Thursday, July 24, 2025

Patior Eugea/El Paroxismo de la Zozobra/2025 EP Review

 


  Patior  Eugea  are  a  solo  project  from  Venezuela  that  plays  a  very  atmospheric  and  raw  form  of  black  metal  and  this  is  a  review  of  his  self  released  2025  ep  "El  Paroxismo  de  la  Zozobra".


  A  very  dark  yet  heavy  sound  starts  off  the  ep  while  the  riffs  also  add  in  a  decent  amount  of  melody.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  the  vocals  being  mostly  high  pitched  black  metal  screams  and  at  times  the  music  also  gets  very  atmospheric  sounding.


  When  the  music  speeds  up  a  small  amount  of  tremolo  picking  and  blast  beats  can  be  heard  which  also  gives  the  songs  more  of  a  raw  feeling.  The  recording  is  also  very  heavily  rooted  in  the  modern  era  along  with  the  guitar  leads  also  being  done  in  a  very  melodic  style  when  they  are  utilized,  spoken  words  can  also  be  heard  briefly  and  most  of  the  tracks  stick  to  a  mid  tempo  direction,  clean  playing  is  also  added  towards  the  end.


  Patior  Eugea  plays  a  style  of  black  metal  that  is very  raw,  atmospheric  and  mid  tempo  sounding.  The  production  sounds  very  dark  and  raw  while  the  lyrics  are  written  in  Spanish  and  cover  the  absurdity  of  politics  and  anti  religion  themes.


  In  my  opinion  Patior  Eugea  are  a  very  great  sounding  raw,  mid  tempo  and  atmospheric  black  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "La  Patria  de  lod  parias"  and  "El  Rostro  de  la  Miseria".  8  out  of  10.


  https://patioreugea.bandcamp.com/album/el-paroxismo-de-la-zozobra




https://www.metal-archives.com/bands/Patior_Eugea/3540564949    

Sigilo Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the solos project?


This project was a much-needed refresh for my creative journey. After over a decade of composing Black Metal, I often felt that something was missing. Eventually, I discovered a new sense of clarity and purpose—and from that, Sigilo was born. With a more mature and professional approach, the results speak for themselves. This project stands as proof that with dedication and hard work, we can truly achieve something meaningful.


2.Recently you where a part of  a split, can you tell us a little bit more about the musical style that you went for on the recording?


My musical style is in constant evolution, guided by a single principle: music should be simple, yet mesmerizing. It must carry its own uniqueness, but above all, it has to be a Song—it needs to make sense and resonate with the soul.


3.You started the project in 2019 but waited until 2025 to release any music, can you tell us a little bit more about the long wait?


I started composing for Sigilo as soon as the project was born. The creative process took around one to two years, as I was exploring the right direction for each song. I ended up writing about 14 tracks during that time. With a clear goal in mind—to deliver a result worthy of a major label—I began saving funds to invest in professional mixing and mastering.

While doing that, I also started recording everything myself at home, carefully following the guidance I received from Guilhermino (Blind & Lost Studios). This process continued until early 2023, by which point I had eight tracks fully mixed, mastered, and ready to go.

I began sending the songs out to labels, but there was one in particular I had my heart set on: Alma Mater Records. By chance, I met Fernando Ribeiro in person and told him about Sigilo. He asked me to send him the tracks—and the rest, as they say, is history.

We discussed the idea of releasing a full album, but ultimately agreed it made more sense to begin with a split release. It was a great opportunity to build a bridge between Portugal and Brazil. So we got to work, found the ideal band to join the split (Luxúria de Lillith), and now here we are—at the release of Sermão, July 2025.


4.A lot of your lyrics cover Occultism themes, can you tell us a little bit more about your interest in the dark arts?


Occultism has been a constant presence in my lyrics throughout this decade-long journey. To me, it feels natural—almost automatic—as if my hands are merely vessels for the messages they carve. I despise the weight religion imposes on our lives, and as the track 'Universal Gathering Chantic' declares: by destroying religion, we pave the way to a better world.


5.What is the meaning and inspiration behind the name 'Sigilo'?


In Portuguese, Sigilo holds a double meaning: it is both a closely guarded secret and a magical sigil used in witchcraft or demonic rites. And that duality fits perfectly. This is a ‘secret’ that channeled the music’s energy through me—like a sigil would. It became my conduit, and I became its vessel.


6.With this project you record everything by yourself but have experience working with other musicians in previous bands, you you prefer to work solo?


There are pros and cons to every way of working. When I weigh them, I prefer to work alone. But of course, I have to be prepared for the disadvantages that come with it—like not having a second opinion when I need one. One way I’ve worked around this is by collaborating with Guilhermino and Blind and Lost Studios, relying on his seasoned insight for matters beyond my full grasp.


7.Recently you where a part of a split with 'Luxuria de Lillith', what are your thoughts on the other project that was a part of the split?


Luxúria de Lillith is living proof of how far sheer will and unwavering vision can take a one-man Black Metal project. Alysson has endured where many fall apart. I can only hope to carve out a legacy with the same relentless force—and to keep watching him tear through the scene, doing what he does with brutal precision.


8.The split was released through 'Alma Mater Records', can you tell us a little bit more about this label?


From the moment Alma Mater Records was born, it had my attention. I’ve carried the quiet dream of one day joining its ranks. In Portugal, no band stands taller than Moonspell—none have achieved what they have. So to be welcomed by Fernando Ribeiro isn’t just an honor; it’s a milestone that echoes deeply over here.


9.On a worldwide level how has the reaction been to your music by fans of black metal?


I’ve crafted my music to resonate with true Black Metal fans, but also to reach beyond—to draw in Metalheads of all kinds, and maybe even listeners from outside the genre. My goal was clear: to win over new ears without ever betraying the essence that diehard Black Metal fans expect.


10.Currently you are working on a full length, what can we expect musically once it is released?


