1.For those that have never heard of you before, can you tell us a little bit about the solos project?
This project was a much-needed refresh for my creative journey. After over a decade of composing Black Metal, I often felt that something was missing. Eventually, I discovered a new sense of clarity and purpose—and from that, Sigilo was born. With a more mature and professional approach, the results speak for themselves. This project stands as proof that with dedication and hard work, we can truly achieve something meaningful.
2.Recently you where a part of a split, can you tell us a little bit more about the musical style that you went for on the recording?
My musical style is in constant evolution, guided by a single principle: music should be simple, yet mesmerizing. It must carry its own uniqueness, but above all, it has to be a Song—it needs to make sense and resonate with the soul.
3.You started the project in 2019 but waited until 2025 to release any music, can you tell us a little bit more about the long wait?
I started composing for Sigilo as soon as the project was born. The creative process took around one to two years, as I was exploring the right direction for each song. I ended up writing about 14 tracks during that time. With a clear goal in mind—to deliver a result worthy of a major label—I began saving funds to invest in professional mixing and mastering.
While doing that, I also started recording everything myself at home, carefully following the guidance I received from Guilhermino (Blind & Lost Studios). This process continued until early 2023, by which point I had eight tracks fully mixed, mastered, and ready to go.
I began sending the songs out to labels, but there was one in particular I had my heart set on: Alma Mater Records. By chance, I met Fernando Ribeiro in person and told him about Sigilo. He asked me to send him the tracks—and the rest, as they say, is history.
We discussed the idea of releasing a full album, but ultimately agreed it made more sense to begin with a split release. It was a great opportunity to build a bridge between Portugal and Brazil. So we got to work, found the ideal band to join the split (Luxúria de Lillith), and now here we are—at the release of Sermão, July 2025.
4.A lot of your lyrics cover Occultism themes, can you tell us a little bit more about your interest in the dark arts?
Occultism has been a constant presence in my lyrics throughout this decade-long journey. To me, it feels natural—almost automatic—as if my hands are merely vessels for the messages they carve. I despise the weight religion imposes on our lives, and as the track 'Universal Gathering Chantic' declares: by destroying religion, we pave the way to a better world.
5.What is the meaning and inspiration behind the name 'Sigilo'?
In Portuguese, Sigilo holds a double meaning: it is both a closely guarded secret and a magical sigil used in witchcraft or demonic rites. And that duality fits perfectly. This is a ‘secret’ that channeled the music’s energy through me—like a sigil would. It became my conduit, and I became its vessel.
6.With this project you record everything by yourself but have experience working with other musicians in previous bands, you you prefer to work solo?
There are pros and cons to every way of working. When I weigh them, I prefer to work alone. But of course, I have to be prepared for the disadvantages that come with it—like not having a second opinion when I need one. One way I’ve worked around this is by collaborating with Guilhermino and Blind and Lost Studios, relying on his seasoned insight for matters beyond my full grasp.
7.Recently you where a part of a split with 'Luxuria de Lillith', what are your thoughts on the other project that was a part of the split?
Luxúria de Lillith is living proof of how far sheer will and unwavering vision can take a one-man Black Metal project. Alysson has endured where many fall apart. I can only hope to carve out a legacy with the same relentless force—and to keep watching him tear through the scene, doing what he does with brutal precision.
8.The split was released through 'Alma Mater Records', can you tell us a little bit more about this label?
From the moment Alma Mater Records was born, it had my attention. I’ve carried the quiet dream of one day joining its ranks. In Portugal, no band stands taller than Moonspell—none have achieved what they have. So to be welcomed by Fernando Ribeiro isn’t just an honor; it’s a milestone that echoes deeply over here.
9.On a worldwide level how has the reaction been to your music by fans of black metal?
I’ve crafted my music to resonate with true Black Metal fans, but also to reach beyond—to draw in Metalheads of all kinds, and maybe even listeners from outside the genre. My goal was clear: to win over new ears without ever betraying the essence that diehard Black Metal fans expect.
10.Currently you are working on a full length, what can we expect musically once it is released?
Gloria Ad Inferi will be a significant release—an evolution of the path I began on Sermão. It draws listeners into haunting soundscapes, steeped in darkness and crafted to echo within the deepest parts of the soul.
11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
With all due respect to the pioneers who forged Black Metal into what it is, my sound draws strongest influence from five key bands: Behemoth, Satyricon, Immortal, Lifelover, and Inquisition. But when I’m creating, I shut everything else out. I don’t listen to other bands—I need to stay loyal to my own voice, untainted and pure.
12.Before we wrap up this interview, do you have any final words or thoughts?
Endless thanks to everyone who took the time to listen to my music. And if you haven’t yet—what are you waiting for? My Black Metal project Sigilo is carved from the underground and deserves your ears. Support the underground—it lives and breathes through you!
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https://www.sigiloblackmetal.bandcamp.com
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