1. Can you give us an update on what has been going on with the musical project since the recording and release of the new album?
Right after finishing and releasing the album Reveria Umbrarum in Tenebris, I kept working. I'm currently writing new material that will form the foundation of the next release. The songs are already roughly shaped but will certainly evolve throughout the process. I'm also planning a collaboration with a local black metal band for a special single—we’ve been discussing it for some time now. So, no break—just moving forward.
2. You recently released your first full-length album. Can you tell us more about the musical style you chose for this release?
The music on this album is deeply rooted in the tradition of the second wave of black metal, with an emphasis on atmosphere, dark melodies, and expressive dynamics. Guitars take the lead, driven by riffs that blend aggression and melody, while keyboards and synths—present in every track—add depth and support to the guitar structure. Orchestrations were used in a few songs, but in moderation, to retain the raw authenticity of the sound. Vocals follow a classic black metal style, while the production strikes a balance between clarity and grit, staying true to the spirit of traditional black metal.
3. With this project you chose a black metal direction, but you’ve previously worked in death metal and neoclassical music. Do you think your previous musical experience helped you become a better musician?
Absolutely. Every genre I've explored left a mark on my creativity. Death metal helped me develop technical skills and understand more complex structures, while neoclassical music opened up space for different melodic approaches and atmospheres. Even though Ludus Umbrarum is purely a black metal project, all those previous phases contributed to my expression—both in composition and production. I believe that musical diversity can only enrich the creative process.
4. What lyrical and thematic concepts have you explored in your music so far?
Thematically, I focus on dark symbolism, occultism, nihilism, and anti-Christian elements, which are in line with the genre’s tradition. Sometimes the lyrics take on a more philosophical and contemplative tone, but everything is imbued with an atmosphere of darkness, inner reflection, and spiritual conflict. I don’t aim to write direct narratives, but rather pursue a poetic expression that reflects certain states of mind or emotions.
5. I know the name of the project means “Game of Shadows.” How does that name reflect the musical direction you’ve taken?
The name was taken from one of my earlier instrumental compositions, which was later reworked into a black metal version titled Shadows Embrace. That track perfectly captured the atmosphere I wanted to convey—mysterious, dark, and introspective. The name Ludus Umbrarum truly reflects the idea of a fusion between art and darkness, music and inner worlds.
6. Can you tell us a little bit more about the artwork that is presented on the new album cover?
The cover artwork for Reveria Umbrarum in Tenebris was created by me, with some refinement and assistance through AI tools. That allowed me to shape the visual identity down to the finest details, reflecting the sound and atmosphere of the album. The dominant image is of an ancient fortress in the mist—a symbol of a lost world trapped between dimensions. Figures barely visible in the shadows represent homeless souls, eternal wanderers of darkness. The palette is minimal, almost monochromatic, further enhancing the sense of coldness and distance.
7. You do everything yourself in this project. Do you prefer working that way?
At the moment, yes. I’ve always wanted full control over the sound and the concept I want to convey. Of course, I’m open to collaborations or possibly forming a live lineup in the future, but as a creative process, working in solitude suits me best—it allows for complete honesty and focus.
8. The album was released through Drakkar Productions. How did that collaboration come about?
I sent my material directly to Drakkar Productions. In most labels, there's a consistent emphasis on quality, and I believe Drakkar recognized that in my work. They responded quickly and showed interest after hearing the first tracks I sent. Our communication was smooth and professional, and we reached an agreement soon after.
9. How has the audience responded to your album globally?
Honestly, more than I expected. I’ve been receiving messages from different parts of the world, and the reviews I’ve seen so far are very positive. People seem to recognize the honesty and effort behind the music, and that means the most to me. I’m especially glad that the album is resonating with both long-time scene veterans and younger listeners.
10. Where do you see yourself as a musician in the future?
I plan to keep working on new songs and further developing the project’s sound. Live performances may happen at some point, depending on the circumstances. I'd also love to return to instrumental work—but for now, the focus is entirely on Ludus Umbrarum.
11. What music are you currently listening to?
I mainly listen to black metal, especially bands from the ‘90s like Emperor, Dimmu Borgir, Mayhem, and Immortal. I don’t listen to much of the newer black metal, but I do enjoy some of it. Besides that, I have a deep love for thrash metal, classic hard rock, and heavy metal. Classical music plays a significant role in my life as well. And I also have a lot of appreciation for bands like Pink Floyd—timeless music that continues to inspire me in different ways.
12. Any final message for the readers?
Thank you to everyone who has listened to the album and supported the project. Music is at its strongest when it’s shared sincerely, and if my music has meant something to even one listener—then it was all worth it. The scene lives on as long as there are those who create passionately and those who listen with the same intensity.
Nino
Ludus Umbrarum
.png)
.jpg)