Gloria Ad Inferi will be a significant release—an evolution of the path I began on Sermão. It draws listeners into haunting soundscapes, steeped in darkness and crafted to echo within the deepest parts of the soul.


11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


With all due respect to the pioneers who forged Black Metal into what it is, my sound draws strongest influence from five key bands: Behemoth, Satyricon, Immortal, Lifelover, and Inquisition. But when I’m creating, I shut everything else out. I don’t listen to other bands—I need to stay loyal to my own voice, untainted and pure.


12.Before we wrap up this interview, do you have any final words or thoughts? 


Endless thanks to everyone who took the time to listen to my music. And if you haven’t yet—what are you waiting for? My Black Metal project Sigilo is carved from the underground and deserves your ears. Support the underground—it lives and breathes through you!


https://www.instagram.com/sigiloblackmetal

 https://www.facebook.com/sigiloblackmetal 

https://www.sigiloblackmetal.bandcamp.com

Blutsauger/Nocturnal Blood Tyrants/De Tenebrarum Principio/ATMF/2025 Full Length Review

 


  Blutsauger  are  a  duo  from  Italy  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  a  very  atmospheric,  old  school  and  raw  form  of  black  metal  and  this  is  a  review  of  their  2025  album  "Nocturnal  Blood  Tyrants'  which  will  be  released  in  August  as  a  join  effort  between  De  Tenebrarum  Principio  and  ATMF.


  Ritualistic  soundscapes  start  off  the  album  along  with  some  grim  black  metal  screams  a  few  seconds  later  which  also  takes  the  music  into  a  very  fast  and  raw  musical  direction  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats  while  the  music  is  also  very  heavily  rooted  in  the  90's  era.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  At  times  the  music  also  adds  in  more  of  an  atmospheric  touch  along  with  some  clean  playing  also  being  utilized  on a  couple  of  tracks  and  when  guitar  solos and  leads  are  used  briefly  they  bring  in  more  of  a  chaotic  style,  spoken  words  are  also  added  on  the  closing  song.


  On  this  recording  Blutsauger  plays  a  style  of  black  metal  that  is  very  atmospheric,  fast  and raw  in  the  early  90's  tradition.  The  production  sounds  very  raw  and  old  school  while  the  lyrics  cover  Transylvanian  and  Austro-Hungarian  Folklore.


  In  my  opinion  this  is  another  great  sounding  recording  from  Blutsauger  and  if  you  are  a  fan  of  atmospheric,  old  school  and  raw  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Blood  Solstice"  "Wrath  Of  The  Banshee"  and  "Ausgeblutet".  8  out  of  10.


  http://atmfsssdtp.bandcamp.com/album/nocturnal-blood-tyrants

www.facebook.com/blutsaugerkult 


  

Wednesday, July 23, 2025

Christ Agony/Anthems/Deformeathing Production/2025 Full Length Review

 


  Poland's  Christ  Agony  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  melodic  mixture  of  black  and  dark  metal  and  this  is  a  review  of  their  2025  album  "Anthems"  which  will b e  released  in  September  by  Deformeathing  Production.


  Dark  soundscapes  and  acoustic  gutiars  start  off  the  album  before  going  into  a  heavier  direction  while  the  riffs  also  add  in  a  decent  amount  of  melody.  Vocals  are  mostly  black  metal  screams  mixed  in  with  a  few  death  metal  growls  along  with  a  great  portion  of  the  tracks  also  being  very  long  and  epic  in  length.


  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  one  song  also  adds  in  a brief  use  of  didgeridoo's.  A  lot  of  the  album  is  very  heavily  rooted  in  the  90's  era  as  well  as  being  very  modern  at  the  same  time,  synths  are  also  utilized  at  times,  when  the  music  finally  speeds  up  a  small  amount  of  blast  beats  can  also  be  heard  and  choirs  can  also  be  heard  briefly,  most  of  the  album  also  sticks  to  more  of  a  slow  or  mid  tempo  direction.


  On  this  recording  Christ  Agony  update  their  dark  and  melodic  style  of  black  metal  for  the  modern  era.  The  production  sounds  very  professional  while  the  lyrics  cover  Occultism,  Darkness  and  Melancholy  themes. 


  In  my  opinion  this  is  another  great  sounding  album  from  Christ  Agony  and  if  you  are  a  fan  of  melodic  black  and  dark  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Empire  Of  Twilight"  and  "Nocturnal  Dominion".  8  out  of  10.


  https://www.facebook.com/ChristAgony

https://youtu.be/9jUzKdIIbr0     

Mysthicon/Bieśń/2025 Full Length Review

 


  Mysthicon  are  a  band  from  Poland  that  plays  a  very  old  school  form  of  black  metal  with  progressive,  death  and  doom  metal  elements  and  this  is  a  review  of  their  self  released  2025  album  "Bieśń"  which  will  be  released  in  September.


  Nature  orientated  soundscapes  and  keyboards  start  off  the  album  along  with  some  spoken  words  a  few  seconds  later  which  evolve  into  black  metal  screams.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  which  also  gives  the  recording  more  of  a  raw  feeling.


  Death  metal  growls  can  also  be  heard  at  times  while  elements  of  doom  metal  are  also  added  into  the  slower  sections  of  the  songs.  The  riffs  also  add  in  a  decent  amount  of  melody  along  with  the  clean  sections  also  taking  the  music  into  more  of  a  progressive  direction  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  music  also  being  very  heavily  influenced  by  the  old  school  era.  Clear  singing  can  also  be  heard  at  times  as  well  as  some  of  the  tracks  also  being  long  and  epic  in  length,  some  songs  also  add  in  a  small  amount  of  acoustic  guitars  and  hurdy-gurdy,  the  album  closes  with  a  Lux  Occulta  cover.  The  production  sounds  very  professional  while  the  lyrics  cover  stories,  songs  and  legends  from  the  Dukla  region  and  its  surroundings.


