Showing posts with label Pagan Megalith. Show all posts
Showing posts with label Pagan Megalith. Show all posts

Saturday, June 20, 2020

Wolfkrieg/When The Cold Comes/We Are At War Records/2020 CD Review


 
  Russia's  Wolfkrieg  have  returned  with  a  new  recording  which  continues  the  national  socialist  style  of  pagan  black  metal  and  this  is  a  review  of  their  2020  album  "When  The  Cold  Comes"  which  was  released  by  We  Are  At  War  Records.

  Dark  sound  effects  start  off  the  album  before  going  into a   very  fast  and  raw  musical  direction  which  also  uses  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  mostly  high  pitched  black  metal  screams  while  death  metal  growls  are  also  utilized  briefly  and  the  riffs  also  add  in  a  decent  amount  of  melody.

  Keyboards  can  also  be  heard  in  certain  sections  of  the  recording  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  A  couple  of tracks  also  adds  in  a  small  amount  of  folk  instruments  along  with  the  guitar  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are  utilized.

  The  music  also  shows  a  lot  of  roots  in  the  80's  but  also  maintaining  a  very  modern  sounding  atmosphere  at  the  same  times,  all  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  and  as  the  album  progresses  the  music  also  adds  in  a  some  cinematic  elements,  choir  vocals  can  also  be  heard  briefly  on  the  closing  track.  The  production  sounds  very  raw  and  old  school  while  the  lyrics cover  National  Socialism,  War,  Paganism  and  Historical  themes.

  In  my  opinion  this  is  another  great  sounding  album  from  Wolfkrieg  and  if  you  are  a  fan  of  national  socialist  pagan  black  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "The  Fury  Of  The  Giants"  "We  Are  The  Troops  Of  Doom"  "Oblivion  And  Fear"  and  "God  Of  Lie".  8  out  of  10.

https://www.bitchute.com/video/C4eUKC0Sx4Fm/ 

    

Monday, February 26, 2018

Pagan Megalith/Tulveg/End Beyond/Spiritside Productions/2017 CD Review


  Pagan  Megalith  are  a  band  from  Hungary  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  a  very  raw  and  acoustic  form  of  black  metal  and  this  is  a  review  of  their  2017  album  "Tulveg/End  Beyond"  which  was  released  by  Spiritside  Productions  and  will  also  be  the  final  recording  of  the band.

  Acoustic  guitars  along  with  some  other  folk  instruments  start off  the  album   while  blast  beats  and  grim  black  metal  screams  can  also  be  heard  quite  a  bit  throughout  the  recording  as  well  as  the  tremolo  picking  giving  the  songs  a  more  raw  feeling  and  all  of  the  music  is  done  with  no  electric  instruments.

  Finger  picking  and  full  chords  can  also  be  heard  from  the  acoustic  guitars  while  the  songs  also b ring  in a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  one  track  bringing  spoken  word  parts  onto  the  recording  as  well  as  the  music  also  having  a  very  medieval  feeling  at  times  and  a  couple  of  the  tracks  are  long  and  epic  in  length.

  On  this  recording  Pagan  Megalith  takes  the  raw  black  metal  style  into  more  of  an  acoustic  direction  as  well  as  capturing  the  aggression  with  no  electric  guitars  and  adding  in  elements  of  folk  music,  the  production  sounds  very  dark  and  raw  while  the  lyrics  are  written  in  Hungarian  and  cover  nihilism  and  death  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Pagan  Megalith  and  if  you  are  a  fan  of  raw  black  metal  and  folk  music,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Sxakad  az  eg  /Sky  Is  Ripping"  "Tovestol/By  The  Root"  and  "Egy  vilag  omlik  ossze/A  World  Collapses".  8 out  of  10.

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Wednesday, March 8, 2017

Pagan Megalith Interview


1. For those that have never heard of you before, can you tell us a little bit about the band?

Tuhlv: Pagan Megalith was formed in the end of 2004, after going deeper in music and history of the Early Norwegian Black Metal scene. That genre seemed to be full of secrets and beyond our world. Listening to that was not enough, so it was a natural step forward to create an atmosphere on our own.
By watching back, our first release "From Hell to the Highest Peaks", a demo from 2006 had been born this way, using the simpliest forms. In 2007 we began doing concerts as well.
As a next chapter, the first LP entitled "Ólomharangok / Leadenbells" was written in 2008. At that point the previously used English language of lyrics has been switched to Hungarian. The message behind the band evolved, rooted deeply against existence.
The band planned to record its second album in 2010. After composing and rehearsals, right before entering the studio we decided to split up due to personal reasons.
After years of silence, when previous conditions shattered the group has returned in 2016, at first to finally make that yet unfinished album called "Viharjárás / Stormburst". After recordings it became available in digital form via Spiritside Productions. Besides this, Neverheard Distro from Hungary released it on Cassette on the final day of February 2017.


