Showing posts with label Shadowflag. Show all posts
Showing posts with label Shadowflag. Show all posts

Saturday, May 2, 2020

Shadowflag/In Asylum Requiem/Clobber Records/2020 CD Review


  Shadowflag  are  a  band  from  the  United  Kingdom  that  has  been  featured  before  in  this  zine  and  plays  a  very  poetic  form  of  black  metal  and  this  is  a  review  of  their  2020  album  "In  Asylum  Requiem"  which  will  be  released  in  June  by  Clobber  Records.

  A  very  dark,  heavy  and  melodic  sound  starts  off  the  album  while  the  vocals  are  mostly  high  pitched  black  metal  screams.  When  guitar  solos  and  leads  are  utilized  they  also  add  in  a  great  amount  of  melody  along  with  some  tracks  also  adding  in  some  clean  singing  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.

  When  the  music  speeds  up  a  decent  amount  of  blast  beats  and  tremolo  picking  can  be  heard  which  also  gives  the  songs  more  of  a  raw  feeling.  Synths  can  also  be  heard  in  certain  sections  of  the  recording  along  with  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts,  harsh  noises  can  be  heard  briefly  and  the  closing  track  is  also  very  long  and  epic  in  length  and  also  adds  in  some  orchestral  touches. 

  On  this  recording  Shadowflag  plays  a  style  of  black  metal  that  is  very  raw,  melodic  and  atmospheric  sounding.  The  production  sounds  very  raw  and  heavy  while  the  lyrics  cover  dark  and  poetic  themes. 

  In  my  opinion  this  is  another  great  sounding  album  from  Shadowflag  and  if  you  are  a  fan  of r aw,  melodic  and  atmospheric  black  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "One  Beast  One  God"  and  "To  The  Earth,  To  The  Corpse,  To  The  Seas".  8  out  of  10.

https://youtu.be/nSxdkw48wHg

Thursday, May 25, 2017

Shadowflag Interview


1.Can you give us an update on what has been going on with the band since the recording of the new album?
We recorded ‘The Delusion Machine’ at the end of last year. We then spent time making sure that the sound was exactly what we wanted for this album. We found the process of writing this album (our third) incredibly difficult especially given the central themes that we were addressing. We immersed ourselves into the true futility of existence and wanted the final recording to represent every part of that struggle. We have also spent some time making a video for the first single, ‘The Beasts That Perish’, and this was released in May. This involved filming on hillsides in freezing cold winds – so the struggle lived on! Other than that, we released a single called 'Mourn Defeat' in January, with an official video, in aid of the mental health charity 'MIND', we have played a few live shows including a short tour with our good friends in Stahlsarg, and we have started to bring some of the new songs to the live arena.

2.How would you describe the musical sound that is presented on the recordings?
We would certainly consider that this album captures struggle and desperation more than any other. We have always maintained a groove to our song writing – in the same way as, for example, Satyricon or The Infernal Sea, but there are more nods towards a more traditional style of black metal on this album. The spoken word is still present and is intertwined within the songs – a good example is the last song on ‘The Delusion Machine’, called ‘Singularity 45’, where we have finally managed to use a spoken word line as the main vocal, and it only adds to the crushing heaviness of the song. It’s these type of achievements that we are the most proud of.

3.You refer to your music as 'poetic black metal', can you tell us a little bit more about this term?
Well, the ‘poetic’ bit is easy. We all adore the use of spoken word and voice as an art form, and we make sure that on each album we include short passages wherever we can. Our self-titled first album was a 5000 word epic poem interweaved with music so this definitely a description with which we can always identify ourselves. We consider ourselves ‘black metal’ because we view it as the only true genre where absolute artistic expression can be allowed to wander and thrive like no other. Black metal provides a blank canvas – unblemished by the constraints and limitations of the world in which we dwell. It allows Shadowflag to develop organically and naturally like no other genre would, and it has given birth to one of the most dedicated followings around. It’s a sound that doesn’t just push the boundaries, it has no boundaries in the first place.    

4.What are some of the lyrical topics and subjects the band explores with the music?
On ‘The Delusion Machine’, we collectively made the decision to face our most chilling concept yet. Presenting the human species as being without purpose, the album explores the fear of the absolute nothingness within everything that mankind has become. There has never been a more poignant time in history when the reality of the vacuum at the centre of existence has been so apparent. ‘The Delusion Machine' is a bleak representation of futility and despair, yet also holds some hope within these barren soundscapes. Although this is fairly straightforward to summarise, confronting the pointlessness of life ended up having a very profound effect on each of us as well as the album itself. You only have to listen to tracks like ‘The Brutality’ and ‘Kingdom of Zero’ to understand a little more about where we were at.