  In  my  opinion  Mysthicon  are  a  very  great  sounding  progressive  black  metal  band  with  elements  of  doom  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Shapes"  and  "The  Storyteller".  8 out  of  10.


  https://mysthicon.bandcamp.com/album/bie

https://distrokid.com/hyperfollow/mysthicon/bie

https://youtu.be/Zob7hGIloDk

Facebook | Bandcamp | Youtube  


  

Hessian Interview

 


1.For those that have never heard of you before, can you tell us a little bit about the band?


A. Hessian has had 2 other names, starting in 2002 as Madame Durant, a few years later changed to Utuk Xul Commands Worship, then from 2016 to present embracing the name of "Hessian". Even since the beginning, it has been a solo concept of mine (Laremy Wade, Founder/Composer/Guitarist/Drum Arrangements) where I have solicited the help of various guitarists (only on the demo), drummers, vocalists, producers, visual artists, and record labels throughout the last two decades.to create a monolithic entity that emcompasses this occult experimentation with a range of extreme underground music structures and influences. Hessian has very particular ideas which are conveyed in the sound and presentation of the physical media. These concepts mainly stemming from an ancient spiritual call to rise and manifest this work for the occasion. We are very much ritualists.


2.Recently you have released an ep, musically how  does it differ from the stuff you have released in the past?


A. The most recent self-titled ep released by Wormhole Death Records in Italy presents an aspect of Hessian where we the beginnings of more consistent themes, the solidifying of a ritual style, and the album's song structure is more refined along with the production. Brandon's (Vocalist and recording engineer of the ep) vocal and recording talent accents these concepts in the new ep. Previously, many Hessian recordings were done like field recordings in the rehearsal room with no multi track production as we are still big fans of UG lo-fi sound, so this was our main format usually. It was only for this ep that we decided to refine the music quality and see how far it would travel.. Our other releases on the various D.I.Y labels worldwide reflect this UG lo-fi sound and unbridled chaotic extreme metal experimentation. In general, a more serious, focused, refined, and professional approach.


3.The band also avoids the use of a bass guitar, what was the decision behind moving away from this musical instrument? 


A. Like many other personal decisions, it was to heighten the raw and primal nature of the music's foundational ideas, giving it a scathing presentation of experimentation.


4.Some  of your lyrics cover Occult themes, can you tell us a little bit more about your interest in the dark arts?


A. I am a ritualist. For about 30 years now, I have been fully involved in this way of life and it is reflected in everything that I do. I have a number of published books worldwide relating to this type of work and has been the driving force to the presence of Hessian and the motivation to present the work at key cosmological and terrestrial events. Some that know me personally can testify to the endless works presented worldwide in this effort to avail the way of these old ones.


5.What are some of the other lyrical topics and subjects the band has explored so far with the music?


A. Other than occult themes, it would be various aspects of primal urges or the demiurge.


6.The band has also went through a few names, what was the cause of the name changes and what is the meaning and inspiration behind the name 'hessian'?


A. The name changes are a sentiment of the ancient calling to transmute our awareness to the absolute ancestral obedience. The current name embodies the one that is the mercenary and loyalist of these cult like ways within the extreme metal pantheon.


7.Can you tell us a little bit more about the artwork that is presented on the ep cover?


A. Yes, it was created by a very talented gentleman that used to live in Belgium, but now lives in Indonesia and is an ancient Cathar based pictogram of a spirit rider of the dark Glyph. Every picture will always be a reference to our tireless work in this effort.


8.What are some of the best shows that the band has played so far and also how would you describe your stage performance?


A. In over 20 years, the band has never played a performance and there's probably a good chance that it will not happen in this lifetime. It would have to be an extremely mitigating circumstance. Hessian is not performative, we are the ritualists who manifest the medium to be consumed by the true celebrants who have been known to be solitary practitioners.


9.Do you have any touring or show plans for the future?


A. As of this moment, no. If the spirit calls for this, it may change, but there has been no sign given by the old ones.


10.On a worldwide level how has the reaction been to your music by fans of black metal?


A. At this juncture in time, we have received positive feedback from fans, other bands, and labels in every continent. While this approach is not for popularity, there are still many diehards who have been drawn from afar by the presence of the energy that we are currently maintaining. This sound is not for everyone and many stringent musicians will not understand the approach.


11.When can we expect a full length and also where do you see the band heading into musically during the future?


A. There are currently compilations of EP's that basically would be considered full length releases, but I feel as though these have been catered and abridged for a reason that only the old ones will truly know. As for the sound and approach, it will definitely be more ritualistic and experimental in extreme music.


12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


A. Definitely lot's of 80's and 90's metal and occult based music have influenced the approach from South American bands like Volcano, Mutilator, Sarcofago, Parabellum, Holocausto, and the rest of the UG Hordes worldwide there, but also some Scandinavian and European Black Metal in my beginnings. Now, listening to lots of very occult lo-fi and experimental materials. It has become my chosen taste.


13.Before we wrap up this interview, do you have any final words or thoughts?


A. "That which is manifest from the call of the ancient knows no boundaries."

Feral Lord/Wunjo/Malevolent Sound/2025 EP Review

 


  U.S.A's  duo  Feral  Lord  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  very  raw  and  depressive  form  of  black  metal  and  this  is  a  review  of  their  2025  ep  "Wunjo"  which  will  be  released  in  August  by  Malevolent  Sound.


  A  very  dark  yet  distorted  sound  starts  off  the  ep  before  going  into  a  heavier  direction while  all  of  the  tracks  are  also  very  long  and  epic  in  length.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  which  also  gives  the  recording  more  of  a  raw  feeling  and  the  vocals  are  mostly  high  pitched  depressive  black  metal  screams.


  A  lot  of  the  music  is  also  very  heavily  influenced  by  the  old  school  era  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Some  of  the  riffing  also  adds  in  a  small  amount  of  melody  at  times  along  with  the  solos  and  leads  also  adding  in  more  of  a  chaotic  style  when  they  are  utilized  and  clean  playing  is  also  added  briefly  towards  the  end


  On  this  recording  Feral  lord  moves  away  from  the  dissonant,  experimental,  technical  and  progressive  elements  of  previous  releases  and  focuses  more  on  a  raw  and  depressive  form  of  black  metal.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  Nordic  Runes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Feral  Lord  and  if  you  are  a  fan  of  raw  and  depressive  black  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "Ansuz".  8  out  of  10.


