1. For those that have never heard of you before, can you tell us a little bit about the band?
Back in 2001, we founded a black metal band called Oblivion — the original lineup included Javi Arash and Lord Ashler. We recorded a demo and even had the chance to share the stage with Ancient. Although that project eventually faded without a clear reason, we always felt the need to fulfill what we started. Gjallarhorn’s Wrath was born from that desire — to finally record a full album and bring our vision to life.
When we decided to revive the project, we met Alex Caron, and we instantly knew he had to be the new voice of Gjallarhorn’s Wrath. His vocal range and presence perfectly matched the intensity we were looking for.
Now that the debut album is out, we want to keep moving forward — creating new music, exploring new ideas, and continuing the journey of Gjallarhorn’s Wrath.
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2. In September you have a full-length coming out. Can you tell us a little bit more about the musical style that you have gone for on the recording?
Most of the songs begin with initial compositions by Javi Iron, who lays the foundation and structure. After that, each of us brings in our own parts — whether it's guitar lines, orchestration, lyrics, or atmospheric elements — making the final result a true blend of all our contributions.
When we first met Javi, he was very into bands like Satyricon, Limbonic Art, and Emperor, and those influences helped shape the early sound and direction of the project. The album itself is rooted in black metal, enriched with death metal elements and symphonic textures that give it a powerful yet immersive atmosphere.
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3. A lot of your lyrics cover occult themes. Can you tell us a little bit more about your interest in this topic?
Our fascination with the occult comes from a deep love for horror — especially classic horror films and the writings of H.P. Lovecraft. We’re drawn to that sense of mystery, dread, and the unknown. Through our music and lyrics, we aim to transport the listener to a mystical realm beyond this reality — a world shaped by ancient forces, forgotten rites, and cosmic darkness.
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4. What are some of the other lyrical topics and subjects the band has explored so far with the music?
While occult themes are a strong part of our identity, we believe it's also important to explore topics that go beyond the typical black metal framework. For example, our song A Silent Scream reflects the despair and emotional decay caused by abandonment. We delve into themes like sadness, unrequited love, inner torment, and the grotesque nature of the human psyche. These moments of misery and emotional ruin carry a raw, haunting beauty — and they fit naturally within the dark atmosphere we aim to create.
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5. I know that the band name comes from Norse mythology. Can you tell us a little bit more about the research you have put into this subject?
The name Gjallarhorn’s Wrath is a direct reference to the mythical horn of Heimdallr, the guardian of the gods, which will sound at the beginning of Ragnarök. We were drawn to the powerful symbolism — a call to the end, to chaos, to transformation. While we don’t follow Norse mythology in a dogmatic or historical way, we’ve spent time exploring its stories, archetypes, and esoteric meanings. The myths are filled with raw violence, fate, and cosmic cycles — themes that resonate deeply with our music.
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6. Can you tell us a little bit more about the artwork that is presented on the new album cover?
The album cover was deliberately designed to be open-ended — like an unfinished canvas. Instead of revealing everything, it leaves space for the listener’s imagination, inviting them to step into the limbo we’ve created through our music. It visually connects with the world we created in the Wiccan Wyrd video clip: a kind of limbo, a place suspended between realities. At the center of this visual and lyrical concept is the Silver Key, which appears throughout the album. It’s a direct reference to one of Lovecraft’s tales — a symbol of transcendence, forbidden knowledge, and the door to other dimensions. Just like the music, the artwork invites the audience to step beyond the veil.
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7.Has the band done any live shows or open to the idea?
Right now, the members of Gjallarhorn’s Wrath are spread across different countries — I (Arash) live in Barcelona, Lord Ashler is based in London, Javi Iron is in Poland, and Alex Caron lives in Canada — so getting together isn’t easy.
That said, we’d absolutely love to bring this project to the stage. Maybe not a full tour, but we’re definitely open to doing a few special concerts — something meaningful, where the atmosphere and demand make it worth the effort. If people want to see us live, we’ll do everything we can to make it happen.
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8. The album is coming out on 'Non Serviam Records'. How did you get in contact with this label?
Once we had the album fully recorded, we started searching for a label that truly understood our vision — one that supports extreme music with authenticity and passion. Non Serviam Records was at the top of our list. We sent them our work, and their response was immediate and enthusiastic. From the beginning, they’ve been incredibly supportive, and it’s clear they care deeply about the bands they work with. It’s an honor to release our debut album with a label that truly believes in what we’re creating.
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9. On a worldwide level, how has the reaction been to your music by fans of black metal?
Considering we’ve only released two singles so far and there’s a huge amount of competition within the metal scene, we’re really pleased with the response. Both video clips have received a solid number of views on YouTube, and it means a lot to see people discovering and connecting with our music so early on.
What’s truly exciting is reading the comments — people pointing out specific parts of the songs that moved them, or even saying we’ve become their new favorite band. That kind of feedback is incredibly motivating. Of course, we know this is just the beginning — and we hope that with the release of the full album, we’ll be able to reach even more listeners around the world who are drawn to this kind of dark, immersive sound.
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10. Where do you see the band heading musically in the future?
We don’t want to be tied to any strict formula. While black metal is our foundation, we’re always drawn to new atmospheres, textures, and emotional extremes — whether it’s through orchestral layers, ambient darkness, or even heavier and more chaotic passages.
That said, for this debut album we consciously imposed some limitations to make sure it felt coherent — not just a collection of disconnected songs. In some cases, we removed guitar licks or entire sections for the greater good of the track or the flow of the album. It was all about serving the vision as a whole.
For the next release, we want to give ourselves more freedom to experiment — to explore other flavors and dynamics without fear. Each album should feel like a different portal into the world of Gjallarhorn’s Wrath, constantly evolving without losing our essence.
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11. What are some of the bands or musical styles that have had an influence on your music, and also what are you listening to nowadays?
Each member of Gjallarhorn’s Wrath has their own musical background and personal taste — and to be honest, I can’t speak for everyone. For example, I know Alex Caron besides Black Metal, he also enjoys listening to and singing deathcore, which adds a different edge to his vocal delivery.
As for me, I'm listening to a wide variety of styles. I love this is no Fairy Tale by Carach Angren, Wintersun album The Forest Seasons...and I also enjoy the Death metal bands coming out of Finland or Sweden. I guess we all bring a bit of that diversity into the band — even if our core sound is rooted in darkness.
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12. Before we wrap up this interview, do you have any final words or thoughts?
We want to thank everyone who has taken the time to listen, share, and support Gjallarhorn’s Wrath. This project is a labor of passion and darkness — a journey into mysticism, despair, and the unknown. We hope our music resonates with those who seek something beyond the ordinary, who want to dive deep into a world of shadows and forgotten secrets.
The full album is just the beginning. For those who feel the call of the darkness, stay close — much more awaits in the shadows.
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