2. In October the band had released a new album, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?

Ae: The lyrical concepts on our new album became even more straightforward then it was on the debut record. On the other hand the soundscape is much more raw as this time we did everything by ourselves thus the result is exactly what we wanted to hear.

Tuhlv: There was only a very little time between the writing and recording of our previous material in 2008. But at this time that preparation period has been extended because of the hiatus we had. We’ve given the chance to revise our thoughts once again with an elder approach. It means after our reunion I gathered my inspirations by taking walks in the mountains or among graves and I re-wrote some of the lyrics at night in an old empty attic in candlelight. I recognized that the right time and place is fundamental.


3. What are some of the lyrical topics and subjects the band explores with the newer music?

Tuhlv: The topics mentioned on "Viharjárás / Stormburst" may seem various, still Negation and Death Worship is a constant personal point of view. For example, the song "Mennykövek" is about superstitious beliefs, "Rex Saturnalis" and "A siralmas énekből" touches historical themes. Some like "Magvaszakadtak" or "Alakmás" are based on imaginations while some others are written from real experiences.


4. The band was broken up for a few years, what was the cause of the split and also the decision to reform?

Ae: By 2011 the band didn’t want to coexist alongside with personal factors given that time.
As of 2016 all of these elements disappeared and made that possible to tell the words of Viharjárás that were untold before. Recording and releasing was an obvious point to continue from.


5. I know that the band name comes from a Gorgoroth song, how does this name fit in with the musical style you play?

Ae: The early works of Gorgoroth has always been a big impact on my musical taste. This fact in line with the primal intent - to use the legacy and aesthetics of the Second Wave of Black Metal - justifies the name of the band.


6. Currently there are only 2 member in the band, are you open to expanding your line up again or do you prefer to remain a duo?

Ae: Since the re-union we have this line-up. We can perfectly work together in this form and for live appearances we are assisted by Vick, a session member on drums. I don't think any additional individual would be needed to the creative core of the band.

Tuhlv: If we may wish to use other tones in our instrumentation in the future, that would take place by guest musicians. But indeed, we do not want to expand our current line-up permanently. In long term, the opposite is what we crave for. It is beyond words how the absence of ourselves is awaited.


7. What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

Ae: Back in 2008-2009 the band organized it's own underground events under the name ’Allies of Pagans’. There were four events in total and my personal view is that these nights had that vibe we wanted to achieve.

Tuhlv: We enter the stage to invocate and spread Nothingness in present time. I admit in can cause controversies that we state Pagan Megalith calls for No One, and still performing concerts. But the might of Anti-Life Propaganda what we stand for must prevail. We are only the ones who BY and THROUGH all this manifests, not FOR.


8. Do you have any touring or show plans for the future?

Tuhlv: So far, during the past ten years we had a lot of shows with various projects. And although we occasionally do concerts with Pagan Megalith it can happen if conditions are suitable. It may cause that we keep our stage presence at a minimum level.
Nowadays, instead of touring, we rather search for other forms of art that allows us to stay away from direct human presence. Here I think of visual creations for example, I mean videos - in which we can contain ideological essence in a similarly intense way.


9. On a worldwide level how has the feedback been to your music by fans of black metal?

Ae: We create this music to channel our inner thoughts and beliefs into something tangible and not to entertain people. I do read the feedbacks for our music but I am impacted by my own criticism.


10. Are any of the band members currently involved with any other bands or musical projects these days?

Tuhlv: I do, but it is not intended to highlight our own selves with this interview. To keep it short, among others I was and/or will be in Svoid, Karst, Voltak and Gravel Shores.

Ae: I don't have any other active bands right now.


11. Where do you see the band heading into musically during the future?

Ae: Backwards in time.

Tuhlv: Yes, but I feel it is yet early to speak about plans. By finishing our second album, it revealed for us where we do not wish to stay or proceed. Many years ago I have chosen Black Metal because of the atmosphere it had, the influences it contained as a heritage. I do not mean earlier ’metal music’ but fragments linked to far more ancient times. Think of it as if we stare to a map too close, so we should do a step back to see the whole…


12. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Tuhlv: On our latest album "Viharjárás" our musical influences are quite obvious. Musically we followed the heritage of traditional Nordic, raw Black Metal.
Approaching this genre as a form of living, as a primary input for a very long time, a point must came when I felt I am utterly filled with it. I both instinctively and consciously keep on searching my sources.
Last year among many others I’ve been frequently listening to Aurora Aksnes’ debut album "All My Demons Greeting Me as a Friend". What is inside it, in different levels, is hard to find words.