5.What is the meaning and inspiration behind the name 'Shadowflag'?
‘Shadowflag’ is the name of the ship in the story from our debut album, ‘Shadow Flag’. It represents salvation and resolution. We can relate to the journey of the Voyager as told in this album. Thus, we chose it as our name. The poem was written before the band was formed, and Carps and I both felt that Shadowflag was the true representation of us. It is mere coincidence that it is used in the Pearl Jam song ‘Garden’ – although the lyrics to that song could be an inspiration in themselves.

6.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?
We have played a whole load of shows and enjoyed every single one of them. Our stage performance is high-energy, captivating and dark – and we enjoy constructing sets with high points and low points, rises and falls. It keeps the audience guessing and gives us some freedom to flow with the music. Some of the best shows we have played include the ones at our spiritual home, Scruffy Murphy’s in Birmingham. Also, we have played festivals like Beermageddon and were invited to play at Northern Extremity XIII in York.

7.Do you have any touring or show plans for the new album?
For sure. We have an album launch party on June the 23rd in our hometown of Cheltenham and then we play at Carpathian Alliance festival in Ukraine in July. Following that, we are looking at a few more short runs of dates in September, a big show at Scruffy Murphy's in Birmingham in November, and then finish up at the fantastic Blackwood Gathering in Cumbria, UK in October. We then plan to start filling our gig calendar for 2018. .

8.Currently you are unsigned, are you looking for a label or have received any interest?
We are currently unsigned and we don’t see that as a major issue. We have had some label interest but we didn’t feel that it would work for us in the right way. We think that bands have to realize that being signed is no longer the holy grail as you can do a great deal on your own, and labels have to realise that you have to work even harder than ever for your bands right now. If the right label came along, and we felt it was right for Shadowflag, then we would jump at the chance.

9.On a worldwide level how has the feedback been to your music by fans of black metal?
Fantastic. We seem to have picked up fans all over the place. Mainland Europe is always a feeding ground for the extreme end of music, but we have also seen great interest in South America and the USA. We do find that we gather fans whose tastes are wider than black metal which may mean that we are more accessible in a way. That’s got to be a good thing, right?

10.Where do you see the band heading into musically during the future?
Who knows? We try and do things a bit different on every album. We have a process where we just write whatever comes naturally to each of us, and then throw them into the simmering cauldron. We are actually doing that right now and ‘The Delusion Machine’ hasn’t even come out yet. We find it the best time to write. And then, when we are least expecting it, a beast of a thing clambers out of the cauldron….and there’s our new album.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
We are all a little different really. We would always say that the bands that influenced Shadowflag would be the obvious ones like Satyricon, Emperor and Enslaved, but we have roots running into bands like Kreator, Testament and Tryptykon, or Paradise Lost and Blut Aus Nord. Individually, we have very extensive tastes and are always devouring new music and this blends into our common approach. At the moment, we are into The Infernal Sea, Anaal Nathrakh, Sathamel, Batushka and the new Overkill album is pretty full on.

12.What are some of your non musical interests?
Everything – the world is a fascinating place so we just wander about taking it all in. Seems odd we all ended up here, doesn’t it? Then we generally drink a few beers and go and do something musical.

13.Before we wrap up this interview, do you have any final words or thoughts?
Nothing more from us….except to say thanks very much for giving us a chance to let you know about our forthcoming album and we hope to see you on the road sometime.

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Wednesday, May 17, 2017

Shadowflag/The Delusion Machine/2017 Full Length Review


  Shadowflag  are  a  band  from  the  United  Kingdom  that  plays  a  poetic  form  of  black  metal  and  this  is  a  review of  their self  released  2017  album  "The  Delusion  Machine"  which will  be  released  in  June.

  Soundscpaes,  drones,  and  spoken  word samples  start  off  the album  before  going  into  a  more  heavier  and  melodic  direction  and  you  can  also  hear  a  lot  of  melody  in  the  solos  and  leads  along  with  all  of  the  musical  instruments  sounding  very  powerful  and  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard.

  During  the  faster  sections  of  the  songs  the  riffs  also  use  a  decent  amount  of  tremolo  picking  which  also  gives  the  music  a  more  raw  feeling  while  the  vocals  are  mostly  high  pitched  black  metal  screams  that  also  have  their  grim  moments  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts,

  A  lot  of  the  songs  mix  both  the  atmospheric and  heavy  parts  together  and  some  tracks  also  add  in  avant  garde  elements  which  also  gives  the  songs  a  more  experimental  feeling  along  with  a  brief  use  of  atmospheric  synths  as  well  as  some  doom  and  thrash  metal  influences  and  a  couple  of  the tracks  are  very  long  and  epic  in  length.

  Shadowflag  plays  a  style  of  black  metal  that  is  very  modern  while  also  having  their  raw,  melodic  and  atmospheric  moments,  the  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  cover  poetic  and  philosophical  themes.

  In  my  opinion  Shadowflag  are  a  very  great  sounding  poetic  black  metal  band  and  if  you  are  looking for  something  that  is  different,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Beasts  That  Perish"  "Kingdom  Of  Zero"  and  "Singularity  45".  8  out  of  10.

www.shadowflag13.com