  of  the  music  sticks  to  either  a  slow  or  mid  paced  musical  direction  along  with  some  clean  playing  also  being  added  into  some  parts  of  the  music  and  the  songs  also  mix  in  some  of  the  more  modern  melodic  black  emtal  style,  the  second  track  is  also  an  instrumental.

  On  this  recording  Slaegt  remain  true  to  the  mixture  of  black  and  heavy  metal  from  their  previous  release.  The  production  sounds  very  professional  while  the  lyrics  cover  hatred,  individualism,  isolation  and  magick  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Slaegt  and  if  you  are  a  fan  of  black  and  heavy  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "Black  Bombs".  8  out  of  10.

https://slaegt-vanrecords.bandcamp.com/album/black-bombs  

Monday, April 15, 2019

Sangue Interview

1. For those that have never heard of you before, can you tell us a little bit about the band?
WELT: Sangue is a project created by me and Valerio Scissor almost 7 years ago. The rehearsal with Alex Wank started little bit later during his holidays in Rome, where he generally gets tattooed by me in Yama tattoo shop. With Ink, hiking around ancient places and red wine we start also to give a concrete form to "Sangue" project all together.
After a while we invite to take a part in this project also Marco Meta and Mirko Offender.
VALERIO SCISSOR: SANGUE was born some years ago by me and Welt, due to our need to create something in the world of Metal, which inspires us since the 80s. To do it with the right people who share our mentality has been priority. Follow Metal, be Metal, do Metal!
OFFENDER:  I got approached by Welt about 3 years ago regarding the chance of putting out a musical project rooted in the death metal field, we’ve been talking about this idea for maybe 10 years or so. It never happened until now due to our busy days schedule so when he told me that Valerio Scissor was going to take a prominent part of it as well, things got pretty much into place and it all speed up the process. We finally got ready to write material that would take place in the dark and heavy side of metal music.

2. In April you have your first full length coming out, musically how does it differ from
the ep you had released in 2017?
WELT: Prefacing we are always busy with Tattooing, painting and other side projects we tried to gave the right attention to this album too in our free time with more sound studies and collaborations to make it as good as we could do. Especially Valerio S. And I work on various management of the band with the help of the other members. So here the difference with the first ep is that it was only recorded directly in the practice room, as crazy rough 80s/90s xtreme bands tradition.
This new album is full of new experiments in progress very interesting for our personal style, also with some dark atmospheric songs... one step ahead for sure. Thanks to Marco MT for the good job at his recording studio "The Devil's Mark".
VALERIO SCISSOR: It's simply the continuation of our work at the rehearsal place, with the difference that the EP was recorded live on single track, pure instinct and total attitude, like a sabbath where you succumb to the instincts of nature, without filters or compromises. For "Culs", although recorded together, we used separate tracks to let Marco at Devil's Mark Studio do his excellent work.
OFFENDER:  The ep was a very rudimentary display of our intents, nothing more than demo material I would say. It served us well to channel the basic ideas on how to shape our sound though,
so the energy and the power it’s already there as an introduction of things to come.