  

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Finnr's Cane/Self Titled/Nordvis Produktion/2025 Full Length Review

 


  Finnr's  Cane  are  a  band  from  Ontario,  Canada  that  has  been  featured  before  in  this  zine  and  plays  a  very  atmospheric  and  progressive  form  of  post  black  metal  and  this  is  a  review  of  their  self  titled  2025  album  which  will b e  released  in  August  by  Nordvis  Produktion.


  Choirs  start  off  the  album  before  going  into  a  heavier  direction  while  clear  vocals  and  spoken  words  are  also  utilized  at  times.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in a   very  melodic  style  along  with  the  riffs  also  adding  in    great  amount  of  melody  and  the  keyboards  also  give  the  music  an  atmospheric  feeling.


  At  times  the  music  goes  into  more  of  a  progressive  direction  while  the  faster  sections  of  the  songs  also  add  in  a  great  amount  of  tremolo  picking  and  blast  beats  which  also  gives  the  recording  more  of  a  raw  black  metal  feeling.   Cello's  are  also  added  into certain  sections  of  the  album  and  throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  harsh  screams  and  spoken  words  are  also  utilized  on  a  few  tracks. 


  On  this  recording  Finnr's  Cane  goes  for  a  very  modern  and  atmospheric  style  of  post  black  metal.  The  production  so0unds  very  professional  while  the  lyrics  cover  autumn,  winter,  nature  and  civilization  themes.


  In  my  opinion t his  is  another  great  sounding  recording  from  Finnr's  Cane  and  if  you  are  a  fan  of  atmospheric  post  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Wayward  Souls"  "in  Shadows"  and  "Harvest".  8  out  of  10.


  https://nordvis.lnk.to/finnrscane  

Monday, July 21, 2025

Moon Of The Wind/No Point In Living/CHILD : OF : ILLNESS/2025 Split Album Review

 


  This  is  a  review  of  a  self  released  split  album  between  Ukraine's  Moon  Of  The  Wind  and  Japan's  No  Point  In  Living  called  "CHILD : OF : ILLNESS"  and  we  will  start  off  the  review  with  Moon  Of  The  Wind  a  solo  project  that h as  been  featured  before  in t his  zine  and  plays  an  atmospheric  and  depressive  form  of  black  metal.


  His  side  of  the  split  starts  out  with  some  clean  playing  along  with  some  ambient  style  keyboards  a  few  seconds  later  before  going  into  a  heavier  direction.  Most  of  his  tracks  are  also  very  long  and  epic  in  length  while  the  vocals  are  mostly  high  pitched  depressive  black  metal  screams,  at  times  the  music  also  gets  very  atmospheric  sounding.


  All  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  along  with  some  spoken  words  and  whispers  also  being  utilized  briefly,  melodies  can  also  be  heard  at  times,  when  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  as  well  as  some  acoustic  guitars  being  used  at  times  and  female  vocal samples  also  being  utilized  briefly  and  all  of  the  music  sticks  to  a  slower  direction.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  suicide,  depression,  nature  and  isolation.


  In  my  opinion  this  is  another  great  sounding  recording  from  Moon  Of  The  Wind  and  if  you  are  a  fan  of  atmospheric  and  depressive  black  metal,  you  should  check  out  his  side  of  the  split.  RECOMMENDED  TRACK  "Anesthesia  & Nameless".


  Next  up  is  No  Point  In  Living  a  solo  project  that  has  been  featured  before  in  this  zine  and  on  this  recording  goes  for  a  very  progressive  form  of  depressive  black  metal.


  His  side  of  the  split  starts  out  with  a  very  fast  and  raw  sound  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  mostly  high  pitched  depressive  black  metal  screams  while  the  clean  playing  also  adds  in  a  progressive  touch  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  songs  sticking  to  mostly  a  slow  or  mid  tempo  direction.  At  times  the  music  also  gets  very  atmospheric  sounding  as  well as  the  synths  also  adding  in  elements  of  ambient  when  they  are  utilized.  The  production  sounds  very  professional  while  the  lyrics  cover  nihilism,  self-hatred,  depression  and  life  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  No  Point  In  Living  and  if  you  are  a  fan  of  progressive  and  depressive  black  metal,  you  should  check  out  this  side  of  the  split.  RECOMMENDED  TRACKS  INCLUDE  "Echoes  Of  The  Sun"  and  "Haunted".


  In  conclusion  I  feel  this  is  a  very  great  sounding  split  and  I  would  recommend  it  to  all  fans  of  atmospheric,  progressive  and  depressive  black  metal.  8  out  of  10.


  https://youtu.be/Lij_wae0hMw?si=QJpZKVmtH9qQdabF  


        

Mjolne Interview

 

1.Can you give us an update on what has been going on with the musical project since the recording of the new album?


Through Veils of Time was recorded during 2024 and I released it digitally February 15th 2025. Since the release I’ve been contacted by several who wanted to be a part in making this a physical release. So I did spend some time considering my options with this. I ended up signing a deal with ATMF for the release of the album on cd, and the collaboration with them has been great. I have also been doing some promotion and interviews about my musical project and the album.


Musically, I have also started writing some new material for the project MJOLNE, so I hope to release a second album within a year or two.  Gaut (guitarist of Mactätus) and I also have an ongoing project, so we have been writing and recording some songs lately. We don’t know what will become of this in the end, but we are having fun doing it so we will see.


2.So far you have recorded a full length with this project ,can you tell us a little bit more about the musical style that you went for on the recording?