Ae: Since the earliest days of mankind music had its own magical role in people's life. Let that be a tribal chanting or a highly rated classical works of art. Everything that involves this magic is appealing to me, no matter the time of the recording or the style.


13. Before we wrap up this interview, do you have any final words or thoughts?

Ae: Embrace Death as an opportunity!

Tuhlv: 'What else could be our life than an incessant row of overtures to that unknown melody of which first solemn tune is sounded by Death?'

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Thursday, February 16, 2017

Pagan Megalith/Viharjaras/Neverheard Distro/2017 Cassette Review


  Pagan  Megalith  are  a  band  from  Hungary  that  plays  a  very  raw  and  old  school  form  of  black  metal  and  this  is  a  review  of  their  2017  album  "Viharjaras"  which  will  be  released  on  cassette  on  February  28th  by  Neverheard  Distro.

  A  very  heavy  guitar  sound  starts  off  the  album  along  with  some  high  pitched  black  metal  screams  a  few  seconds  later  and  the  riffs  also  bring  in  a  decent  amount  of  melody  and  when  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  which  also  gives  the  songs  a  raw  feeling.

  At  times  the  screams  have  a  depressive  feeling  to  them  and  the  songs  also  bring  in  a  great  amount  of  90's  second  wave  influences  along  with  the  tracks  also  bringing  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  as  the  album  progresses  melodic  guitar  leads  are  added  onto  the  recording  and  a  lter track  also  brings  in  a  brief  use  of  clean  playing.

  Pagan  Megalith  plays  a  style  of  black  metal  that  is  very  raw  in  the  90's  Nordic  tradition,  the  production  sounds  very  raw  and  old  school  while  the  lyrics  are  written  in  Hungarian  and  cover   nihilism  and  death  philosophy  themes.

  In  my  opinion  Pagan  Megalith  are  a  very  great  sounding  raw  and  old  school  style  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  cassette.  RECOMMENDED  TRACKS  INCLUDE  "Mennykovek"  "Alakmas"  "Rex Saturnalis"  and  "Magvaszakadtak".  8  out  of  10.     

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Sunday, December 2, 2012

Sapfhier/Under Eternally Grey Skies/God Is Myth Records/Black Plague Records/2004 CD Review


  Sapfhier  are  a  1  man  band  from  Sweden  that  plays  a  very  atmospheric,  raw  and  primitive  form  of  black/pagan  metal  and  this  is  a  review  of  their  2004  album  "Under  Eternally  Grey  Skies"  which  was  released  as  a  joint  effort  between  God  Is  Myth  Records  and  Black  Plague  Records.

  Drum  programming  ranges  from  slow,  mid  paced  to  fast  parts  with  a  good  amount  of  programmed  blast  beats  being  thrown  into  the  music  at  times,  while  the  synths  bring  a  very  dark  and  atmospheric  sound  to  the  music,  as  for  the  bass  playing it  has  a  very  dark  tone  with  riffs  that  follow  the  riffing  that  is  coming  out  of  the  guitars.

  Rhythm  guitars  range  from  slow,  mid  paced  to  fast  black  metal  riffs  that  are  very  dark,  raw  and primitive  sounding  with  a  good  amount  of  pagan  style  melodies  being  thrown  into the  riffing as  well  as  a  brief  use  of  clean  playing,  while  the  lead  guitars are  very  melodic  sounding  black/pagan metal  guitar  solos  and  leads.

  Vocals  are  all  grim  sounding  and  high  pitched  black  metal  screams,  while  the  lyrics  cover  Norse  Mythology  with  one  song  being  written  in  Swedish,  as  for  the  production  it  has  a  very  dark,  raw  and  primitive  sound  to  it  with  some  of  the  songs  being  long  and  epic  in  length.

  In  my  opinion  Saphfier  are  a  very  great  sounding  atmospheric,  raw  and  primitive  sounding  black/pagan  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  :Blackened  Realm"  "Sign  Of  The  Hammer"  and  "Eternal  Eclipse".  RECOMMENDED  BUY.

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Thursday, August 2, 2012

Negura Bunget/Maiestrit/Maiastru Sfetnic/Lupus Lounge/Prophecy/2010 CD Review


  Negura  Bunget  are  a  band  from  Romania  that  plays  a  very  dark,  raw  and  primitive  form  of  pagan/black  metal  with  folk  music  elements  and  this  is  a  review  of their  2010  album  "Maiestrit"  which  was  released  as  a  joint  effort  between  Lupus  Lounge  and  Prophecy  and  is  also  a  recording  of  an  earlier  album  "Maiastru  Sfetnic".