3. A lot of your lyrics cover Etruscan Paganism, can you tell us a little bit more about your
interest in this subject?
WELT: From the early days I put probably more of the other members this ancient Etruscan concept in evidence and i appreciate the way they love it too. they developed it in personal ways as well; from the lyrics to the sounds and the visual arts in the album. As Italians, from central Italy, we had since we was kids influences from ancient Art, and for me Etruria is still full of mystery and with fascinating pagan spirituality. Of course i' m in love also with the dark aesthetics of this ancient civilization. About Ancient Rome concept I think was used many times...look ASTAROTH band from 30 years ago. I love Rome history but in the recent years i have more feeling for etruscans...ancient romans build lot of streets in the ground, instead the etruscans they dug on the earth holy roads...mother earth cults as fuck!
Another common point of view i share with the rest of the band is the visions from old school Horror movies, B-movies and so on.
We have in Italy so many cool directors from 70s and 80s who were also inspired by ancient Etruria, demons in roman underground and ancient ruins full of dark mystery. Our work in this albums is also a little tribute to this artists too. From this films world i' m very happy my friend Claudio Simonetti's Goblin gave us a special "Intro" for the album, a perfect connection between horror cinema and xtreme metal. This honor i had is also from Enzo Sciotti, great person and painter gave us the permission for use one of his artwork for the poster inside the album...total insane !
OFFENDER:  The whole Etruscan theme is very much a spark that enlighten the lyrical concept. It is
for me a starting point to paint a vision with words and background from the ancient past, not only through pagan times but from when humankind was just seeing the light of its day and when knowledge and wisdom were the leading factors to practical progress, mental and spiritual. When I write lyrics I often get carried away by the momentum of framing a certain abstract idea or a more concrete concept that might easily shade into the next text and so on. The cultures and folklore lived by populations before the christian plague hide many of the secrets that connect us to the beginning of days. The Etruscan world is our specific roots (4 out of 5 band members are from Rome), so it was natural for us to embrace that concept at first but it’s really about the symbolism and the esoteric tradition of the ancestral world that our vision behind the music is about; a web whose dots are
connected through time by earthly ground and air, blood, fire and death; a bond forever entangled with the blood of our ancestors, from and beyond planet Earth.

4. What are some of the other lyrical topics and subjects you have explored with your
music so far?
WELT: This work is made by M.Offender. Same taste in music, ancient places and dark films....ancestral necro cosmic monsters for ever!!!
OFFENDER:  The previous answer covers pretty much this question too, adding the fact that the
astonishing thing about Etruscan was that they lived in connection with a constant spirituality of the earth and the underground. The ‘’divine underneath’’ makes Man feel his spirituality much closer than what the common sense pretends to make us believe.
Blending this sort of untamed formula of ancestral religion with cosmic horror and sci-fi literature and cinema brings my inspiration for lyrics into a vast ocean of possibilities to be put out on paper.

5. A Couple of the band members also have a history playing other types of extreme metal but with this band go for more of a black/death metal style, what was the decision behind going into this musical direction?

WELT: everybody knows Alex Wank  from amazing Pungent Stench. He also works in side projects like "the Tempter" and with his Totem shop and Cineploit Records where he produced lot of old school soundtracks lp s from many great artists. Check his stuffs, look sick! Big brother Taneli Jarva (ex Impaled Nazarene/Sentenced) scream for us in the album too as a guest. About me i had in the past some underground bands Thrash/Hc but the best focus in music i had only with Sangue. With Valerio Scissor we have another project idea...coming soon.
Maybe one day i will developed a personal music project too connected to ancient music... it is on my mind since long time, i studied years ago medieval music and i explored ancient greece/roman sounds too. To connect this world with focus into metal style would be very cool.
VALERIO SCISSOR: It hasn't been a clear decision to play Black/Death, I think in SANGUE we have simply played what turned out spontaneous, based on our influences from the 80s and early 90s. A spontaneous process to create something rotten and sick. In SANGUE you can hear what we are and where we come from! I personally believe in spontaneousness in the creative phase, mixed with the various experiences of the involved persons. For SANGUE this is the only way and it couldn't be otherwise.
OFFENDER:  There was no real studied decision about the musical direction to take. We all share quite the same taste in music and our listening vary a lot thru different music genres. The Sangue sound is simply a combination of our main musical preferences, which in this case got framed in the death metal landscape. All is driven by an instinct towards arts with a strong background and massage (sonically, visually and conceptually), able to move and raise energies from beneath the surface of a decadent, dying materialistic world.
I personally am active with AKRASIA, a crust band (metal-punk with space rock influences to give just a glimpse of what it is) based in Oslo, were I live. I am also part of MORBO, a classic death metal outfit born in 2009 shared with Andrea from CorpseFuckingArt. I have taken part of other bands/projects in the past as I play in bands since I was 17/18 years old.

6. What is the meaning and inspiration behind the name 'Sangue'?
WELT: Sangue means blood in English. And Sangue means lot of important things in esoteric philosophies as well.
VALERIO SCISSOR: "Raw, hard, simple, direct", and at the same time "life, death, power, magic, and emotions" with all that it implies. It simply represents us.
OFFENDER:  (Sangue = Blood in italian).
It is the ever flowing stream that divides the shores of Life and Death.