Actually, when I started making the music that ended up on the album, I had no intention of turning this into a project or even releasing the music. It all started during covid. I needed something to do besides work, and I took out my old guitar and started playing cover songs, and eventually write my own music. As I found this rewarding and the music got more and more twisted into form, I invested in some more gear to be able to record full productions. Then I started to make songs that suited each other in terms of musical genre, and suddenly I had enough songs to fill an album.


With that in mind, I didn’t have a certain musical style in mind when I wrote the music, but I just made music that felt natural to me. But I have always been attracted to the 90’s black metal and the feeling this music gives me, so this probably explains why the music of MJOLNE has strong connections to the 90’s black metal.



3.Previously you where a part of 'Mactatus', how does your solo material differ from the stuff you have done with that band and are there some new things you where able to do solo that you where not able to do with your previous group?


Of course, me playing in Mactätus have probably also influenced the way I write and think about music.  The musical style of MJOLNE is not too different from the Mactätus material, especially around the Provenence... area. The MJOLNE project do have more acoustic elements than what we used in Mactätus, and are maybe a little more dynamic. The orchestration is probably also somewhat more prominent, but in the end the music in Mactätus and MJOLNE doesn’t differ too much, I think.


The advantage of a solo project is that you make all the decisions yourself, and there is no compromise. In this way I can try out all my ideas in different ways how I feel right, and I have control of the whole process. But don’t get me wrong, the process of compromising in a band can also make the result better in the end. The project with Gaut and I is an example of this, where we both contribute with guitar riffs and the structures of the songs. We have different styles of playing but when we put it all together it sounds good.  It’s quite brutal yet melodic in my opinion, without the use of keys.



5.How would you describe your progress as a songwriter with the new album?


As mentioned, the process of writing the material was not done with the intention of making an album or even starting the MJOLNE project. It was just me playing and creating music again after a long break from the Mactätus period.  


In the beginning I started to write music in the doom metal genre since I’ve also been a fan of this genre through the years. I guess it was easier to start slow since I hadn’t play instruments for a while. But the music quickly developed into the style of what you hear on the album. This is the genre that is closest to me, at least in terms of creating own music.


Of course, as time went by making music I also developed as a songwriter. I didn’t have too much experience writing whole compositions by myself , even though I contributed to the songwriting in Mactätus. So I developed as a songwriter, but also in terms of recording, mixing and producing the material.  An example of this is that the first songs I made, had to go through a makeover to keep up with how I developed as a songwriter, and I had to restructure and re-record the first songs I made.


6.Some of your lyrics and the band name comes from Norse Mythology, can you tell us a little bit more about your interest in this topic?


The Norse Mythology is an interesting topic, and of course it’s also a part of my country’s old heritage. It’s just something with the way our forefathers lived their lives, and what they believed in that’s interesting and something that should be remembered as a part of our heritage. The MJOLE name for this project is just me using my alias from Mactätus. This is an alias that my bandmates in Mactätus gave me in the early 90’s. I think this suited well for this project since the music is somewhat connected, and all the things I have been doing musically since the mid 90’s, have been done as Mjolne. So when I grew into this project, I felt that this was me continuing my musically journey as Mjolne.


Even though some of the lyrics originate from Norse mythology, the content is also related to existing themes. For instance, this is the case for the Helheim-triology. Let me try to explain:


In many aspects of life, we humans face various challenges or difficulties. This could be of physical or mental character, sickness and health, troubles we face at home with the people we care about, workwise and more. When we face these challenges, we as individuals handle them differently depending on the nature of each and every one of us as individuals, and what state we’re in. Sometimes the burden can be too heavy to bear, and slowly but surely it breaks us down. We’re digging ourselves into a dark hole that’s not good for you. This is what pt. I is about. Reisen (the journey) is when we meet these challenges that we can’t cope with, and you’re digging yourself into this hole. This is the metaphorical journey to Helheim.  


Pt. II is where this concept breaks with the Norse mythology. Helheim was a place of no return. If you got to Helheim, you were stuck there for eternity. Pt. II Forvandlingen (the transformation) is about the struggle you need to go through, to get out of this state of mind. Some people go through these struggles by themselves, and some do it with the help of others. But some people never manage to rise again and are stuck in “Helheim forever”. Pt. III Gjenreiselsen (the restoration/resurrection) is about the journey back from Helheim, when you rise again as a individual, maybe even stronger than before.


I guess the concept is that you will meet different challenges through life, and how you choose to deal with these challenges is important regarding to how you will handle it and grow as an individual. What doesn’t kill you makes you stronger, right?



7.Can you tell us a little bit more about the artwork that is presented on the new album cover?


Originally, on the digital release, the cover was a picture I took in the forest at night. I had made a fire and took a picture form the fireplace facing upwards to the sky, which made this red reflection in the trees.  


When I signed with ATMF, we of course wanted to make a professional artwork for the cd release. The new artwork is made by Francesco Gemelli. He is an amazing artist who does artwork and layouts for ATMF and other record labels. I guess he made the artwork based on how he felt the music and what suited the musical expression. He was given free reins to create artwork and the result I think is amazing and suits the music good.   


8.With this project you record everything by yourself, do you prefer working solo to being in a full band?


For this project I preferred to work solo. As mentioned earlier, when you work solo you have the opportunity to try out different approaches and create the music you want for yourself without compromise. This just felt as the right thing to do for me regarding how this project evolved through time and turned out in the end. Working together with others I still do in the project with Gaut.


One thing that differs a lot these days as an old man pushing 50, compared to when we were young and played in Mactätus, is time.  We have several times over the past decade, talked about a reunion of Mactätus, but time seems to be one factor that makes this difficult. We all have moved on with our lives since the time when we could rehearse 3 times a week in some sweaty basement, and we have other commitments now. But as a solo project, I can do what I want whenever I have the time to do it, so this is a great part of being a solo project. But of course, I sometimes miss the “band-feeling”, and I look back at the Mactätus years with much appreciation and great memories.  


9.On a worldwide level how has the reaction been to your music by fans of black metal?


