Showing posts with label Funerary Descent. Show all posts
Showing posts with label Funerary Descent. Show all posts

Thursday, August 1, 2013

Funerary Descent Interview


1. Can you tell us a little bit about the band for those that have never heard of you before?
1. Originally, this was a blackened crust-punk band called Ancient Tongues, but this shifted into a black metal band upon the line up change that occured in early 2013 but that then shifted to a doom/black metal sound. After the release with Uruk-Hai the band named was changed to Funerary Descent for legal reasons. But we are a three piece from three differerent cities in Maryland, consisting of Ceyatatar (guitars/bass/keys), Northwood (guitars), and Skeiron (vocals).

2. How would you describe your musical sound?
2. This is a sort of "generic" USBM sound but taken with a grain of salt and met with a massive doom influence from the likes of Nortt, Cough and Thou...but to be more specific it is blackened sludge metal in the vein of Dragged Into Sunlight and Nortt. A heavy veil of reverbed guitars and screams is cast upon the music. We also incorporate keyboards/synthesizers into some songs and in the case of the split release, 2 of the songs were strictly keyboards.

3. What are some of the lyrical topics and subjects the band explores with the music?
3. Ghost stories, misery, solitude, and general discomfort with life. Nihilism. Hatred towards organized religion. 

4. What is the meaning and inspiration behind the bands name?
4. It is what one would experience if they were being buried alive but not too terribly upset about the ordeal.

5. Has the band done any live shows or is this a studio project?
5. We initially were considering the idea of live shows and did one rehearsal but decided it would be best to leave this as just a studio project but never say never!


6. Recently you put out a split with Urak-Hai, what are your thoughts on the other band that was apart of the album?
6. All of us are enormous Uruk-Hai fans and truly enjoy Hugin's music and was very good to broaden our musical horizons and perform with a master of a some what different genre than ours. We have the utmost respect for Hugin and hope to work with him again one day.


7. On a worldwide level how has the feedback been to your recordings by fans of black metal and other forms of music?
7. It has been above average but there of course some people who do not like it, but that is normal. Some people say that it is great and love the song writing and atmosphere but others find the negatives out weigh the good in regards to the mixing and mastering along with the recording and (terrible) drum machine. This was recorded in a couple sessions in one of our basements and so it did not have the opportunity to be really recorded properly. Probably our best feedback seems to be from your review (thanks again for doing so) and being played on Diabolus Templum radio show were ultimate honors.


8. Are there any other musical projects besides this band?
8. Yes, Ceyatatar is in a solo ambient/neo-classical project called Onyx (facebook.com/onyxambient123 -onyxambient123.bandcamp.com), Onyx is very heavily influenced by the likes of ambient Burzum pieces, Uruk-Hai and Ringbearer (from Canada). Northwood is also in a forthcoming black metal project Vragnaroga, which is likely to be a live act at some point in time. Northwood and Skeiron also do a video review series on YouTube called "Cryptic Archives".

9. What direction do you see your music heading into on future releases?
9. Slower and thicker sounding. We will have fast parts again but not as frequent as the first demo tape. Listeners can also expect a better production as we will soon be able to say we have our own drummer as opposed to a rather overpolished/triggered drum machine. It will be heavier and darker and ultimately more atmospheric. 

10. What are some bands or musical styles that have influenced your music and also what are you listening to nowadays?
10. Our influences include Moonblood, Nortt, Barbelith, Bathory, Dominium, Cemetery Piss, Sunn 0))), Xasthur and Burzum. Northwood has been really into neo-folk (Wardruna) and post-rock (GY!BE, This Will Destroy You) lately and of course progressive black metal (Enslaved) . Ceyatatar is thoroughly engulfed into ambient music (Ringbearer, Uruk-Hai) and some progressive metal (Myrath) as well. Skeiron is really into hardcore (Nails) late

11. Does Occultism play any role in your music?
11. No, I don't believe so as we try to avoid any use of the occult or any religious/mythological themes in our lyrics. Ceyatatar is an Atheist so there is no wish to incorporate any themes besides reality into the lyrics. 