7. Can you tell us a little bit more about the artwork that is presented on the new album
cover?
WELT: Cover art is from Timo Ketola. We just gave to him a couple of ideas but he created this great artwork on his own. Timo is a cool person and very passionate artist, i'm very glad to share with him many experience in life and art.

VALERIO SCISSOR: Timo Ketola is a great artist and friend, one of us, he's seen the birth and development of SANGUE, apart from everyday life as well. He knew exactly what to do!
OFFENDER:  Timo Ketola is responsible for the artwork. I like to think of him as a 6th member of the band somehow... his passion towards art is overwhelming and it just sits perfectly next to
our musical vision. His talent is enormous and the cover artwork depicts exactly what your
eyes are able to grasp at first sight: an ancient and visceral ritual.

8. What are some of the best shows that the band has played so far and also how would
you describe your stage performance?
WELT: No shows. We were born like a recording band. For now no time left for make concerts. Maybe one day in an etruscan grave let' s see!

9. Do you have any touring or show plans once the new album is released?
WELT: No

10. On a worldwide level how has the reaction been to your music by fans of black and
death metal?
WELT: Looks good from the outside. The feedback i saw from the people is they like the personal ways we tried to mix dark ancient atmosphere with raw metal punk. Hope the new album will give the same stimulation.
VALERIO SCISSOR: I'm coming across positive feedback, somebody wrote "Bears the stench of ancient blood", and I couldn't be more pleased!
OFFENDER:  Not too many reviews so far as the album is yet to be released. So far so good though,
both the demo/ep and the new recording were pleasantly received by to those who
heard/reviewed it. There’s a general state of sudden horror in which the listener is
swallowed by hearing the first notes, which is surely a positive thing.

11. What is going on with some of the other bands or musical projects these days that
some of the band members are a part of?
VALERIO SCISSOR: Personally I've dedicated my energy, in the limited free time available, in SANGUE. I'm in touch with Welt on a daily basis and something might be boiling it the cauldron, who knows.
OFFENDER:  From my side, AKRASIA has released a full-lenght album last year (even though it’s
almost 2 years older than that) and soon a 7” will be out. We play regularly live and work
steadily on new material, despise our slow handling of it.
MORBO is on hold at the moment, as it’s only me (vocals) and Andrea Corpse (guitarrist)
left in the band. We released an album in 2014 and a 7’’ before and after that. We are
seriously thinking of starting writing new songs anyway, despise the unstable line-up
situation.

12. Where do you see the band heading into musically during the future?
WELT: No plans now, just live the moment!
VALERIO SCISSOR: Surely it will make it to a patch on my jacket!
OFFENDER:  Into a maelstrom of deadly distortion melted into visions of immortality.

13. What are some of the bands or musical styles that have had an influence on your music
and also what are you listening to nowadays?
WELT: Of course classic bands: Celtic Frost, autopsy, Bathory, Venom, Sepultura, Repulsion and so on.
Recent bands: Drowned, Irkallian Oracle, Miasmal, Obliteration, Triumvir Foul, Beyond, Funereal Presence, etc.
listening every days mix of things, especially when i am tattooing or painting, like: Iron Maiden, Megadeth, Terrorizer, Goblin, Dokken, Black Sabbath, John Carpenter, Johnny Cash, Obituary and many more.
VALERIO SCISSOR: I could speak for hours ... I was born in '78 and consequently I worship classic heavy metal, thrash, doom, death, and black. I also have an ear for blues, country, hard rock and some dirty electronica, I'm obsessed by sounds and noise in general. In this period, before playing, I always listen to SLAYER and AUTOPSY.
OFFENDER:  Soundwise, I would say: Celtic Frost and Hellhammer, Necrovore, Black Sabbath,
Euronymous’ Mayhem, Sarcofago, Mercyful Fate, Bathory, Funeral Nation, Possessed,
Death SS, Venom, Master’s Hammer.
But being a fan of many other musical genres when I write lyrics I often detach from metal
and go for different musicscapes: Tangerine Dream, Le Orme, Devil Doll, Fields of the
Nephilim, David Bowie, Christian Death, John Carpenter, Dead Can Dance, Ennio
Morricone, Jacula.
My listening vary a lot. In heavy metal I only respect artists who are able to grasp the real,
shocking, anarchistic at times, repellent and uncomfortable approach this music style was
born from. Overproduction, mainstream wannabes, copycats, digital preachers and
comfortable topics have no space in my life.