To be honest, I didn’t know what to expect when I first released the album digitally. It was 23 years since the last Mactätus release and time has changed since then.


It was actually my wife who convinced me to get my music out there. She thought it was meaningless to spend so much time writing and recording music, if nobody else should be able to listen to it. So I decided to make the album as a digital release, and this is how the MJOLNE project was established. The response has been over my expectations to say the least, and I am very grateful for the response that people worldwide have given me. I’ve been contacted by people from across the world showing their interest in my project, especially from South America, The US, Europe and Scandinavia.


I also realized that there still are some loyal Mactätus fans out there who have reached out to me, and I am grateful for that. We are currently working on some Mactätus re-release of old material later this year, so stay tuned for that. More info will come about this later.




10.Where do you see yourself heading into as a musician during the future?


I have started writing new material for the next MJOLNE album. Musically this should be in the same vein as the first album, but I’m still early in this process, so it can develop through time. Since MJOLNE is a solo project, I will write the kind of music that feels natural to me. That is the privilege of a solo project.


I will also continue the project with Gaut and write and record more songs with him, and we will see what will become of this in the future.


There are no plans of taking the MJOLNE project to stage at this point.  


11.What are some of the bands or musical styles you are listening to nowadays?


Nowadays, there are so much music being released so it’s hard to keep track of it all. I guess I’m contributing to that releasing my music as well haha. So when I’m listening to music I often go back to the good old releases from the 90’s, at least when it comes to black metal.  An album that has stuck with me since the release in 1994 is Dødheimsgard “Kronet til konge”. I still frequently listen to this album. Dissection, early Covenant, Emperor, Borknagar, Gehenna, old Satyricon, Dimmu Brogir and Ulver are also frequently listened to. Newer black metal releases that have caught my attention are Dold Vorde Ens Navn with “Mørkere” and Gràb with “Kremess”. These releases are exceptional.


Of course I don’t only listen to black metal, so the old King Diamond releases throughout the 80’s are frequently played. Also bands like Archspire, Ereb Altor, Iotuun, Fleshgod Apocalypse, Funeral, Katatonia, My Dying Bride, Nevermore and Septicflesh are examples of music that have been played lately.


12.Before we wrap up this interview, do you have any final words or thoughts?


First of all, I want to thank all the people who have reached out to me regarding my MJOLNE project but also regarding Mactätus. It’s much appreciated. And I also want to thank you for giving me the opportunity to talk about my project here in your zine.


The cd version of MJOLNE Through Veils of Time will be released on cd at August 29th by ATMF. Also beware of more info to come regarding the re-release of some old Mactätus material. 


https://metalodyssey.8merch.com/product/mjolne-through-veils-of-time-cd-pre-order/

Sunday, July 20, 2025

Bok/Mors Gregis/2025 Full Length Review

 


  Bok  are  a  solo  project  from  Netherlands  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  very  raw  form  of  black  metal  with  elements  of  doom,  thrash  metal,  post  punk  and  electronic  music  and  this  is  a  review  of  his  self  released  2025  album  "Mors  Gregis"  which  will  be  released  on  August  29th.


  Dark  sounding  synths  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can be  heard  which  also  gives  the  songs  more  of  a  raw  feeling  while  the  riffs  also  add  in  a  great  amount  of  melody.


  Vocals  are  mostly  high  pitched  black  metal  screams  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Electronic  sounds  are  also  utilize  quite  a  bit  throughout  the  recording  along  with  the  slower  sections  of  the  album  also  being  very  heavily  rooted  in  doom  metal.


  Elements  of  post  punk  can  also  be  heard  at  times  along  with  some  of  the  guitar  riffing  also  adding  in  influences  of  thrash  metal  as  well  as  some  of  the  tracks  also  being  very  long  and  epic  in  length,  goth  rock  style  vocals  can  also  be  heard  briefly  and  a  couple  of  songs  also  add  in  a  small  amount  of  spoken  words.  The  production  sounds  very  dark  and  raw  while  the  lyrics  cover  darkness  and  anti  religion  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Bok  and  if  you  are  fan  of  raw  black  metal  with  elements  of  doom,  thrash  metal,  post  punk  and  electronic  music,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Doctrine  OF  The  Sulphur  Kiss"  "The  Bearer  And  The  Harlot"  and  "Specs  altera  vitae".  8  out  of  10.


  bokfoad.bandcamp.com

instagram.com/bokfoad

facebook.com/bokfoad        

Saturday, July 19, 2025

Mjolne/Through Veils Of Time/ATMF/2025 Full Length Review

 


    Mjolne  are  a  solo  project  from  Norway  that  plays  a  very  raw,  old  school  and  symphonic  form  of  black  metal  and  this  is  a  review  of  his  2025  album  "Through  Veils  Of  Time"  which  will  be  released  in  August  by  ATMF.


  Clean  playing  starts  off  the  album  before  going  into  a  heavier  direction  while  the  synths  and  orchestration  also  takes  the  music  into  more  of  a  symphonics  direction.  A  lot  of  the  recording  is  also  very  heavily  rooted  in  the  mid  90's  era  along  with  the  vocals  being  mostly  high  pitched  black  metal  screams.


  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast b eats  can  be  heard  which  also  gives  the  recording  more  of  a  raw  feeling.  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  a  great  portion  of  the  tracks  also  being  very  long  and  epic  in  length.


  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  along  with  some  of  the  tracks  also  adding  in  a  small  amount  of  acoustic  guitars.  Clear  singing  is  also  added  into  certain  sections  of  the  recording  as  well  as  a  few  songs  also  adding  in  spoken  words,  when  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  a  mixture  of  English  and  Norwegian  and  cover  Darkness  and  Norse  Mythology  themes. 