  Drums  range  from  slow,  mid  paced  to  fast  drumming  with  a  good  amount  of  blast  beats  being  thrown  into  the  music,  while  the  keyboards  bring  a  very  dark  and  atmospheric  sound  to  the  music  along  with  some  elements  from  folk  music,  as  for  the  bass  playing  it  has  a  very  dark  tone  with  riffs  that  follow  the  riffing  that  is  coming  out  of the  guitars  and  at  times  they  have  a  very  powerful  sound  to  them.

  Rhythm  guitars  range  from  slow,  mid  paced  to  fast  pagan/black  metal  riffs  that  are  very  dark,  raw  and  primitive  sounding  with  somewhat  of  a  doom  metal  feeling  to  the  riffing  as  well  as  some  folk  music  elements  and  melody  being  thrown  in  at  times,  while  the  lead  guitars  are  very  melodic,  raw  and  primitive  sounding  black  metal  guitar  solos  and  leads,  as  for  the  acoustic  guitars  when  they  are  utilized  they  use  finger  picking  and  full  chords  to  bring  in  elements  of  folk  music  to  the  recording  along  with  a  brief  use  of  slide  guitar  being  utilized  on  the  last  song.

  Vocals  are  mostly  grim  sounding  and  high  pitched  black  metal  screams  with  some  deep  growls  and  clean  singing  being  thrown  in  at  times,  while  the  lyrics  are  written  in  their  native  tongue  and  cover  Romanian  Paganism  and  Folklore,  as  for  the  production  it  has  a  very  heavy,  strong  and  powerful  sound  which  does  not  take  away  from  the  raw  and  primitive  nature  of  the  music  with  the  songs  being  very  long  and  epic  in  length  while  you  can  still hear  all  of  the  musical  instruments  that  are  present  on  this  recording.

  In  my  opinion  Negura  Bunget  are  a  very  great  sounding  atmospheric,  dark,  raw  and  primitive  pagan/black  metal  band  and  if  you  are  a  fan  of  this  style  of  music,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "In-Zvicnerea  Apusului"  and  "Bruiestru".  RECOMMENDED  BUY.

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Thursday, July 19, 2012

Khors/Wisdom Of Centuries/Candlelight Records/2012 CD Review


  Khors  are  a  band  from  Ukraine  that  has  been  featured  before  in  this  zine  with  a  musical  style  that  I  would  describe  as  being  atmospheric  pagan  black  metal  and  this  is  a  review  of  their  2012  album  "Wisdom  Of  Centuries"  which  was  released  by  Candlelight  Records.

  Drums  range  from  slow,  mid  paced  to  fast  drumming  with  some  blast  beats  being  thrown  into  the  music  at  times  as  well  as  mixing  in  some  tribal  sounding  percussion,  while  the  synths  bring  a  very  dark,  pagan  and  atmospheric  sound  to  the  music  with  some  ambient  elements  being  utilized  at  times,  as  for  the  bass  playing  it  has  a  very  dark  tone  with  riffs  that  follow  the  riffing  that  is  coming  out  of  the  guitars.

  Rhythm  guitars  range  from  slow,  mid  paced  to  fast  atmospheric  pagan/black  metal  riffs  that  mix  raw  and  primitive  element  with  a  great  amount  of  melody  as  well  as  a  more  modern  sound  mixed  in  with  some  more  progressive  influences,  while  the  lead  guitars  are  very  melodic  sounding  guitar  solos  and  leads  that  utilize  a  great  amount  of  talent  and  skill,  as  for  the  acoustic  guitars  when  they  are  utilized  they  use  finger  picking  to  add  to  the  more  progressive  elements  of  the  music.

  Vocals are  mostly  high  pitched  hateful  black  metal  screams  that  utilize  a  deeper  tone  at  times  as  well  as  a  brief  use  of  whispered  vocals,  while  the  lyrics  cover  darkness,  nature  and  paganism,  as  for the  production  it  has  a very  strong,  powerful  and  heavy  sound  without  sounding  either  to  over  or  under  produced  in  addition  some  of  the   songs  are  very  long  and  epic  in  length.

  In  my  opinion  this  is  another  great  album  from  Khors  and  if  you  are  a  fan  of  this  band,  you  should  enjoy  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Black  Forest's  Flaming  Eyes"  "The  Last  Leaves"  and  "The  Only  Time  Will  Take  It  Away".  RECOMMENDED  BUY.

http://khors.info