12. Outside of music what are some of your interests?
12. I think we can also agree on enjoying history and playing video games, (RPGs mostly it seems, such as Elder Scrolls series from Bethesda Softworks). Northwood is very much into walks in nature and Ceyatatar is very much into things like handling/repairing computer hardware. 

13. Any final words or thoughts before we wrap up this interview?
13. We will have a full length album out sometime in 2014, we appreciate you taking the time to interview us as we always enjoy doing this and hopefully readers will be influenced by reading this interview to stick with the Occult Black Metal Zine and Funerary Descent. 


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Wednesday, July 31, 2013

Funerary Descent/Self Titled/2013 EP Review


  Funerary  Descent  are  a  band  from  Maryland  that  plays  a  mixture  of  atmospheric  black  metal,  dark  ambient,  and  doom  and  this  is  a  review  of  their  self  titled  and  self  released  2013  ep.

  Song  one  "Funerary  Descent"  starts  off  with  some  avant  garde  sound  effects  before  an  ambient  and  atmospgeric  sounding  organ  kicks  inn  setting  up  the  atmosphere  for  the  rest  of  the  ep.

  Song  two  "To  Scour  The  Path  Of  Mortal  Anguish"  starts  with  some  some  drum  programming before  some  darker  sound  effects  start  kicking  in  as  well  as  the  drum beats  getting  alot  faster  along  with  some  dark  ambient  elements  from  the  synths  before  slowing  down  to  some  heavy  drone/noise  elements  while  bringing  back  the  faster  drum  machine  parts  to  close  off  the  song.

  Song  three  "Chained  To  The  Precipe"  starts  out  with  some  slow  doom  drum  programming,  dark  atmospheric  sounds  and  grim  sounding  black  metal  screams which  lead  the  guitars  kicking  in  with  some  slow  and  melodic  depressive  black/doom  metal  riffs  along  with  some  heavy  sounding  bass  guitar  before  speeding  up  and  getting  more  aggressive  and  heavier,  while  slowly  reverting  back  to  the  melodic  doom  shortly  afterwords  as  well  as  doing  the  switch  back  and  forth  between  being  slow  and  fast  for  some  time  before  closing  the  song  with  a  slow  and  heavy  bass  line.

  Song  four  "As  Spirits  Wander  The  Nether  Plane"  start  out  with  a  slow  and  heavy  riff  before  the  fast  drum  programming  and  grim  sounding  black  metal  screams  kick  in  for  a  few  seconds  before  going  back  to  the  slow  black/doom  parts  while  having  some  weird  and  dark  sounding  melodies  in  the  riffing,  then  the  music  switches  back  and  forth  between  being  slow  and  fast  for  most  of  the  minute  then  slowing  for  for  good  at  the  last  minute  of  the  song.

  Song  five  "Nothingness"  starts  out  with  some  atmospheric  and  dark  ambient  sounding  synths  being  played  at  a  slow  pace  for  a  minute  then  some  heavy  guitar  distortion  and  black  metal  screams  start  kicking  in  along  with  some  heavy  drone/doom  elements  from  the  guitars  along  with  some  drum  programming,  remaining  that  way  for  a  few  minutes  before  the  synths  start  kicking  back  in  making  the  song  sound  more  depressive  and  avant  garde  then  the  music  switches  back  to  being  heavy  black/doom  metal  with  the  grim  sounding  screams  kicking  in  really  hard  before  switching  to  the  back  and  forth  parts  before  going  into  a  more  black/drone  direction  until  the  end  of  the  recording.

  Song  Lyrics  cover  dark  themes  with  a  touch  of  dying  and  the  after  life,  while  the  production  has  a  very  dark,  raw,  heavy  and  primitive  sound  while  you  can  still  hear  all  of  the  musical  instruments  that  are  present  on  this  recording  with  the  songs  being  very  long  and  epic  in  length.

  In  my  opinion  Funerary  Descent  are  a  very  great  sounding  hybrid  of  atmospheric  black  metal,  doom  and  drone  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Chained  To  The  Precipe  and  "Nothingness".  RECOMMENDED  BUY.

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