  In  my  opinion  Mjolne  are  a  very  great  sounding  old  school  and  symphonic  black  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "What I  Once  Was"  "In  The  Abyss  Of  Existence"  and  "The  Cries  Within".  8 out  of  10.


  https://metalodyssey.8merch.com/product/mjolne-through-veils-of-time-cd-pre-order/  

Friday, July 18, 2025

Krigsgrav/Stormcaller/Willowtip Records/2025 Full Length Review

 


  Dallas,  Texas's  Krigsgrav  have  returned  with  a  new  recording  which  shows  the  music  going  for  an  atmospheric  form  of  blackened  doom  metal  and  this  is  a  review  of  their  2025  album  "Stormcaller"  which  will  be  released  in  September  by  Willowtip  Records.


  A  very  slow,  dark  and  heavy  doom  metal  sound  starts  off  the  album  while  the  riffs  also  add  in  a  lot  of  melody.  Vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls  along  with  the  faster  sections  of  the  songs  also  adding  in  a  decent  amount  of  blast  beats  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.


  When  tremolo  picking  is  added  into  the  fast  riffing  they  also  give  the  album  more  of  a  raw  feeling  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  At  times  the  music  also  gets  very  atmospheric  sounding  along  with  a  great  portion  of  the  tracks  also  being  very  long  and  epic  in  length.


  All  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  along  with  clear  singing  also  being  added  into  certain  sections  of  the  album  and  a  couple  of  songs  also  add  in  a  small  amount  of clean  playing  as  well  as  one  track  also  adding  in  a  brief  use  of  spoken  words.  The  production  sounds  very  professional  while  the  lyrics  cover  death,  nature  and  philosophy  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Krigsgrav  and  if  you  are  a  fan  of  atmospheric  blackened  doom  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Huntress  Of  The  Fire  Moon"  "None  Shall  Remember  Your  Name"  and  "Womb-Death-Dawn".  8  out  of  10.


  https://linktr.ee/Krigsgrav        

Sigilo/Luxuria De Lillith/Sermao/Alma Mater Records/2025 Split Album Review

 


  This  is  a  review  of  a  split  album  between  Portugal's  Sigilo  and  Brazil's  Luxuria  De  Lillith  called  "Sermao"  which  will  be  released  on  July  25th  by  Alma  Mater  Records  and  we  will  start  off  the  review  with  Sigilo  a solo  project  that  plays  an  occult  form  of  black  metal.


  His  side  of  the  split  starts  out  with  a  very  heavy  yet  dissonant  sound  while  the  vocals  are  mostly  grim  sounding  black  metal  screams  which  also  get  very  deep  at  times.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  which  also  gives  the  songs  more  of  a  raw  feeling.


  Throughout  his  side  of  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody. All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  as  well  as  some  spoken  words  also  being  used  briefly,  synths  are  also  added  towards  the  end.  The  production  sounds  very  professional  while  the  lyrics  cover  Occultism,  Satanism  and  Dark  Spirituality.


  In  my  opinion  Sigilo  are  a  very  great  sounding  occult  black  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  his  side  of  the  split.  RECOMMENDED  TRACKS  INCLUDE  "The  Lurking  Evil"  and  "Universal  Gathering  Chantic'>


  Next  up  is  Luxuria  De  Lillith  a  solo  project  that  plays  an  occult  form  of  black  metal.


  His  side  of  the  split  starts  out  with  a  very  heavy,  melodic  and  atmospheric  sound  while  synths  can  also  be  heard  at  times.  Vocals  are  mostly  grim  sounding  black  metal  screams  along  with  the  faster  sections  of  the  songs  also  adding  in  a  decent  amount  of  tremolo  picking  and  blast  beats  which  also  gives  the  tracks  more  of  a  raw  feeling.


  Throughout  his  side  of  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  one  track  also  adding  in  a  brief  use  of  clean  playing,  clear  singing  can  also  be  heard  briefly  and  when  guitar  solos  and  leads  are  finally  utilized  they  are  also  done  in  a  very  melodic  style.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Portuguese  and  cover  Occultism,  Vampirism  and  Human  Experience.


  In  my  opinion  Luxuria  De  Lillith  are  a  very  great  sounding  occult  black  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  his  side  of  the  split.  RECOMMENDED  TRACKS  INCLUDE  "Nosferatos"  and  "Asmodeus".


  In  conclusion  I  feel  this  is  a  very  great  sounding  split  and I  would  recommend  it  to  all  fans  of  occult  black  metal.  8  out  of  10.


  https://www.instagram.com/sigiloblackmetal 

https://www.facebook.com/sigiloblackmetal 

https://www.sigiloblackmetal.bandcamp.com 

http://www.luxuriadelillith.com/

 https://www.facebook.com/luxuriadelillith

 https://www.instagram.com/luxuriadelillith/


      


    

Thursday, July 17, 2025

Gjallarhorn's Wrath/The Silver Key/Non Serviam Records/2025 Full Length Review

 



  Gjallarhorn's  Wrath  are  a  band  from  Spain  that  plays  an  atmospheric  and  old  school  form  of  black  metal  with  elements  of  death  metal  and  this  is  a  review  of  their  2025  album  "The  Silver  Key"  which  will  be  released  in  September  by  Non  Serviam  Records.


  Epic  sounding  keyboards  which  also  adds  in  a  symphonic  touch  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Spoken  words  can  also  be  heard  on  a  few  tracks  while  the  riffs  also  add  in  a  decent  amount  of  melody  and  the  vocals  also  add  in  a  mixture  of  death  metal  growls  and  black  metal  screams.


  A  lot  of  the  music  is  very  heavily  rooted  in  the  90's  era  while  the  faster  sections  of  the  songs  also  add  in  a  decent  amount  of  blast  beats.  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style.


  When  tremolo  picking  is  added  into  the  fast  riffing  they  also  give  the  songs  more  of  a  raw  feeling  along  with  the  recording  also  having  its  atmospheric  moments.  At  times  the  music  also  adds  in  a  very  ritualistic  vibe  as  well  as  the  recording  also  adding  in  some  modern  touches  to  an  old  school  style,  one  track  also  adds  in  a  brief  use  of  female  vocals.  The  production  sounds  very  professional  while  the  lyrics  cover  occultism,  myth,  existential  dread,  mysticism,  fate  and  cosmic  horror.