14. Before we wrap up this interview, do you have any final words or thoughts?
WELT: Never stop to work for your dreams and Heavy Metal make us strong!!
VALERIO SCISSOR: If you think you don't have time to do what you love, you're a "testa di cazzo cacasotto"! For the translation, ask somebody from Rome!
OFFENDER:- «A man is the less likely to become great the more he is dominated by reason: few can achieve greatness - and none in art - if they are not dominated by illusion»

Comingforever/Sunburst/Cuerpo Records/2016 Full Length Review


  This  is  a  review  of  another  recording  from  Mexico's  Comingforever  which  continues  the  traditional  black  metal  style  of  the  previous  release  reviewed  and  the  album  was  released  in  2016  by  Cuerpo  Records  and  called  "Sunburst".

  Ambient  style  drones  and  field  recordings  start  off  the  album  along  with  some  whispers  a  few  seconds  later  before  going  into  a  very  fast  and  raw  musical  direction  which  also  uses  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  mostly  grim  black  metal  screams  while  all  of  the  drum  beats  are  programmed.

  Throughout  the  recording  you  can  also  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  while  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.  When  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  dark  and  melodic  style  along  with  a  couple  of  the  tracks  being  long  and  epic  in  length.

  At  times   the  riffs  also  add  in  a  decent  amount  of  melody  while  the  music  also  has  a  good  mixture  of  both  old  school  and  modern  influences  and  as  the  album  progresses  an  instrumental  is  also  added  onto  the  recording  and  a  later  song  also  brings  in  a  small  amount  of  clean  playing.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  dark  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Comingforever  and  if  you  are  a  fan  of  traditional  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "And  Suddenly  You  merged  With  Earth"  and  "Consummationem". 8  out  of  10.    

No Peafowls/Comingforver/Cuerpo Records/2016 Split EP Review


  This  is  a  review  of  a  split  ep  between  Mexico's  No  Peafowls  and  Comingforever  which  was  released  in  2016  by  Cuerpo  Records  and  we  will  start  off  the  review  with  No  Peafowls  a  band  that  plays  a  mixture  of  black  metal,  noise  rock  and  no  wave.

  Their  side  of  the  split  starts  out  with  distorted  amp  noises  and  avant  garde  style  soundscapes  as  well as  a  touch  of  harsh  noise.Spoken  word  parts  can  also  be  heard  briefly  before  going  into  more  of a   no  wave  direction  along  with  a  brief  use  of  demonic  sounding  growls  and  the  bass  guitars  also  sound  very  powerful.

  Both  of  the  tracks  sound  very  different  from  each  other  while  before  experimental  at  the  same  time  along  with  the  second  song  adding  in  more  noise  rock  elements  and  melody. Grim  black  metal  screams  are  also  utilized  at  times.  The  production  sounds  very  dark,  raw  and  lo-fi  while  the  lyrics  cover  real  life  themes.

  In  my  opinion  No  Peafowls  are  a  very  great  sounding  mixture  of  black  metal,  noise  rock  and  no  wave  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out t his  band.  RECOMMENDED  TRACK  "Eye".

  Next  up  is  Comingforever  a  solo  project  that  plays  a  very  traditional  form  of  black  metal.

  His  side  starts  out  with  programmed  drum  beats  before  going  into  a  heavier  musical  direction  while  the  vocals  are  mostly  grim  sounding  black  metal  screams.  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast  beats  can  also  be  heard  which  also  gives  the music  more  of  a  raw  feeling.

  Throughout  his  side  of  the  recording  you  can  also  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts.  A  decent  amount  of  melody  can  also  be  heard  in  some  of  the  guitar  riffing  while  both  of  the  tracks  sound  different  from  each  other  and  always  sticks  to  a  heavier  direction.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  dark  and  violent  themes.