  In  my  opinion  Gjallarhorn's  Wrath  are  a  very  great  sounding  atmospheric  and  old  school  black  metal  band  with  elements  of  death  metal  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Wiccan  Wyrd"  "Fangs  Of  Hate"  "With  Souls  Reborn"  and  "A  Silent  Scream".  8  out  of  10.


  https://youtu.be/25mjOHja5B4

https://www.facebook.com/Gjallarhorns.Wrath

https://www.instagram.com/gjallarhornwrathband

CD: https://www.non-serviam-records.com/products/gjallarhorns-wrath-the-silver-key-digipak
VINYL: https://www.non-serviam-records.com/products/gjallarhorns-wrath-the-silver-key-vinyl

DIGITAL: https://non-serviam-records.bandcamp.com/album/the-silver-key  


      

Irshi Interview

 

For those who’ve never heard of you, can you tell us a little about your solo project?


I originally started Irshi purely as a solo endeavor. Over time, however, the name Irshi became inseparable from my own artistic identity. Although my earliest work fell under post-black metal, I gradually shifted into what I now call Acoustic DSBM—a style I believe is unique in Turkey.


In March you released a new full-length—musically, how does it differ from your past work?


Altınlı Ablam (released March 3, 2025) carries a special historical and personal significance for me. Unlike my earlier songs, it’s not just music but the first-ever recording of a truly lost folk tale told to me by my grandparents. By committing this story to record, I transformed the album into a complete narrative experience  .


The new album takes a more acoustic direction, while older releases were heavier. What prompted that change?


I began as a post-black metal artist because I loved the genre, but I realized it didn’t fully express my own voice. I was drawn to the calm, melancholic passages in DSBM—especially those rare moments of purely acoustic instrumentation. Since no one was naming or exploring “acoustic DSBM,” I decided to embrace acoustic guitar (my favorite instrument) as my main mode of expression. With Hope’s Diurnal Rhythms and now Altınlı Ablam, I’ve made Acoustic DSBM my primary genre  .


On the new album you also cover “Anatolian legends.” What draws you to that theme?


That focus is unique to Altınlı Ablam. Hearing a folk tale from my own hometown that existed nowhere else—in no library or online archive—felt like a gift. Preserving and sharing it was too meaningful to pass up; otherwise, I might never have made an album centered on it.


What other lyrical topics have you explored in your previous releases?


When I first launched Irshi, I was angry—angry about my country’s struggles. My earliest lyrics were overtly political. Over time they evolved into social critiques, and lately into deeply psychological themes. Writing about my inner battles and sharing them through music has helped me grow; I’m almost unrecognizable compared to those first years, and I’m deeply grateful to this project for that.


What is the meaning and inspiration behind the name “Irshi”?


In Turkish mythology, an irshi is a forest spirit or fairy that often acts as a mentor and can shapeshift into animals or objects—but notably, it cannot lie. Since Irshi began as a way for me to speak unvarnished truths about my society, adopting the name of a creature that simply cannot lie felt completely natural.


Can you tell us about the artwork on the full-length cover?


The cover shows a long-abandoned house in Gökçen village, destroyed by an old earthquake. In the Altınlı Ablam tale, this is the home of Ayzıt Nine, the mystical woman who shelters the story’s young heroine on a remote mountain. The ruined house perfectly captures that sense of isolation and mystery.


Aside from a few session musicians, you record almost everything yourself—would you ever work with a full band?


Irshi is always going to be my solitary diary—my own unfiltered thoughts. That said, I do play in other bands: Moko (a Turkish midwest-emo/pop-punk group, one of the first of its kind here) and an acoustic outfit called Bulutların Üstünde, also unique in Turkey. But Irshi itself will remain a one-person project.


Since 2022 you’ve released a huge amount of material. Do you spend most of your time writing and creating music?


Absolutely. Almost all my free time goes into writing and playing music. If I’m too tired to compose, I at least listen and immerse myself in sounds—alone or with friends.


On the new album you have several guests—who are they and what did they contribute?


All of my guest artists are close friends:


Ali Bülbül (blues/jazz guitarist; also plays in Bulutların Üstünde)


Bladeckest (progressive post-death metal artist; co-wrote “Alev Esintisi” to honor our country’s wildfires)


Archura (alternative melodic post-metal/rock; collaborated on the Momo film OST)


SilverMoon (alternative rock; an old friend who released a debut album after just one year on guitar)


Each of them co-wrote specific tracks, adding their unique visions and making the album more diverse.


You’ve also done splits and other collaborations—who have you worked with?


Every artist I’ve collaborated with is a personal friend. Aside from Altınlı Ablam’s guests, I wouldn’t record with someone I didn’t know well. Trust and shared vision are essential.


You’re currently unsigned—are you looking for a label or have you had any interest?


I have no plans to sign. I’ll remain fully independent as long as there are people who share and support my work without expecting anything in return.


On a worldwide level, how have black-metal fans reacted to your music?


Many listeners find my style challenging—long, quiet, depressive acoustic tracks can be heavy. But those who embrace it can’t get enough once they discover the beauty within the stillness. There are also some elitist circles that refuse to acknowledge it as “metal,” but I think it’s too early to draw conclusions. This sound needs time to find its audience.


Where do you see yourself heading as a musician in the future?


I’ll continue balancing two lives—my day job and my music. Both are equally important to me, and I intend to keep walking both paths.


Which bands or styles have influenced your music, and what are you listening to nowadays?


So many underground artists inspire me, but a few standouts are The Peregrine, Grav Morbus, Eternal Tide, Acrosome, Blodstrupmoen, Evelyna, Shtandarth, Procer Veneficus, and Мохра—along with countless others.


Before we wrap up, any final words?


Thank you so much for your support and for this first-ever interview! Your interest in such an innovative genre truly honors me.