  In  my  opinion  Comingforver  are  a  very  great  sounding  traditional  black  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  his  side  of t he  split.  RECOMMENDED  TRACK  "Eradicate".

  In  conclusion  I  feel  this  is  a  very  great  sounding  split  that  shows  2  different  styles  of  black  metal  and  if  you  are  a  fan  of   the  many  different  sub  genres  of  black  metal,  you  should  check  out t his  split.  8  out  of  10. 

  

Handful Of Hate Interview

1.Can you give us an update on what has been going on with the band since the recording of the new album?



Well we got a long time recording without any stress but during this period each one of us got personal problems, mainly concerning job and all day life. Our previous bass player simple surrounded letting us carrying on the greater part of the recording sessions. Now we replaced him with a new one and we're rehearsing for next gigs.





2.In May you have a new album coming out, musically how does it differ from the stuff you have released in the past?



I like to use to words: spontaneous and mature. More mature and various but at the same time more powerful like never before.



3.What are some of the lyrical topics and subjects the band explores with the newer music and also how would you describe your progress as songwriters over the years?



Well there are topics we use to deepen since the beginning of our activity like carnality and punishment. Year by year we developed a strong attraction toward the iconography of martyrs, tortures and inner fear inside man. This time we went further including many aspect of the medieval italian and european tradition. We mentioned symbols, heraldry, and feudalism.

This epic aspect meets slower parts into music and powerful riffing. We moved from a frontal attack to a complete songwriting in many different shapes and frames. Songs are enriched by more melodies just following a free flow of songwriting melting between blast beats and massive kick drumming.



4. A lot of your early lyrics dealt with Goetia, Qliphoth, Thelema, Tanta and Sex Magick, can you tell us a little bit more about your interest in the occult?



Occultism has been my personal interest between the middle and the end of 90’s. I just passed this stage shaping more cultural and deeper aspects of carnality, philosophy and history.



5.What is the meaning and inspiration behind the name 'Handful Of Hate'?



The name was an idea of our first bass player Ugo Pandolfini now RIP. One day while we was traveling by train he told me “about the name, we need something representing our way to play music like a clenched fist or an handful…” an handful of what?... HATE!



6.Can you tell us a little bit more about the artwork that is presented on the new album cover?



For the artwork we got inpired by “The Book of Keels” an irish illuminated manuscript of the 9th century A.D.

We worked on some images re-interpreting the meanings and some figures. I’m a historian of the Middle Ages and Andrea (the other guitar player) is a student of the Middle Age too.


7.The band has been around for more than 20 years, what is it that motivates to keep going after more than 2 decades?



This year are 26. Honesty? Because I still have something to say through the extreme music.



8.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?



We played many good shows but I still remember some festival especially in Italy, Spain, Austria and France with great bands and very good public. I do not remember the details but we played many lives where coming back home you were proud of you and you got the possibility to know great friends around. We try to play our setlist as more similar as the cd maybe a bit faster or more powerful and slowing some parts re-arranged for concerts. Mostly depends on the stage, sound and off course the public!



9.Do you have any touring or show plans once the new album is released?



We already fixed some gigs in Italy and maybe in Autumn we’ll come back to Spain. Unfortunately things got worse and we’re all so involved into all day life and respective jobs for this motive we have less time to play around like in the past.



10.On a worldwide level how has the reaction been to your music by fans of black metal?



Honesty I noticed a lot of people claiming that they were surprised to hear a pretty unknown band to the mainstream black metal to play such impressive music.



11.Where do you see the band heading into musically during the future?



I don't know… we follow the river of our instincts. We’ll keep going on this extreme and blasting way we didn't manage to change to evolve our sound.



12.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?



I got many influences in the past by historical bands from AC-DC to Iron Maiden, Bathory, Venom, Morbid Angel, Dark Throne, Marduk and so on… Actually I’m not listening much music so I took inspiration from my inner side.



13.Before we wrap up this interview, do you have any final words or thoughts?



I want to thank you for the interview and all people around the world supporting Handful Of Hate.